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Puzzlebox US
Browse the latest digital releases on Puzzlebox US
Played by: Juno Recommends Techno
Review: Keith Tucker's Optic Nerve project is synonymous with electro, but on Fragments, he focuses on dance floor techno. That said, this four-tracker sees the veteran Detroit producer retain a similar set of influences; the title track resounds to shuffling drums and a bubbling bass, while on "Echoes", Tucker deploys robust kicks to reimagine the shiny, synth-led futurism of vintage Optic Nerve for techno dance floors. "Metallics" is powered by the same propulsive bass and surging melodies that propelled the classic 2009 Optic Nerve release Reassimilation, while the purring low end and chiming hooks of "Sequence In Time" show that Tucker is at home making techno as electro.
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PBX 36
21 Oct 22
Techno
21 Oct 22
Techno
Played by: Juno Recommends Techno
Review: It's hard to believe that Keith Tucker recorded Trilogy Wave 3 nearly 30 years ago - if anything this 1995 release still sounds like it was beamed in from the future. "The Gateway" is led by an ominous low end, which acts as the basis for outer space bleeps and shuffling drums. Picking up the pace on "Light Span", Tucker drops a frenetic rhythm and frazzled bass as the backdrop for a soaring tonal sequence and a mysterious vocal. In stark contrast, "Nebula 7" is a slower affair; sensuous strings swirl over crisp drums, while a low-slung bass transports the listener to a different dimension.
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PBXTR 3
16 May 22
Techno
16 May 22
Techno
Optic Nerve feat Strand
Review: Keith Tucker slips into his Optic Nerve alias for this superb collaboration with Detroit trio Strand. The title track is a laid back serving of Motor City techno: peppered with outer space blips that ride a warm bass and featuring ghostly synths, it draws on Strand's rich musical background. On "Factor It N (mix 1)", the collaboration shifts towards Tucker's electro sound: powered by a robust bass and rolling drums, ponderous vocal samples and eerie sound scapes come together to create a powerful track. The 'electro mix' of "Factor..." is more understated, as steely drums and a Model 500-style bass support the vocals, which this time are softened by vocoders.
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PBX 033
19 Jul 21
Electro
19 Jul 21
Electro
Review: Fresh off the press Detroit electro press! Electro devotee Keith Tucker (of Optic Nerve and Aux 88 fame) keeps his K-1 project inspired after rebooting the alias in 2020 following a 13 year hiatus. Splitting this release with Gerald Donald & Michaela To-Nhan Bertel's Dopplereffekt project, Puzzlebox presents a release that will appeal to the true electro head. Leading with a heavy kick and clap combo in "Stargazing" it sees the K1 alias maintain a raw, dusty and stripped back sound, with Dopplereffekt's "Telescope Array" delving into something haunting and scientific by trademark - catch its bonus outro-vocal too.
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PBX 32
07 May 21
Electro
07 May 21
Electro
Review: Puzzlebox owner Keith Tucker delivers his first solo record in years as K1. Tucker, who is also the co-founder of the Aux 88 electro act, shows why he is such a revered artist. "Modular World" is a dense slice of Detroit electro funk, with bleak synths and robotic vocals unravelling over a tight rhythm, while the use of a paranoid bass only adds to the sense of drama. On "Schematix", Tucker takes the pace down a few notches; once again, there's a robust bass at the heart of the arrangement, but this time, it's fused with spaced out tones that sound like they were beamed down from Mars.
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PBX 29
18 Sep 20
Electro
18 Sep 20
Electro
Played by: DJ Mau Mau
Review: There has been an abundance of high quality electro over the past few years and this new release by Keith Tucker's Optic Nerve project is the latest chapter in the form's renaissance. In contrast to his Aux 88 work, Optic Nerve focuses on more esoteric sounds. Indeed, the combination of squelchy bass and widescreen synths on "Ominous" call to mind Model 500. "Celestial Encounter", which gallops along at the 140 bpm mark, is also imbued with spacey melodies softening the sound of its wiry electro rhythm. Tucker drops the tempo back down on "Jazzy Circuitry", and the interplay between powerful bass and lush chord sequences makes for music that's every bit as fascinating as Aux 88.
