Review: The Sprechen team have delivered a tasty selection of futuristic house-driven taste on this latest link up with Acolyte, unveiling three dancefloor ready bubblers with a tonne of original nostalgic influence woven throughout. First up, we take in the title track 'Helter Skelter', a steady, moog-driven chop through old school drum processing and euphoric pad textures, before the swirling synth patterns and distant vocal reverberations of 'Kill The Bill' sweep into play. Finally, 'Sirens' slows the pace down massively with a much calmer combination of moog-like bass notation and atmospheric texturing, rounding off this one with a dash of additional finesse.
Review: Having previously appeared on Sprechen's 'Edgy Future Discotheque' compilation, newcomer Ed Mahon has been given the opportunity to return to the label for a first full EP. He's embraced the opportunity, too, first delivering a moody Depeche Mode-meets-acid-and-dark-disco workout (the excellent 'Lights Go Down'), before wrapping echoing piano motifs and reverb-heavy spoken word snippets around a metronomic electronic disco groove on 'Don't Be Serious'. Arguably best of all though is closing cut 'Say You Care', a gorgeous, sunset-ready combination of Italian dream house piano riffs, bustling bongos and wide-eyed female vocal snippets. It has already received plays at Ibiza institution Café Mambo, so we can safely say that it's definitely Balearic.
Review: The Sprechen label's inaugural album release takes listeners on a captivating journey through the celestial realms of electronica and the vibrant, neon-lit streets of South Manchester. "Where Do I Belong?" marks the debut long player by The Thief Of Time, a new studio endeavour from Sprechen founder Chris Massey. Drawing inspiration from a life steeped in clubs, comic books, cult movies, and cosmic adventures, the album weaves a semi-autobiographical narrative through a tapestry of electronic artists and synth-heavy movie scores. Chris Massey's approach to the project is refreshingly unbound, allowing loose ideas to evolve into a collection of songs that pays homage to diverse sonic influences, featuring contributions from Manchester artists like A Certain Ratio, Bay Bryan, Psychederek and NIIX to Love Letters From Space and Allison Rae from Causeway.
Review: ISO City is a new collaborative project from Sprechen main man Chris Massey and pal Elliot Lion, inspired by their joint love of Italo-disco, EBM, vintage synths and the soundtrack to sci-fi movie 'Tron'. On opener 'Light Cycles', those influences are expressed via bold, throbbing, pulsating, reverb-laden synthesizer lead lines, arpeggio-style sequenced bass, unfussy machine drums and star-fall melodies. On 'Master Control Programme', it's tactile synth-bass, fizzing electronic melodies, wide-eyed chords and more bubbly melodic motifs. The results are ear-catching, entertaining and enjoyable, suggesting that the ISO City project is only just getting going. More, please!
Review: A third outing here for Sprechen main man Chris Massey's The Thief Of Time project, which sees him exploring more downtempo and filmic musical pastures. As with previous releases 'Imposter Syndrome' and 'Pavement Soul' there's a guest vocalist on mic duties: in this case it's Allison Rae from Idaho dreamwave duo Causeway, so it's perhaps not surprising that 'Find Each Other' draws heavily on the more contemplative side of 80s synth-pop for inspiration. There's an accompanying Instrumental that might find its way into a wider range of leftfield/downtempo/Balearic sets, while a Radio Edit completes the package.
Review: What would you expect to hear when you stepped on an "edgy future discotheque"? That's the concept behind one of Sprechen's most popular series of multi-artist EPs, which here reaches its fifth instalment. Rising star Andy Buchan delivers a study start via the grandiose piano house/nu-disco/electro fusion of 'Body Heat', before Flash Atkins lays down a gorgeous fusion of stretched-pit piano solos, lolloping house beats and classy synth-pop sonics on 'Mistpoffer' (a cut that Daco later re-imagines as a throbbing, Patrick Cowley inspired electro-disco throb-job). Elsewhere, Mangetout's 'Body Vibrations' is a lolloping disco-funk shuffler, Jimmy Turnbull's 'Still I Rise' is funky, tech-tinged deep house workout, Ed Mahon's 'Seismic Guitar' is a weirdo electro number par excellence, and Tom2Trax's 'Heatwave Horizon (Lunar Mix)' is a big room house treat.
