Review: Earlier in 2017, Gloucestershire's Situation served up the soulful "Put The Rhythm In Your Life", where soul singer Andre Esput added his smooth vocal talents to this wonderful electro soul number. These guys join the dots between nu-disco, electrofunk and deep house with real style. Now we get treated to a bunch of equally spectacular remixes. Starting off with London based DJs/remixers Yam Who? who give us a lo-slung boogie rendition, San Francisco's Dmitri 11415's remix is a moody late night garage perspective, while the Odessa hailing/Midnight Riot affiliated Limpopo's remix joins the dots between nu-jazz and nu-disco that's reminiscent of Detroit legend Recloose.
Review: The Seventh release on the Stroud-based Situationism label comes from Bittersuite, a Brighton and Bristol based trio comprising Jon Gray, Dom Thompson and Matt Pond. While previous releases have purely focused on soul-flecked deep house, "Leopard Scares Fox" fuses their usual hazy deep house sensibility with twinkling, Herbie Hancock-style synth work, rubbery disco-funk bass, and the loose percussive swing of jazz. This jazz influence is even more evident on bonus cut "Pulsing Xania", which is the kind of cosmic broken beat-meets-deep house loveliness that was once a trademark of the West London bruk set. Elsewhere, label bosses Situation provide a rolling, jazzy and deliciously sun-kissed interpretation of the tasty title track.
Review: Third time around for BRS's deep house classic "Lovin' Me", which first appeared on Dubtribe Sound System's Imperial Dub imprint way back at the turn of the millennium. Speaking of Dubtribe, the San Francisco duo's brilliant remix - a near perfect fusion of Idjuts style, delay-laden percussion hits, dub disco bass, echoing vocal samples and rich chords - takes pride of place on this Situationism reissue. Then follows a slick and sumptuous late night soulfulness of Harley & Muscle's overlooked 2006 rework. Speaking of soul, check the brilliant positivity of Bitasuite's remix (taken from the same '06 Peng reissue), which effortlessly joins the dots between British deep house, modern soul and New Jersey garage. finally, UK edit maestro Situation himself pulls up his sleeves to conclude this essential to have EP.
Review: West country veterans BRS have been going since the daw of the millennium, so it's perhaps unsurprising that their latest superb single sounds a little like some of the material they released on labels like Imperial Dub and Cyclo 20 years ago. "Night To Remember" has a distinctly hazy, dubbed-out San Francisco deep house feel to it, with jazzy guitar solos, liqujid bass guitar, enveloping chords and sultry female vocal snippets all catching the ear. It's terrific all told, as is the accompanying remix by Bittersuite. This is, if anything, even deeper and warmer, with a greater emphasis on echoing synth riffs and hypnotic grooves. In a word: essential.
Review: Calling all 21st Century funkateers: you need this record in your life! 'Check It Out' finds BRS serving up a very authentic-sounding homage to sleazy, squelchy 70s funk, complete with liquid geetar licks, a lightly Latin-tinged stop-start rhythm and "check it out!" female shouts, while Groovement comes with a remix that's a little more overtly house-ified but keeps the headnodding, Blaxploitation vibe intact. Conjuring visions of stack-heeled, purple-suited hustlers hawking sherm sticks around Times Square circa 1975, this is one to check even if - especially if - much of Situationism's other output is a little on the "light and polite" side for you.
Review: The idea behind Situationism's new "2Up2Down" series is devilishly simple. Each volume contains two tracks a piece from a pair of artists, in the case of this debut release West Country stalwarts BRS and Brighton-based Frenchman L'Aroye (real name Thomas Arroyo). It's the latter who kicks things off with "Best Girfriends (Soulful Mix)", a superb, gospel-sampling number that adds layers of rich instrumentation to a wonderfully bumping beat. Arroyo returns later in the EP with a groove-based Dub Mix that wisely makes more of his ear-catching synth stabs and the killer bassline. BRS's "Chance Not Choice" is a little more loose-limbed and synth-heavy than some of their cuts, sitting somewhere between proto-house, electro and deep house. Frank Situation's accompanying remix smartly re-casts it as a sprightly chunk of synth-heavy nu-disco.
