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Rekids

Rekids

Rekids: A Forceful and Lasting Imprint in Techno.
ailing from the UK, Rekids isn't your average electronic label. Founded in 2006 by the collaborative minds of James Masters and Matt Edwards (aka Radio Slave), Rekids has carved a unique path in the scene within a short time.
Renowned for its cutting-edge sounds, the label champions electronic music that thrives both on and off the dance floor. They consistently push boundaries, releasing innovative tracks that resonate with listeners even in a relaxed setting.
Over the years, Rekids has become a breeding ground for some of techno's most exciting new voices. Artists like Lucy, Raxon, and SHDW & Obscure Shape all found a platform for their early works on the label. Rekids also wasn't afraid to collaborate with techno veterans, with releases from the likes of Robert Hood and Surgeon adding a touch of experience to the label's roster.
Over the years, Rekids has released a string of critically acclaimed records, solidifying its position as a leading force in techno. The label continues to push boundaries and discover new artists, ensuring its place at the forefront of the genre's evolution.
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Pilot EP
Brain Dead - (2:51) 122 BPM
MA1 - (5:54) 122 BPM
River - (4:26) 123 BPM Hot
Elephant & Snake - (5:55) 118 BPM
Callout FM - (3:31) 120 BPM
Pilot - (3:49) 120 BPM
Birds Of The Barbican - (5:06) 120 BPM
Review: As debut EPs go, Yves Thomas's first outing - on Rekids, no less - is not only rather impressive but also notably expansive. Over the course of seven varied tracks, the London-based, Bristol-raised DJ/producer/vocalist fully turns his hand to enveloping, slow-burn ambient ("Brain Dead"), spacey and dreamy breakbeat-house (the superb "MA1"), more robust and bass-heavy - but no less melodically detailed -dancefloor fare (the raw and weighty "River"), hypnotic late night fare ("Elephant & Snake"), jazzy intergalactic broken beat ("Callout FM"), drowsy electronica/synth-pop fusion ("Pilot") and immersive, acid-flecked deep-bruk business ("Birds of the Barbican").
 from $1.89
REKIDS 157
05 Jun 20
Deep House
Stories We Tell Ourselves EP
Nebula - (4:09) 125 BPM Hot
Sous Les Etoiles - (5:09) 55 BPM
Stories We Tell Ourselves - (6:49) 125 BPM
Pink Moon - (4:36) 118 BPM
Review: Sebo K has always had a knack of crafting emotive house and techno, so it's no real surprise that his latest release is shot through with atmospheric sensibilities. This aesthetic is audible from the get-go: "Nebula" is led by a tripped out acid line, but it's the booming hardcore bass and the jazzy keys that really push the listener back to a more carefree time in electronic music's recent past. On the reflective "Sous Les Etoiles", the German producer goes deeper again as wispy synth lines and ghostly melodies showcase his expertise. The title track sees Sebo map out a new direction thanks to the use of crisp break beats - albeit coated in soft focus melodies - while "Pink Moon" concludes the release again with breathy, effervescent sounds.
 from $1.89
REKIDS 129
23 Nov 18
Electro
On My Way
On My Way (original mix) - (6:10) 127 BPM
On My Way (acappella) - (4:14) 165 BPM
On My Way (Addison Groove remix) - (4:29) 137 BPM Hot
On My Way (dub Acid Rework) - (5:40) 127 BPM
Review: "Way" is Faraone's second EP for Rekids this year, but prior to this, he had already built up a distinguished catalogue for labels like Drumcode, Ovum and Moon Harbour. It's not hard to understand the attraction of this record to Rekids. The title track marries the pumping Radioslave approach to techno with jacking Chicago beats, stuttering vocals and tales of music industry hubris. Aside from the a cappella, Rekids has commissioned Addison Groove to deliver a high-paced, footwork takes on the Italian producer's original version. If that's too frenetic, then the dub acid rework, with its tough kicks, searing acid line and filtered vocal snatches, will appeal for those who like it tracky.
 from $1.89
REKIDS 119
01 Jun 18
Techno
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