Review: What we have is the debut offering from a new project starring Sprechen boss Chris Massey. Atop a backdrop that's one-part Balearic to one-part early house to one-part Morricone-esque soundtrack vibes, guest singer-songwriter Bay Bryan lends his dulcet tones in the form of a heavily treated, pop-style chorus while Massey himself waxes poetic and philosophical in spoken word form. If the Pet Shop Boys ever made a comedown album, it might sound something like this... but if the vocals are a bit too much, you can still make good use of the accompanying instrumental.
Review: Sprechen main man Chris Massey is Mancunian through and through, hence using the title of his new two-tracker to offer some light-hearted advice to his city's new generation of techno producers. Lead cut 'Inside My Head' does offer a few nods to mind-mangling German techno and tech-house productions of old, with echoing electronic riffs, wavey acid lines and angular motifs riding a tidy drum machine rhythm and Teutonic bassline. He joins forces with Dan Wainwright on the brilliantly titled 'Gnome Terrace', opting for a more outwardly Balearic, sun-soaked sound rich in warming bass, early Chicago house beats, attractive synth sounds and sparkling piano flourishes.
Review: French born, Manchester-based DJ and producer Lena C. loves digging and sharing sounds from all around the world on her Reform Radio show. Her latest release comes courtesy of local imprint Sprechen titled Promenade. "Shokran" is a blissed-out balearic instrumental that's perfect for road trips or watching sunsets alike, while the hypnotic yet subtle polyrhythms on the downbeat affair "Breeze" provide an equally impressive backdrop for summertime chilling, and finally the slo-mo deep chug disco of "Azur" closes it out in style.
Review: There's plenty of good quality cuts scattered across the latest edition of Sprechen's eclectic, multi-artist 'Edgy Future Discotheque', though perhaps a bit less edginess than the title suggests. That's not a criticism though, and the psychedelic, hallucinatory flex of Hunterbrau's 'Obelisk', a muscular neo Italo-disco throb-job smothered in tough TB-303 tweaks and paranoid chords, and TJ Lawton's frankly filthy, min-bending 'Erasure' certainly offers an interesting definition of future disco. Straight-up joy abounds elsewhere across the EP, from the nostalgic classic house-goes-nu-disco flex of Joe Roche's fittingly titled 'Joy' and the warming Balearic shuffle of Sun Sone's gorgeous 'Dolphin', to the funk-fuelled disco-house hedonism of S.N.U.S (the low-slung 'Work It Out') and Black Hawks of Panama's sparkling cover of Cherelle's '80s boogie classic 'Didn't Mean To Turn You On'.
Review: Ivan Fabra, a 30-year veteran of the Spanish scene, comes to Manchester-based Sprechen with three tracks of chunky, synth-heavy house that pack elements of both prog and disco, and as such should have quite wide-ranging appeal. The EP opens with the drifty, spangly and strongly Italo-flavoured 'No One Knows', before along comes a huge, squelchin' 303 bassline to power along the far more housified 'Kosmische', a 5.5-minute chugger built for small-hours floors. Completing the EP is 'Little Pigments', which is in a similar stylistic vein to its predecessor, but a tad lighter on its feet.
Review: Balearic veteran James Bright - formerly one-half of Lux alongside Steve 'Afterlife' Miller - flexes his electronic muscles on this three-tracker for Sprechen. 'These Machines' itself kicks things off, fusing elements of Italo and vintage acid into an angular concoction that's sure to inspire the thowing of a few shapes out on the floor. 'Vibration' then takes us into proper Balearic territory, being a piano-sprinkled head-nodder powered along by a pleasingly chunky bassline, while 'Hot Metropolis' offers up a more contemplative, late-night variation on the overall synth-y theme. Forward-thinking stuff as ever from the Manchester label.
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