Review: Romanian minimal maestro Ada Kaleh returns to esteemed imprint R&S for another presentation of intricate electronics, following up a spate of releases on his eponymous imprint. Based on an experience in the mountains with some companions, he had an epiphany - a cosmic call (which the title translates to) of sorts - and became the inspiration for the A side "Chemare Cosmica". Brooding and mysterious, much like his Palatul de Cleștar EP for the label last year, he now serves up the majestic dub techno exploration of the title track, swirling in intricate chords and laden with generous delay and reverberations. This is supported by the hypnotic "Valea Ancestrala" which is more reminiscent of his usual esoteric style.
Review: Following his R&S debut last year, Berlin-based American Afriqua (aka Adam Longman Parker) presents Vice/Principle, which veers into psychedelic territory and is inspired by the cosmic departures of '70s krautrock and jazz. After several years developing a hefty catalog of releases, Parker has embraced his R&S signing as an opportunity to dive deeper into his signature, yet versatile sound. From the hypnotic and ethereal bounce of "Melamed", the broken beat hi-tech soul of "Noumenon" or the immaculate production of "Cerch" which showcases Parker's classically trained foundations, he serves up a cohesive effort here which further demonstrates his abilities as one of electronic music's most innovative sonic heroes.
Review: Following Eps for R&S, Adam Longman Parker drops Colored, his debut Afriqua album, on the label. Inspired by artists like Quincy Jones and Roy Ayers but also rooted in modern electronic production, it features soulful vocal jams like "Dope" sitting alongside subtle house/techno steppers such as "Shout" and "Upstream". Meanwhile, the album also sees him indulge his experimental flights of fancy, audible on the warped chimes of "Birdlandia" and "Noir". Possessed by a rare ability to turn these seemingly conflicting narratives into a seamless whole, Parker's unique approach means that Colored is a bewildering but often quite brilliant work.
Review: The RV Trax series make for the most personalised releases on R&S, with founder Renaat Vandepapeliere selecting tracks that he plays out. As "Archivolt" the contribution from B?rtaub demonstrates, he is clearly a fan of teased out, trippy minimal house in the style of Ricardo Villalobos. In stark contrast is Dawn Razor's "Acid Funk", a dense break beat number, with splurging acid lines insinuating itself into the funky beats. On Milesh's "Jedi Mind Design" Renaat covers territory similar to Dawn Razor, albeit with moody soundscapes and dramatic stabs unfolding over the funky rhythm. Finally, there's Izan Hesse's "Tinder Express", a searing, noisy stepper that could be a distant cousin of Neil Landstrumm's work around the time of Restaurant of Assassins.
Review: Benjamin Damage became part of the R&S family last year, and this single offers a taster for his debut album, due for release soon on the storied label. The title track is an evocative affair, touching on early 90s intelligent techno's emotive, fragile melodies while keeping a focus on the dance floor thanks to the use of a stepping groove. On "Binary", Damage also conjures up a melodic aesthetic, only this time he expresses it through the use of surging chords and a skipping rhythm. Both tracks are understated but distinctive and bode well for the UK producer's imminent long player.
Review: Under the Blocks & Escher alias, Phillip Smith and Will Hansen have been one of the most reliable drum & bass duos of the last few years, with their 2018 debut album on Metalheadz, Something Blue, being a must listen. The pair's first outing on R&S is naturally still rooted in drum & bass but could have appeal way beyond genre purists thanks to its frequent nods to classic jungle and the more immersive and saucer-eyed end of the breakbeat spectrum. Our picks of a very strong bunch are 'Dance Girl', a sweaty, enveloping chunk of post-jungle featuring what sound like cut-up live drum-breaks, the punchy, Exit-esque experimental D&B creepiness of 'Abyss' and the hot-stepping, horror soundtrack moodiness of 'Shot in the Dark'.
Review: More Time and R&S linking up is always going to lead to something fantastic, and this latest four track selection is just that, as we firstly kick off the project with some incredibly vibrant drum work and percussive brilliance from Ahadadream on 'Melty'. Next, Bala Bala Boyz rise to the occasion with more high energy drum chops and vocal lines on 'Sieta' before Bryte brings the grooves with the irresistible switch ups of 'Ice Cream'. Finally, 'Bleep Test' lands from SNOW, putting a final touch of rhythmic bliss onto what we can safely say is an excellent body of work.
