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Sprechen

Browse the latest digital releases on Sprechen
Edgy Future Discotheque, Vol 6
Various
Coyote - "Cami De Sa Veleta" (Massey remix) - (7:11) 86 BPM
La Guardia De La Luz - "Los Eiyani" (original mix) - (9:25) 119 BPM
Mummy's Boy - "Giddy Up" (original mix) - (5:02) 128 BPM
Popsneon - "Caffeine Detox" (original mix) - (3:22) 120 BPM
MinimalArchiv - "The Weak And The True" (original mix) - (5:54) 114 BPM
La Guardia De La Luz - "Libertad" (Bonaventura mix) - (9:23) 111 BPM
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EFD 6
22 Apr 24
Funky/Club House
Helter Skelter
Helter Skelter - (6:34) 125 BPM Hot
Kill The Bill - (4:34) 128 BPM
Sirens - (6:47) 117 BPM
Review: The Sprechen team have delivered a tasty selection of futuristic house-driven taste on this latest link up with Acolyte, unveiling three dancefloor ready bubblers with a tonne of original nostalgic influence woven throughout. First up, we take in the title track 'Helter Skelter', a steady, moog-driven chop through old school drum processing and euphoric pad textures, before the swirling synth patterns and distant vocal reverberations of 'Kill The Bill' sweep into play. Finally, 'Sirens' slows the pace down massively with a much calmer combination of moog-like bass notation and atmospheric texturing, rounding off this one with a dash of additional finesse.
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SM 066
11 Mar 24
Breakbeat
Lights Go Down EP
Lights Go Down - (7:16) 120 BPM
Don't Be Serious - (7:52) 116 BPM
Say You Care - (7:42) 112 BPM Hot
Review: Having previously appeared on Sprechen's 'Edgy Future Discotheque' compilation, newcomer Ed Mahon has been given the opportunity to return to the label for a first full EP. He's embraced the opportunity, too, first delivering a moody Depeche Mode-meets-acid-and-dark-disco workout (the excellent 'Lights Go Down'), before wrapping echoing piano motifs and reverb-heavy spoken word snippets around a metronomic electronic disco groove on 'Don't Be Serious'. Arguably best of all though is closing cut 'Say You Care', a gorgeous, sunset-ready combination of Italian dream house piano riffs, bustling bongos and wide-eyed female vocal snippets. It has already received plays at Ibiza institution Café Mambo, so we can safely say that it's definitely Balearic.
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SM 065
15 Jan 24
Funky/Club House
Where Do I Belong?
Celestial Heartbeat (original mix) - (4:21) 108 BPM
Imposter Syndrome (feat Bay Bryan - original mix) - (5:08) 110 BPM
Fantasy Carnival (original mix) - (5:38) 95 BPM
Pavement Soul (feat NIIX - original mix) - (4:54) 99 BPM
The Love Letter From Space (original mix) - (3:55) 100 BPM
We'll Find Each Other (Song For Lisa) (feat Allison Rae - original mix) - (5:50) 86 BPM
Rendezvous On A Lost World (feat Psychederek - original mix) - (6:05) 62 BPM
Review: The Sprechen label's inaugural album release takes listeners on a captivating journey through the celestial realms of electronica and the vibrant, neon-lit streets of South Manchester. "Where Do I Belong?" marks the debut long player by The Thief Of Time, a new studio endeavour from Sprechen founder Chris Massey. Drawing inspiration from a life steeped in clubs, comic books, cult movies, and cosmic adventures, the album weaves a semi-autobiographical narrative through a tapestry of electronic artists and synth-heavy movie scores. Chris Massey's approach to the project is refreshingly unbound, allowing loose ideas to evolve into a collection of songs that pays homage to diverse sonic influences, featuring contributions from Manchester artists like A Certain Ratio, Bay Bryan, Psychederek and NIIX to Love Letters From Space and Allison Rae from Causeway.
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SMV 007
06 Dec 23
Experimental/Electronic
Back On The Grid
Light Cycle - (6:44) 122 BPM
Master Control Programme - (6:48) 115 BPM
Played by: Paper Recordings
Review: ISO City is a new collaborative project from Sprechen main man Chris Massey and pal Elliot Lion, inspired by their joint love of Italo-disco, EBM, vintage synths and the soundtrack to sci-fi movie 'Tron'. On opener 'Light Cycles', those influences are expressed via bold, throbbing, pulsating, reverb-laden synthesizer lead lines, arpeggio-style sequenced bass, unfussy machine drums and star-fall melodies. On 'Master Control Programme', it's tactile synth-bass, fizzing electronic melodies, wide-eyed chords and more bubbly melodic motifs. The results are ear-catching, entertaining and enjoyable, suggesting that the ISO City project is only just getting going. More, please!
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SM 063
31 Oct 23
Funky/Club House
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