Review: Hot on the heels of a killer remix package of their 2008 anthem "MSG" Afghan Headspin release the Schwarzenegger sized "Total Recall" which blends Happy Hardcore piano hooks and chipmunk vocals with heavy breaks and trancey synths for maximum effect. Japanese breakbeat artist Eshericks drops a killer progressive breakbeat banger with a very effective breakdown whereas as Jersey quartet Schema add further to their reputation with a mid range dubstep tear out. Afgan Headspin finish off things themselves with "5 Years 10 Years" a cheeky little dubstep number with menacing bass stabs, off key hats and comedy samples.
Review: The second single from Cut La Roc's Larger Than Life album sees a host of talent get under the bonnet and tinker around with this effortlessly cool collaboration. With the original crammed full of poppy hooks and Fangs' addictive vocals, Superfrank transplants the vocal onto a sophisticated nu-soul beat, full of harps and 60's drums. His instrumental is a joy that really shows off his studio smarts. Nitenoise by contrast turns "Deathstar" into a breakbeat rinseout complete with acres of bass. Fog's Sledgehammer mix takes things even dirtier, brilliantly using whispered layers of the vocal over a devastating LFO-riding breakdown. Fat Dad and Udy also compensate for the original's more laidback feel by pumping their mixes full of high octane electro fuel.
Review: Caper?s "Poker Ghost EP" gets a release on Cut La Roc?s excellent Rocstar label. Featuring three original productions, Caper explores the deeper side of dubstep whilst melting together the sounds of dubstep, garage, breaks, grime and even reggae. Having released on a number of other imprints, it now looks as though Caper has found his home on Rocstar.
Review: Back with his third album, Big Beat pioneer Lee "Cut La Roc" Potter has created a kaleidoscopic set of songs that make his early days on Skint suddenly seem like a very long time ago. As someone who grew up on hip-hop, it's maybe not surprising to hear so many influences at work at one time. There are plenty of B-Boy references, most notably on "Come Get Some" which features an amazing guest spot from MC Donald D, as well as a choice sample from Big Daddy Kane's "Warm It Up Kane". There's also the use of classic UBB tune Pussyfooter on the schizoid party-banger Jump Up & Down.
But surprisingly, there are a host of other styles on show here as well. Pop gets a look in on For The Kids, which uses a Robbie Williams chorus as a hook in between raps from The 6th Letter. Gary Lightbody from Snow Patrol even makes an appearance on Mishka, with La Roc making a soundbed of sampled strings for the singer to let loose on. A pair of songs with vocalist Alex Larke also showcases some unexpected influences. Don't Stop seems pleasantly indebted to The Rolling Stones, while their other collaboration Candy Man is a slow and sentimental piano-led ballad.
There's still a lot of jump-up club tunes that fans would expect from a Cut La Roc album, like the awesome Nightlife Love and Hey Girl which features a great performance from Ragga MC Lion D. But it's refreshing to hear a DJ produce an album that takes them out of their comfort zone, especially when it works as well as Larger Than Life.
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