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Lunga Strada
PTM 003
19 Jan 18
Disco/Nu-Disco
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Lunga Strada (The Pilotwings Bubble Zouk remix) - (4:55) 126 BPM Biggest-selling track on this release
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Lunga Strada (The Pilotwings Bonus Beats) - (3:59) 126 BPM
from $1.87
Review: In its original Prins Thomas 5 album form, "Lunga Strada" was something of a glistening Scandolearic treat - a sublime fusion of cascading, jazzy guitar solos, sun-ripe organ chords and layered, loose percussion. Who better to remix it, then, than Lyon-based Hawiaan shirt enthusiasts turned nu-Balearic kings Pilotwings? Naturally, the resultant reworks are little less than superb. They begin with the humid, kaleidoscopic fusion of the Bubble Zouk Mix, which utilizes synthesizer panpipe melodies, loose synth-pop drums and a skip-load of happy pills to transform the Norwegian's original version into a kind of tropical Balearic boogie masterclass. The "loved-up in the jungle" feel is heightened further by their Bonus Beats version, a dense percussion workout full of tribal drums and sampled chants.
A
PTM 002
10 Nov 17
Funky/Club House
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A (Pional remix) - (6:34) 120 BPM Biggest-selling track on this release
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A (12 Inch version) - (8:33) 79 BPM
from $1.87
Prins Thomas 5
PTM 001LP
24 Nov 17
Disco/Nu-Disco
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Here Comes The Band - (5:48) 120 BPM
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Villajoyosa - (5:10) 105 BPM Biggest-selling track on this release
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Bronchi Beat - (7:17) 120 BPM
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Track 4 - (5:12) 118 BPM
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AE - (7:16) 104 BPM
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O - (6:21) 116 BPM
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Lunga Strada - (7:55) 120 BPM
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London Til Lisboa - (8:13) 103 BPM
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A - (5:27) 119 BPM
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Venter Pa Torske - (4:29) 100 BPM
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Aske Hermansen - (7:18) 109 BPM
from $1.87
Played by: Richard Rossa
Review: In the five years that it's taken former studio partner Hans-Peter Lindstrom to produce his latest solo album, Prins Thomas has delivered three fantastic full-length excursions. He's at it again here, laying down another cheery, entertaining and off-kilter romp in his now distinctive style. Rich in live instrumentation, vintage synthesizers and classic drum machines, "Prins Thomas 5" sees the lauded Norwegian serving up cuts that variously touch on space rock, cosmic disco, Italo-disco, krautrock, ambient, acid, proto-techno and, of course, his own distinctive takes on the "Scandolearic" sound he helped to create. It's arguably a little more intricate, layered and complex than some of his previous work, but that's no bad thing. Arguably, it's one of his best sets yet.
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