Review: The French language is a thing isn't it? Take for example "La Vache De Danse", this sultry and seductive slice of disco-tinged sunset house by Les Chevaliers Solex. The song literally translates as 'the dancing cow', but we'd never know that, being too busy getting transported to glamorous chic destinations by its breathy sweet nothings. Elsewhere Goldboy opts for luscious, slowed down Balearica, Vampire Disco takes things up a notch with some fancy piano house and 45CC delivers a mesmerising warm and clicky tech-house affair. C'est bon!
Review: The Situation crew are taking over the disco-balearic connection, coming through with constant quality, often drenched in a familiar poppy feel that we very much need at this moment of the year. "You Gotta Move" is a slow, funky little number with everything from liquid guitars melting lift, right and centre, to seductive vocals reminiscent of the 1980s. If that wasn't enough, they've recruited a rather fine set of remixers, with the legendary Ashley Beedle spear-heading the festivities with a broken beat monster in a fine boogie style.
Review: Thanks to the rapid spread of COVID-19, the festival season has been unofficially cancelled. Situation think we should still all party - alone, of course - while in isolation so have served up 'The Festival EP' - a suitably good-time collection of cuts that should inspire you to dance around the living room. The set the tone with the jazz-funk-meets-deep house brilliance of "Soulstice" - check the lazy guitar solos, Rhodes chords and bubbly bass guitar - before doffing a cap to one of Glastonbury's most celebrated behind-the-scenes spots on the similarly languid, live-sounding "Maceos". "Stardust" is a rich, wah-wah-guitar flecked shuffle through deep disco pastures, while "Let's Dance" is an energetic slab of Prince style purple funk complete with fizzing slap bass and wavy, eyes-closed guitar solos.
Review: 'Be a Better Man' is Situation's first outing on Situationism with new vocalist to the fold Andre Espeut bringing his unique vocal & song writing talents sparking an exciting collaboration with Situation's collective. After the successful "Get to Know Me" release on Nang late last year this is the 2nd release Situation have had with Andre & there is much more to come! 5 reasons bring us a funky filter drenched dancefloor pleaser in their inimitable style! The combination of their new style deep house with a sprinkling of nu disco & big production shows us again the talent that is 5 Reasons. The winning combination of Greg Wilson & Derek Kaye on the remix has delivered another beautiful deep dance floor winner! This heavy synth drenched groove has electro piano lines reminiscent of late 80's jams with a dubbed out breakdown before launching back into a bumping instrumental section to finish.
Californian West coast producer Juan Hoerni brings us his distinctive Latin house vibes with incredible flute & trumpet playing by David Soto from Puerto Rico, creating an infectious Hispanic house killer! Ourra take us on their 80's boogie down journey, keeping the vocals raw & cleverly cut up in snippets with a great driving bass groove that kicks with the snappy drums & percussion. Covered in 80's synths, this is a serious slice of boogie action!
Review: Gloucestershire collective Situation continues to impress with their soul-soaked singles, which invariably join the dots between nu-disco, electrofunk and deep house. That's certainly the case on "Put The Rhythm In Your Life", where slick soul singer Andre Esput adds his honeyed tones to a midtempo electro-soul shuffler. Andre Espeut is in a bolder mood on "Kiss The Sky", wrapping his impassioned vocals around Prince style purple funk guitars, New Jersey organs and an unfussy house groove. Arguably best of all, though, is "Gonna Get Real Nice", whose combination of hushed vocals, dreamy deep house chord progressions and tumbling jazz guitar licks is reminiscent of fellow West Country outfit The Rurals.
Review: UK edit maestro Situation usually cloaks himself in a noticeable disco look, but this new EP for Situationism sees the artist adopt a more house-centric guise, backed by the effervescent vocals and charisma of Andre Espeut. The duo's "Not So Crazy" is a quirky, disco-friendly house chugger with a sublimely tropical percussion and tied together by zesty boogie basslines. There's a whole artillery of remixers to boot: Peza rolls thorugh with a bit of electro house, Mr Mulatto drops a heartical Miracle dub, Audio Luxury offers a sweet, nostalgic garage sound, and Masterman ties it all off with some wavy, progressive hits of the drums. Top stuff!
