Review: Undeniably, there are tonnes upon tonnes of worthy labels experimenting with breakbeat sounds, out there in the digital game. However, only a handful are truly positioned to break barriers and bend trends, such as the unstoppable Rocstar label! For their first EP of 2018, the productive imprint has called upon Jimi Needles and Chaz Thorogood to cause some havoc on our charts. One on drums and the other on vocals and synth work, their only use of breakbeat is to create movement for the angelic, cinematic sounds that engulf each and every track on here. Even "Back Home", which is similar to High Contrast or Alix Perez's strain of d&b, contains something non-dance to its genetic makeup, making up a magnificent collection of tunes for both breaks and non-breaks aficionados. Good music for the good souls out there!
Review: If ever there were a Great British Bass Off, master baker Cakeboy would win hands down. Here he presents two new layers of musical sponge, gelled together with some top musical cream and jam. "Weapons" mixes old skool synths with manic ADHD breaks and build-ups. "Rockin'" lays the subby icing on good and thick over scattershot breakbeats, cowbells and frenzied crunchy funk. The timer's rung, the cake's cooled down, time to get stuck in.
Review: Every bass fan's favourite gateau blaster returns with four firing slices of fondant funk and fury; Both "On" and "Jib Jab" take us right back to the turn of the century big beat/breakbeat conversation, the former with bone-snapping acid stomps, the latter with stuttering funk a la JDS. "Walking In The Rain" brings us back to the future by way of sleazy mid-tempo glitch funkery and a sexy vocal from Scarlett Quinn. Finally "Supercell" takes us deep into the heart of 2007 when Plump DJs and Ils were ruling; rolling, suitably twisted and fuelled with detailed FX and samples. Hotter than a spiced cherry sponge baked by Mary Berry herself.
Review: Crumbs! Cakeboy remains as sweet as ever with this first new track since his impressive album Gateau Blaster. Teaming up with the rather raunchy, emphatic sounding Frances Law, the pair have cooked up a gritty, growling breakbeat groove that's super-charged with sexy prowess. Remix-wise Dutty Moonshine get wild on a slap-happy 140 flex while Sirkus Sirkuz lay down a more subtle 4/4 vibe that - thanks to some very distinctive detuned synth work and Beltram-flavoured strings - builds into a timeless techno monster. Do not delay: Cause some "Damage" today!
Review: His third album in as many decades, Unique 3's influence and clout in electronic music is still wholly relevant, forward-thinking and commendably genre-smashing as it was when he unleashed "The Theme" in 1990. 17 tracks wide, the whole album weighs in at almost two hours with each track tickling a different corner of dance music's underbelly. From the stunning Orbtialesque opener "Broke My Dream" to the slippery subby D&B skips of "Daddy Ain't Around" via the lush acid house bubbles and rushy synth washes of "SIP 9", we're switched and flipped from style to style with due consistency and clarity. Other highlights include the dreamy breakbeat wobbles and ripples of "Alteratio", the chop-slapping big room house of "Memories Inside My Head" and the epic mesmerisation of the 11 minute finale "Flam Flam". Picture perfect.
Review: A fondant funkster. A Battenberg badboy. A cupcake crusader - whatever you want to call him, Cakeboy is one of the sweetest things to happen in the breaks world for a long, long time. Baked with precision, his debut album is tasty to the very last crumb. Ranging from the gritty rolls and old school stabs of "Come & Get It" to the mechanical tripletty skankage of "Glam Sandwich" via the mind-bending bass warps and acid mentalism of "Gettin' Carried Away", each cut on this impressive album is cooked with dedicated dancefloor dynamism. Tuck in today.
Review: The new bad boys of swing, Dutty Moonshine return to Rocstar with a slamming slice of retro-future fusion. Swaggering with a heavy rag-time hook and some of the funkiest basslines you'll hear this side of the asylum, it switches from a sludgy glitch to a firing triplet-based D&B shock-out with chaotic results. Beat 3 trips things out heady bass warps and slow, stumbling beats while William Breakspear takes the title literally with a fluid, wet electro body popping workout. Instant festival vibes.
Review: Few producers can boast a name as cool as Cakeboy. It's actually his real name, too; we know a funny story about him looking like an eclair when he was born. We don't have time for such frivolous anecdotes though. Not when the beats are as creamy as "Skyrider": Cakey's original bubbles between low-swung nu-funk and a more melodic, organic, star-gazing groove while JFB adds a glitchy halfstep hybrid with plenty of bass. Both are, as another big player in the cake game might say, exceedingly good.
