Founded in 2016, Pont Neuf is an independent label with a mission to encourage the emergence of France’s burgeoning electronic community. Its origins can be traced back to an early compilation, the likes of which included productions from Sweely and Folamour. This opened the door to Rex Club, where they held their very first party before going on to host a two-year residency at Boulevard Poissoniere between 2018 - 2020. Add to that past showcases at Concrete, Badaboum, Djoon, Sacre, Java and Batofar and you’ll soon start to see that Pont Neuf’s standing in the city runs deep. Recognised in 2019 by Mixmag as “one of the French scene’s most essential labels”, the Paris-based imprint is spearheading a cultural movement, developing the careers of several artists in the process including Tour-Maubourg, Vitess, Cosmonection, KX9000 and many more besides.
Review: Under the DJ Psychiatre alias, Sylvain Creton is fast becoming a rising star of the current French electronic underground. Further proof of his credentials arrives via 'Glad To Be Back', a four-tracker based on fusing his love of vintage progressive house sounds and the hands-in-the-air rush of piano house. He first gets 'Lost In The New', adding hands-aloft piano stabs, MK style organ motifs and colourful chords to a crispy rhythm track, before opting for a breezier and even more rushing vibe on the similarly kaleidoscopic 'Riding Zone'. 'We Make Records' sees Creton wrap echoing vocal snippets, woozy ambient chords, acid-influenced electronics and jaunty pianos around a shuffling deep house groove, while 'Thinks We Do' is a bubbly, acid-flecked slab of breakbeat house joy.
Review: French DJ/producer Mira Lo shot to international fame with her debut Pont Neuf EP 'Memories' last year. Now she's back with the five-track 'Tribute To Chicago', which was apparently inspired by "an artistic and personal retreat at the heart of the mythical city where house music was born". But don't expect reverential old skool Chi-town house vibes here: instead, the EP's five tracks mix and match influences from house, nu-disco, synth-pop and juke/footwork, all rollicking along at a fair old lick and all sporting Ms Lo's own vocals. The standout for yours truly is 'A Night In Chicago', which does have something of a Larry Heard-ish feel but has hints, too, of UK garage.
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