Review: Every now and then Spanish disco maverick Rayko gets the time to release some of his in-demand edits on his own label, Rare Wiri Feelings. Maybe it was the Christmas lull, but he's found the time again, and here we have On The Beat. The title track cruelly, but beautifully, teases out B. B. & Q. Band's "On The Beat" to heavenly effect, "Satisfaction" is a moody glam stomp and "Sneak Preview" is slick soul pop, but it's the funk meets Italo-disco of the euphoric "Time Bandits" that's the standout here.
Review: Madrid's disco don Rayko, is back on his own label for some pastel coloured edits on Rare Wiri Feelings Vol 1. Unbelievably he's tackled Frankie's '80s disco-sex-punk anthem "Relax" - possibly the most re-edited/bootleged '80s tune ever. However he turns it into a smoother electro-house workout, which largely works. "Dare" sees Linndrum fills compete with elastic slap bass resulting in a mid-80s Miami freestyle showdown and finally Hall & Oates' classic "Family Man" gets dubbed out in fine style.
Review: There's life in them there '80s yet, at least according to Spanish producer Rayko who returns here with an EP of tunes that could come straight from an episode of Miami Vice circa 1985. Brooding digital synth washes rule the roost with "Peyote Warrior" being all angsty electro-disco basslines, tropical pads and guitar wails, "Lucky Strike" features live-sounding bass and drums with layers melancholic electronics on top, "Juno Lover" is the sound of a stakeout under palm trees at night and "Play" the urgent and percussive soundtrack to a fictional car chase. You can almost smell the sunblock!
Review: Two new fresh edits here from Spanish nu-disco hero Rayko. Although his debut album, Rebirth, came out recently, he's already left it behind in favour of new electro-boogie to plunder and rejig. "In Love" features the kind of laser-sharp basslines that could cut through a car, tight-as-a-gnat's-chuff guitar and seductive female sirens on vocals. However, it's the synth-drenched electronic rare groove of "Piano" that really nails it for us.
Review: Having spent much of his career impressing with a near endless stream of re-edits, in recent times Rayko has moved further towards original production. Here, he follows up his recent album of original material on Nang with a two-track hook-up with Landerground. Both tracks blur the boundaries between original production, re-edits and bootleg remixes. "Melancholy" - seemingly a version of something obscure and vaguely Balearic - fuses throaty vocals and simmering strings with bubbling electronics, saucer-eyed keys and pulsating, Italo-influenced bottom end. The slightly tougher "Mechanical Life" opts for a similar approach, basing the action around tactile synth bass, atmospheric strings and dreamy vocal hits.
Review: Having recently released his debut album proper - the vibrant nu-disco pulse of Rebirth - Spanish producer Rayko returns to the re-edit scene with which he makes his name. The Elektroboogie EP is typical of his style, delivering a mix of Balearic curiosities (the jangling, sunshine-friendly goodness of "Bring On The Night"), rubbery disco (the loopy electrofunk flavour of "Don't Make Me Waiting"), thick-set electrofunk ("What I Like"), dubby proto-house (a memorable version of Samson & Delilah's 1984 Paradise Garage classic "I Can Feel Your Love Slippin' Away") and well-known anthems (a tougher rearrangement of Joe Smooth's end of night Chicago house classic "Promised Land").
Review: Two Spanish stalwarts of the nu-disco and edits scene join forces on this two-track EP. As you'd expect from Rayko's Rare Wiri label, the emphasis is on re-edits, though there's enough additional production and contemporary trickery on display than you're average scalpel cut. Ilya Santana steps up first with "Logic", a decidedly cosmic, and trippy re-build of Japanese producer Logic System's 1981 electronic classic "Clash (Chinjyu of Sun)". Rayko, meanwhile, drops "Baby", a similarly dubbed-out and floor-friendly remake of what sounds like a forgotten Italo classic. Knowing Rayko, it could just as easily be something well known put through the mangler; either way, it's one of his strongest cuts for some time.
Review: Mr prolific Rayko is back with yet more gems. If you thought that Chromeo were the only folk out there rockin' that whole mid-80s electro-boogie thing, you'd be wrong. This EP could be straight out of the US club charts, circa 1986. "You're The Best" might easily be Chaka Kahn jammin' in the Danceteria, "Bored" is Miami freestyle meets Jam & Lewis with lashings of harsh string stabs for '80s overload. Finally, "Win U Back" takes a pinch of Shalamar, sprinkles in some Pointer Sisters and mixes it up for a frothy Soul Weekender explosion.
Review: Spanish re-edit hero Rayko had a productive 2011, releasing some of the best cut-ups and disco reworks of the year. Here he begins 2011 in similar fashion, delivering four more tried and tested slabs of dancefloor funk. Opener "My Lady" does a terrific job at re-modelling a Prince-era, slap-bass heavy 80s jam, removing all but snatches of the vocal in favour of more instrumental groovery. "After The After" continues on a similar theme, going deeper into slow dance territory, while "Turn Me On Again" builds brilliantly over six delightfully sensual minutes. "This Is It", meanwhile, adds some head-nodding house flavours to a simmering 80s soul jam. Solid.
Review: Re-edit hero Rayko teams up with the little-known Dynamicron for this four-track scalpel trip into the murky world of 80s power-pop, Eurobeat and skewed Balearica. Rayko himself offers up two tracks - the soft focus Balearic pop indulgence of "Voyager" and the handbag-friendly chugging cut-up 80s pop sweetness of "Foreign Affair". Dynamicron, meanwhile, goes for a heavier sound on his two cuts, the booming bottom end throb of "JukeBox Hero" (80s powerpop goes disco-house, anyone?) and guitar solo-laden "WorkingClass Hero" (yep, an edit of a cover of Lennon's "Working Class Hero"). There's a distinct whiff of hairspray about the whole EP!
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