The King (Hero No 7 remix - instrumental) - (4:02) 137 BPM
The King (Fletch remix) - (3:23) 136 BPM
Review: The sixth letter in the alphabet is F. Which is quite convenient, really; The Sixth Letter are flipping great. Fun, too. Natural and organic but tight as hell, this is raw UK hip-hop delivered with equal measures of fury and funk. "The King" begins with an acoustic guitar groove that grows and develops on such a scale there's a heavier, rockier, more distorted second part. Throw in the instrumentals and some fine remixes from band member Fletch and Hero Number 7 and you've got yourself a fupping amazing EP.
Review: Neatly hyped by his "Avatar" single at the start of the month, Rocstar's new funker-in-residence William Breakspear brings the noise on his debut LP. And what noise it is! Sitting comfortably somewhere between raw funk, hip-hop and dancefloor-driven nu-funk, Billy boy delivers in every way; even with the pun-fuelled title. With 10 sterling tracks on board, we can't list them all, but here are a few hot tips... "Mountain Fort" is a wonderfully trippy slice of deep dub, "Innovation" is a screaming slab of concentrated party fusion that features back-in-the-day legends Credit To The Nation, "Brave New World" drives us to the most darkened corners of the dance with a bashment rhythm and well textured bass tones while "Man Up" celebrates all things carnival. That's four tracks; have a buzz on the other six yourselves!
Review: Firstly, what an album title! Secondly, we're glad to see UK hip-hop, rock and breaks trio The Sixth Letter doing so well - with their debut album out this week on Cut La Roc's Rocstar label. From the Led Zep-recalling opener "Fly Or Die", it's pretty clear the listener is in for a big, brash and dynamic album. The boys don't disappoint - mixing the intense lyrical insights of "Glass" with soulful and sunny choruses ("Over And Out") and hot foot funk ("Gaffer"). A perfect marriage of beats, rhymes and guitars.
Review: Recently rinsed to buggery on Radio 1 by Kissy Sell Out, Florida's Farace comes in hard with the itchy, half-step breaks of "Feel That Ammunition". Given a vocal boost from Trevor Rockwell on the mic, it fuses dubstep and breaks perfectly, whilst also sporting one of the meanest, longest and most insane builds you'll hear in a long time. With mixes from Johnny Dangerously and Wavewhore also included, this is one fierce release.
Review: Two former members of D&B trio Resonant Evil (Renegade Hardware, Moving Shadow) have branched out and found a new breaks-friendly home on Cut La Roc's Rocstar label. And boy have they got material to share: with 31 tracks included plus remixes, they've clearly been busy boys, but thankfully not at the expense of quality. "1,2,3,4" comes charging in with live-sounding drums rattling heavily, while "Wipergroove" and "The Calling" show off their deeply tech side. Unable to leave D&B tempos alone, there's even a few hyped, jump-up tunes in there too, making this an exhilarating roller coaster ride of an album, and an impressive debut to boot.
Review: Hot on the heels of a killer remix package of their 2008 anthem "MSG" Afghan Headspin release the Schwarzenegger sized "Total Recall" which blends Happy Hardcore piano hooks and chipmunk vocals with heavy breaks and trancey synths for maximum effect. Japanese breakbeat artist Eshericks drops a killer progressive breakbeat banger with a very effective breakdown whereas as Jersey quartet Schema add further to their reputation with a mid range dubstep tear out. Afgan Headspin finish off things themselves with "5 Years 10 Years" a cheeky little dubstep number with menacing bass stabs, off key hats and comedy samples.
Review: The second single from Cut La Roc's Larger Than Life album sees a host of talent get under the bonnet and tinker around with this effortlessly cool collaboration. With the original crammed full of poppy hooks and Fangs' addictive vocals, Superfrank transplants the vocal onto a sophisticated nu-soul beat, full of harps and 60's drums. His instrumental is a joy that really shows off his studio smarts. Nitenoise by contrast turns "Deathstar" into a breakbeat rinseout complete with acres of bass. Fog's Sledgehammer mix takes things even dirtier, brilliantly using whispered layers of the vocal over a devastating LFO-riding breakdown. Fat Dad and Udy also compensate for the original's more laidback feel by pumping their mixes full of high octane electro fuel.
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