Review: "20HZ" was one of the biggest house tracks of the 90s, with its distinctive tribal drums ensuring that it was played by DJs right across the board. To mark the 30th anniversary of its release, R&S has commissioned new remixes. Andert Tysma adds a whole new dimension to "20HZ", morphing it into a dreamy ambient track. There is so such divergence on Marco Lys' remix, which ups the tempo but keeps the focus on the same rolling, tribal drums. Vromm opts for a different approach, with robust breaks and a searing bass added to the arrangement. Carl Cox's version also stays in a similar field, with the seminal DJ upping the pace and dropping a grainy bassline.
Review: Chizawa originally released Asia back in 2006 on R&S, and now the emergence of a new version of that track provides the impetus for the label to reissue this classic underground EP. Inspired by the melodic soul and high-tech funk of Detroit techno, "Asia 4" remains a stellar underground track. "Panther" is a similarly inclined piece, with Chizawa raising the tempo to deliver an atmospheric, string-led workout. The new version of "Asia" the 'Lost Q' remix, adds to the producer's Motor City-fuelled creds, with a bubbling groove underpinning the kind of synth-led soul one would normally associate with classic Transmat and Metroplex.
Review: One of 2023's positive developments is the re-appearance of Dave Angel. Following a long period when he didn't release much material, the iconic UK producer has returned in style. The most recent outing was an excellent new release for Rekids and next up is Stairway To Heaven. It's the latest digital reissue of Angel's classic 90s material on R&S and starts with the unforgettable squelchy bass and dramatic builds of "Bounce Back". The high-paced tribal drums of "Sighting" provides a glimpse of the frenetic techno that became Angel's staple. "Trip To Darkness" embraces the hardcore sound that prevailed at the time, while the rolling groove of "Jungle Love" also reverberates to early 90s bass-heavy menace.
Review: Dave Angel had a huge impact on techno throughout the 1990s, and this reissue of his 1991 1st Voyage EP shows why he was so influential. Angel's main legacy will be his contribution to integrating deeper sounds with high-paced techno rhythms, and the origins of that approach are audible on the sweeping strings of "Mesmerize", which CJ Bolland co-produced. However, 1st Voyage also impresses due to the UK producer's ability to deliver knockout club tracks. "Poison" unfolds to menacing thunder claps and Beltram-esque dissonance, while "Planet Function" is a jittery, rave-infused roller. On "Velocity", the UK producer conjures up a visceral vision of what ultimately became his signature sound, as eerie chords are fused with a tight rhythm. It's testament to Angel's vision that 30 years later, 1st Voyage remains a fascinating journey.
Review: Following his Did This release earlier this year, veteran producer Dino Lenny returns to R&S. Washington Street may not be typical for the label's sound, but at its heart is a lithe techno groove. Led by niggling hi hats, subtle snare rolls and a pulsating bass, it's all about the piano keys that flow and build in a celebratory fashion. Like a contemporary take on 90s Italian house, the title track is sure to have widespread appeal. In anticipation of its audience, the release also features a truncated radio edit - don't be surprised to hear this version on daytime radio.
Review: Over the years, Felix Manuel's DJRUM project has been an important reference within the so-called 'post-dubstep' scene, which has conveniently been reimagined as 'bass' music. The artist was and still is a big part of the 2nd Drop catalogue, having released an LP and countless singles on the imprint, so it's no surprise that Belgium's mighty R&S have called upon his services. He comes through with his second album, Portrait With Firewood, and it's a much more contemplative piece of work that spreads much further than mere dance tooling, often dissipating into contemplative ambient rhythms with a post-modernist spin. Tunes like "Waters Rising" provide mystique and wonder, while others like "Sex" call to the dancefloor or even some solid meditation, much like the placid waters of "Sparrows". More than anything else, this is a true album from start to finish, constantly wondering into abstractions and then back again for some serious beat throw-downs. Excellent.
Review: R&S have a real history of bringing forward the weird and wonderful into the public eye, and it appears that this most recent link up with DJRUM is another perfect example of that brilliance as we sit tight for two stunning original creations. The high tempo drum shuffles and windy altitudes of the A-side 'Hard To Say' are something to behold, with pulsating chord clinks riding through the centre of the mix and crunchy transitions at every turn. On the flip side we take things down a bit more tropical road as we are greeted with rapid fire percussion and steel-drum like arpeggiator synths in 'Tournesol', providing a fantastic contrast across both the A & B sides.
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