Review: For the second time, Stroud collective Situation joins forces with golden-voiced singer Andre Esput and asks, "What Is Going On?" Some of their many producer pals provide sterling remixes of the Cotswolds crew's tasty original version, which hit stores back in June. The Andromeda Orchestra step up first with a low-slung, party-hearty disco-funk version that expertly channels the spirit of Marvin Gaye's "Got To Give It Up", before West Country deep house veterans BRS offer up a smooth, warm and groovy revision tailor made for sun-kissed afternoons, humid evenings and sweat-soaked nights. To round things things off in style, Bitter Suite peppers a broken beat influenced house groove with jazz-funk synths, spacey chords and just the right amount of warming slap bass.
Review: West Country heroes Situation have kept it local on their latest EP, which offers up a suite of previously unheard re-rubs of Andre Espeut hook-up "Beyond Compare" by Bristol-based house hero Sean McCabe. It starts with vocal and instrumental interpretations built around warming, mood-enhancing chords, jangly piano riffs, unfussy beats and the kind of slick, ear-catching electronic bassline more associated with Atjazz productions. Then McCabe offers up a superb "Vocal Reprise" take that sounds a little "fuller" and more energy-packed (thanks in part to his use of more urgent-sounding vocal snippets and grandiose chord sequences), as well as a brilliantly dreamy and locked-in Dub that sounds a little like one of Frankie Knuckles' classic remixes. The final bonus treat is definitely worth some special attention too.
Review: Second time around for Sugar Daddy's "Love On The Attack", a cut that Tim Hutton and Groove Armada's Tom Findlayt first unleashed on an unsuspecting public way back in 2006. This time round the blissed-out blue-eyed soul number is accompanied by a wealth of fresh remixes. Label bosses Situation lead from the front, turning it into a synth bass-sporting slab of leisurely two-step soul, before Natasha Kitty Kat expertly re-imagines it as a metronomic shuffle through slow house territory. The most revolutionary remix comes courtesy of Danny Kane, who transforms it into a woozy chunk of peak-time ready deep house, while the Dark Punk Hippies successfully give the track a hybrid dub disco/Balearic synth-pop makeover.
Review: Three months on from their last appearance on the label, Paul Withey and Sarah Lazenby bring their Sweetooth project back to Situationism. In its original form, "All You Gotta Give Is Love" is their deepest and most seductive cut to date; a sugary, glassy-eyed chunk of modern soul/R&B fusion that amply demonstrates their ability to craft memorable music that's more suited to home listening than peak-time dancefloors (we already know they can deliver killer club cuts). The accompanying remixes are, of course, more floor-friendly in nature. Groovement Inc step up first with a shuffling, 105 BPM nu-disco revision rich in swirling strings and Crazy P style musicality, before Dubai-based producer Don Dayglow re-imagines "All You Gotta Give Is Love" as a stab-happy retro-futurist house roller.
Review: The UK duo of Paul Withey and Sarah Lazenby follow up last year's Disco Fantasy EP with a single release that comes in a range of mixes. In its Original form, 'Vicious' opens with a familiar-sounding filtered piano riff, then settles down into a boogilicious affair sitting somewhere between nu-disco and Hed Kandi-style funky house, topped with a vaguely Roisin Murphy-esque vocal from Lazenby that's sure to inspire some singalong action on the dancefloor. HP Vince supplies a more overtly housey remix while Limpodisco's rub is the one for nu-disco lovers, with an Instrumental completing the package.
Review: Cardiff seven-piece The Pure Conjecture is best known for serving up baggy, Balearic-minded blends of indie-pop, soul and dub, though they do occasionally dip their toes into more electronic disco waters. That's certainly the case with "Jealous Girl", a bubbly, mid-tempo nu-disco shuffler blessed with twinkling pianos, sweet electronics and impassioned, high-register male vocals. Situation naturally head up the accompanying remix package, subtly beefing up the track to push it further towards Crazy P style neo-disco territory. Elsewhere, Don Thompson brilliantly re-casts the track as a sprightly chunk of jumpy electrofunk, before Love Drop re-image it as a dreamy disco-house chugger.
Review: Situationism is run by a mysterious 'collective of DJs and producers from the five valleys'. Although little is revealed about their identities, we do know that this compilation is their biggest release yet and it boasts the mighty "On It" by Peza. The track's clever fusion of a boogie sample (Starguard's High On The Boogie) and some subtle 303 work has got people talking and dancing already. The quality stays high over the remaining tracks too, highlights including George Kelly's melancholic Italo gem, "Trip to Jupiter", Vampire Disco's moody synth prowler "Orbit" and the chilled cocktail grooves of Alkalino's "Trigger".