Review: It's time to get into party mode as we see Spin Kringle make a highly anticipated appearance on Scour to showcase some of the smoothest breakbeat originals we have heard in quite some time. The project begins with 'Float', alongside Sam Klassik, an incredibly bouncy piece of turbofunk, filled with twisted melodic expression and grizzly synthesizer movement. The goofy chord structures of the title track 'Parade' follow, before more synth units are set to run wild over hard hitting drum punches in 'Turn Out'. Finally, the groove intensifies as 'Stampede' combines funky horn work with smooth 4x4 rhythms and a constantly evolving lead bassline. Awesome!
Review: Clich?s like 'melting pot' or 'smorgasbord' are chucked around way too freely in music reviews, but it's hard to describe the wide array of influences on display here any other way! 'Baller' is an Afro-jazz workout, albeit more 'Afro' than 'jazz', with something of a makossa-ish vibe about it. 'Schweet' itself, which follows, is a more straight-up homage to 70s funk and soul, but we're back in jazz (or more accurately swing) pastures for 'Les Frites', albeit here served up in Latin rather than Afro flava. The EP's then completed by 'Listen', another electro-swing cut with a ragtime kinda feel.
Review: Breakbeat is again in a fantastic place as we see the genre to grow across the breadth of 2020, with releases such as this from Vancara being one of the reasons why. The title track 'Railroad' kicks us off with an immediate bang, smashing together intense drum punches with warbling synthesizer pulls, before we move into the uber-funky bass grooves and constantly expanding melodies of 'Going East'. Next, we are greeted by the charming piano lines and sweeping basslines of 'City Street Jam' before the super smooth harmonic structures of 'Disco Balls' provide us with the perfect outro.