Review: Oh gosh! Current Value hits us hard with his 11th studio album 'Puer'. Released on Serum's Souped Up, it's a no-holds-barred exploration of the jumpier side to his far-reaching range. Big basslines, wily funk, zero-effs-given rave music, it's the German producer at his most playful. Highlights such as the sizzling harmonics of "Contemplate", the deep drones and savage kicks of "Chariot", the rising grainy riff and KO fills of "Pitting" and the reunion with man-of-the-moment Bou on "Running Your Mouth" are just some of the tracks that will melt your skin right down to your bones. And if that's not enough, he's about to drop album 12 on Methlab too. No one's doing it like Current Value.
Review: Current Value's relationship with the Souped Up crew has become one of the best subgenre cross overs in recent times, with his glitchy Neurofunk sound transitioning perfectly over into Serum's drawn-out, jump-up infused tones. 'Remorse' features Coppa on vocals and it's a naughty, rolling number with a tight sub bass and a general atmosphere of aggressive hedonism and dancefloor orientated funk. Good stuff.
Review: Pass the pizza ar kid, Marky's heading up north and he's after something spicy! Teaming up with Dutta for the first of a two part release, this is a seriously tasty dream team where both artists characters' can be heard very clearly and vividly in the mix. "Mochi" flips between sandpaper bass licks and soft funk stabs while "Waffles" flips between a grumpy Bristol style bass and perky piano rolls that gradually get creepier and creepier. Feeling peckish? This will feed your family for three weeks and still have plenty left over.
Review: The biggest moves in Newcastle and the north east of the UK since Gazza cried in some football match (and the world cried with him) are happening right now. A storming wealth of D&B talent is all blazing through right now and Stompz is right up there at the front. This debut on Serum and Benny V's Souped Up is a great example of his dexterity and utter gulliness. Five tracks of twisted, bassy weirdness and dark toxic funk, highlights include the insane melted bass weirdness of "Derringer" and the farty trippiness and sudden BCUK-style fills of "Borehole" but to be honest the entire EP is killer. Do the world a favour and slap anyone who says foghorns are dead, then play them this. Big up Stompz.