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PBX 028
14 Mar 16
Techno
14 Mar 16
Techno
Played by: Paul Mac
Review: Optic Nerve aka Keith Tucker is a Detroit maestro who has been making techno since 1995 together with the legendary Anthony 'Shake' Shakir on their magnificent Puzzlebox Records. He's back after his usual one-year hiatus and has returned with a solid four-track revision of "Time Lapse" and "One Moment In Time". The former comes with both a "Minimal Detroit Mix", a chord-heavy monster for the small hours, and a "Time Displacement Mix" which is equally synth-centred but considerably more broken in its drum pattern. "One Moment In Time" is a gorgeous Detroit techno landscape, filled with watery synth squeals, funky bass tones and one hell of a percussion layout, whereas the AS1 electro mix featuring Arnold Steiner does what it says on the cover and produces a Drexciya-reminiscent Roland jam for both floor-use and headphone pleasure. Highly recommended.
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PBX 0245
10 Jun 13
Techno
10 Jun 13
Techno
Played by: Juno Recommends Progressive House
Review: This is one for the heads, quality techno meets progressive bringing the sounds of Detroit and Tokyo together. These tracks are spacey and atmospheric, tailor made for those smoke filled underground floors. Title track 'Blue Love' has a captivating vocal from Erika Tele which floats beautifully above the bubbling beats and bassline while a soaring string glistens through. There is a dub for the vocally shy, and also included is the brilliant Cafe mix of 'Dark Deceptions' for those really deep and twisted moments. A big EP of raw electronic music which will both educate and entertain!
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PBX 024
20 May 13
Progressive House
20 May 13
Progressive House
Played by: Juno Recommends Techno
Review: The pioneering Detroit electro act Aux 88 continues its reinvention on Magic. The title track starts with glistening, crystalline synths, joined shortly by a raw, buzzing bass that ripples its way through a shuffling techno groove as Ice Truck's angelic vocals play out in the background. It's a far cry from Keith Tucker's origins as an electro artist. The evolution is made all the more apparent on the instrumental version, where the vocals are stripped away and the bass sounds more epic. Aux 88 follows a similar approach with "Astral Projections"; the bass is more streamlined and pile-driving and an eerie hardcore synth plays out over the arrangement. The release also includes an interlude version of "Projections", with Erika Tele in freestyle mode.
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PBX 022
29 Oct 12
Techno
29 Oct 12
Techno
Review: A new trio of remixes of Michigan electro-futurists Aux 88, with songs plucked from their excellent Mad Scientist album given a new lease of life. Detroit In Effect take "Annihilating The Rhythm" and give it a juiced-up 303 line as well, while Mr Velcro reinterprets "Interstellar Time Travel Theme" as a fast '80s electro joint in the vein of Egyptian Lover. Similar west coast-isms bleed into the Miami bass hi-hats on DJ Xed's Bladerunner-esque reimagining of "Control Panes"
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PBX 021
30 Sep 11
Electro
30 Sep 11
Electro
Review: Keith Tucker's long-running electro project rarely strays into the straighter techno field, so it's interesting to hear how typical 4/4 producers approach Aux 88's original material. The most conventional version is Andrez Bergen's take on "Electronic Underground". Using tribal drums and shards of glitchy percussion, the epic, soaring synths nonetheless remind the listener what city "Underground" originated from. Arne Weinberg's take on "Underground" is more rooted in the Detroit techno narrative with doubled up claps and a wiry groove underpinning more subtle melodic bursts, but the highlight comes from G Man. It's been a long while since Gez Varley worked under this guise, but his symphonic string-led take on "Shadow Dancing" is a reminder of his prowess as a techno producer.
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PBX 020
16 Sep 11
Techno
16 Sep 11
Techno
Review: Despite one of the central narratives in electro being about exploring the future, there is scant evidence that its leading producers actually practice what they preach. If we leave this contradiction to one side, there is no doubt that producers like Gosub and Mr Velcro Fastener are leaders in their field. Gosub's version of "Extraterrestrial Time Traveller" features a an electro funk bass and pitched down robot vocals talking about 'sterilisation', while his velcro fastening colleague opts for a wiry rhythm and eerie synth melodies. Dynamik Bass System continues with the retro-facing approach on their version of "Electronic Robots", where a Kraftwerkian sense of melancholy prevails. The future is here and it sounds just fine.
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PBX 019
11 Jul 11
Techno
11 Jul 11
Techno
