Review: Released in memory of Andrew Weatheral, IWDG presents a collaboration between his brother Ian Weatheral and Duncan Gray that turns in a cover version of New Order's "In A Lonely Place". Turning in a deep and sidewinding track of pumping toms, treated guitars and electronic drums to the slightest touches of dub, it's given a remix three-way remix hook. Pushing harder at a post punk sentiment, the Hardway Bros Axis dub focus on the original's guitars and bassline, with David Holmes turning in something cooler and kissed by breathy vocals and that classic post-punk inspired touch. Keith Tenniswood adds a percussive rhythm track to his version in addition to setting off a buzz of electronic percolations and cosmic effects. A place for good company.
Review: As we continue to celebrate the stream of releases Rotter's Golf Club have brought to us by The Woodleigh Research Facility we're endowed with three more cuts from Nina Walsh's unrivalled collaboration with Andrew Weatherall. Forever bent on their slight electro trip, the pair dial up a spooked computer in "Scattered Microworlds" next to "Moment Of Lucidity" which only emphasises the project's identity as some kind of solitary outpost conjuring up all kinds of telecommunication experiments somewhere in the southern hams of Devon country. With subtle post-punk and industrial themes weaved into the darker tones of "The Fallen", we rate this EP up there as the project's most exemplary yet.
Review: The Woodleigh Research Facility is the name adopted by Andrew Weatherall and Nina Walsh to channel the creative partnership that began a staggering 30 years ago, which, by and large, has found its ultimate release in 2020. Adding to a huge torrent of music that AW's legendary Rotter's Golf Club has released this year, Facility 4: A Walk With Bob & Bill Vol 2 sends in two uniquely badass, analogue to the core, and firing electro tracks and the one meandering, atmospheric and industrial techno number, "Poiesis". For the more cosmic and melody minded head to "I Hear The Sun", with the sweetest treat in this package the beatdown sparks and sizzling sonics of "Without Distraction". The real deal.
Review: Here's a reboot of the ever reliable Rotter's Golf Club, established in 2001 by the late great Andrew Weatherall. The Woodleigh Research Facility was the Guv'nor's most recent project that he produced for before his untimely departure. His partner on the project was Nina Walsh, a sometime member of Two Lone Swordsmen (with Keith Tenniswood) and this will mark the fourth edition in a series. Features the Giallo-influenced cosmic Italo of "Karra Mesh", the proto-house vibe of "Section" treading the same sonic territory as early Jamie Principle or Virgo 4, and for even more variety there's the tongue-in-cheek oddball groove of "There Was A Glow".
Review: Andrew Weatherall's Covenanza full-length, released earlier this year, was rightly praised as an atmospheric, largely impressive fusion of the veteran producer's many disparate influences. For Consolamentum, he's handed over the parts to those album tracks to some of his favourite producers, giving them instructions to stamp their own distinctive styles on his cherished material. The results are naturally impressive, with Timothy J Fairplay, Justin Robertson, Emperor Machine, Red Axes, Scott Fraser and Heretic - a rising star whose productions have been getting major rotations at Lord Sabre's A Love From Outer Space parties - each delivering fine interpretations.
Review: Over the last few years, Lord Sabre has been busy playing collaborator, joining forces with various musicians and producers on such acclaimed projects as The Asphodells and The Woodleigh Research Facility. Convenanza marks his return to solo work after a seven-year absence. Billed as a chance to "look back at the clutter of a life thorough lived", it sees the veteran DJ/producer lay down an intoxicating blend of post-punk grooves, shoegaze style vocals, delay-heavy horn lines, drowsy synthensizers, and the kind of druggy, pitched-down electronica so successfully explored on his A Love From Outer Space collaboration with Sean Johnston. It is, somewhat predictably, a fine set.
Review: Last year, Andrew Weatherall launched yet another collaborative project, joining forces with long-time pal and occasional studio partner Nina Walsh as The Woodleigh Research Facility. Here, they continue their partnership with The Phoenix Suburb (And Other Stories), a fine debut album that marks the first material on Weatherall's Rotters Golf Club imprint since 2013. Rooted in the Detroit end of electro, but with more than a hint of the early, IDM influenced escapades of the former Junior Boys Own man's Two Lone Swordsmen project, it's a set that combines moments of snappy dancefloor heaviness with more evocative, ambient-influenced fare. There are, of course, plenty of intriguing aural references to shared influences - psychedelia, rockabilly, Arabic music, and so on - scattered throughout, making it an intriguing and entertaining proposition.
Review: Andrew Weatherall and Timothy J Fairplay's project of dubbed out disco and house spread itself comfortably across the Ruled By Passion, Destroyed By Lust LP on Rotters Golf Club mere months before, and now a rag tag collection of remixers has been drawn together to reinterpret most of the album. They've reached for like-minded souls, such as Group Rhoda's seductive minimal wave patter, or the nervy industrial undertones of Justin Robertson's Deadstock 33s. Black Merlin do an especially captivating job of soundtracking "Skwatch" into a lurid 80s gore fest for the ears, while Scott Fraser whips up a hypnotic Italo inflected stomper, but really every one of these esteemed producers adds to the overall tone of vintage, motor-powered dance music for ghoulish souls.
Review: Ruled by Passion, Destroyed by Lust marks the fine debut of The Asphodells, Andrew Weatherall's latest collaboration with close friend and creative foil Timothy J Fairplay. Their compatibility shines through, taking their shared interests and inspirations and playfully tosses them together to create a stylish, coherent whole. The album displays its dark underbelly proudly, but there are more than enough shards of light to inspire those salivating after the bold melodies of Two Lone Swordsmen or the naive, child-like bagginess of Weatherall's Screamadelica era work. At times reminiscent of New Order and others cripplingly paranoia inducing, this ten track set concludes in sublime fashion with the duo's dreamy, cosmic disco-era cover of A.R. Kane's "A Love From Out Of Space".