Established in 1999 by Quinton Scott in London, Strut Records is dedicated to unearthing the lost gems of dance music’s past. Strut spans the musical spectrum of hard funk, underground disco, original breaks, Nigerian afrobeat, old skool hip hop and forgotten classics. The label has been home to vintage dancefloor anthems including a remastered version of Patrice Rushen’s ‘Forget Me Nots’, Henrik Schwarz’s version of Pat Thomas and Ebo Taylor’s ‘Ene Nyame Nam 'A' Mensuro’ and Detroit Swindle’s remix of Pat Thomas & Kwashibu Area Band’s ‘Yamona’. In 2008 Strut was acquired by the !K7 Label Group. Afro Strut is Strut Records’ sub-label that focuses on afrobeat and afro-funk releases.
Review: Risco Connection, a late 70s disco covers band put together by producer and reggae drummer Joe Isaacs, never released an album during their lifetime, despite having several hit singles. The cream of their output was, however, gathered together on an eponymous 2020 compilation on the Musica Paradiso label - an extended version of which now gets reissued by the mighty Strut. Including their takes on 'Good Times', 'I'm Caught Up (In A One Night Love Affair)' and 'Ain't No Stoppin' Us Now', it's an album that's perhaps largely of historical interest, but worth picking up for those moments when the band's Jamaican roots are showing, such as on the Dub Version of 'Sitting In The Park'.
Review: Keeping with their run of reissuing lost or overlooked classics from legendary DC label Black Fire, Strut presents the first full international release of Southern Energy; the only album ever recorded by the R&B, jazz, funk and soul collective, Southern Energy Ensemble. Recorded in 1977 and featuring the likes of trumpeter Marvin Daniels, disco drummer and percussionist William Johnson - to a host of other names worth looking up like Nat Lee, Adolphus Maples and vocalist Judith Spears - Southern Energy Ensemble presents a funky, freeform and a peak time lounge expression of jazz funk energy. Check out "Open Your Mind", "See Funk" and album highlight "Third House".
Review: Plunky J Branch and his band Oneness Of Juju have been plying their unique blend of jazz, funk and soul with Afro and Cuban rhythms since time, starting out in San Francisco in 1970 but based since the mid-70s in Plunky's hometown of Richmond, Virginia. Here, Strut reissue their 1980 album 'Make A Change' (also later released as 'Every Way But Loose'), now adding extended versions of five of the original album's six tracks, as well as bonus cuts 'Time' and 'Plastic'. Spanning reggae, jazz-funk, soul and more, there's much to enjoy here - the raw funk of the aforesaid 'Every Way But Loose' in particular.
Review: Introducing Electric Jalaba, the coming together of Moroccan Gnawa master Simo Lagnawi, Italian-English drummer Dave De Rose, and four musical brothers; Henry, Oliver, Nathaniel and Barnaby Keen. As the band explains, they bring with them a traditional folk sound that weaves itself through elements of percussion and earthly funk grooves with the added boost of analogue effects and warped guitars. With these nine-tracks crafted in their south London studio, El Hal/The Feeling brings with it remnants of West African dialects - Bambara from Mali, Fulani and Hausa from the Sahel region - to Senegalese mbalax inspirations and dubby odes to Allah. Our picks, "Shabakru", "Diamla" and the dancefloor heavy "Cubaili Ba".
Review: Twelve-piece jazz, funk and soul ensemble outta Leeds in the UK swiftly follow up their Jungle Run LP - released on Strut in 2019 - with their brand new album Freedom Fables. Taking in guest contributions from the likes of Cherise, Ego Ella May, Soweto Kinch, Pat Thomas and more, each vocalist on this record is said to explore their own memoir in a move that Nubiyan Twist says reflects on the power of narrative. With some beautiful artwork evoking images of exploration, allow Freedom Fables to take you on a trip through an exotic highlife of broken beat, blunted hip hop, Latin jazz, afro soul and UK love.
Review: Strut's onward reignition of Black Fire's lesser known and truly respected back catalogue continues with the re-up of avant-garde brass and woodwind experimentalist, Byard Lancaster. Picking out one of Lancaster's lesser known classics, 'My Pure Joy', was recorded in 1992 taken from a discography that dates back to the 1960s. Throughout his career Lancaster was a community campaigner for street musicians and pushed what's been called the 'the Philly jazz sound, Germantown style.' Get your free jazz and minimal piano, then, from tracks like "Sweet Evil" to other solo sessions in "Sax-o-phonics Science", "Afro Space" and "Lancaster Brand Notes". For touches of percussion check out "Drummers From Ibadan" and "Philadelphia Savage", with full ensembles to be heard in "Jazz Lady", "My Pure Joy" and "Newest African Cities". Pure heat.
Review: The venerable Sun Ra Arkestra, under the direction of free-jazz maestro Marshall Allen, release their first studio album in over twenty years, Swirling. Recorded at Rittenhouse Soundworks in Philadelphia, Allen himself describes the record as the Arkestra's "love offering" to the world, with tracks like "Space Loneliness" and "Seductive Fantasy" swooning in sultry blues like the cigarette smoke in a dimly lit cocktail bar. Others like "Astro Black" focus on acousmatic dynamics, solo voice and contemporary bass pulsations, to more definitive free jazz numbers in atmospheric form like "Angels & Demons At Play" to full on ragtime sessions in "Infinity/I'll Wait For You". Find playful big band numbers or covers in "Queer Notions" and "Unmask The Batman" that add to this full-blooded celebration of Sun Ra's legacy.
Review: Founded out of Washington DC in the 1970s and running through until the early-'90s, Black Fire was a go-to label for all things spiritual in jazz, funk and soul; grounded in African rhythms, dialogue, funk and go-go. Inspiring a generation alongside like Strata-East and Tribe, Black Fire Records is responsible for delivering us the highest order of Oneness Of Juju material, while working with and introducing the likes of saxophonist Byard Lancaster, Ghanaian percussionist Okyerema Asante, Southern Energy Ensemble, and music drama troupe Theatre West. Also included in Strut's retrospective is the Experience Unlimited's soul and gospel number "People", the frenetic, hot summer jazz of Lon Moshe & Southern Freedom Arkestra and some alternative disco rhythms of "Look At The People!" by Wayne Davis. Our Pick: "African Rhythms (live In Washington DC, 1975)".
Review: Idris Ackamoor and The Pyramids unveil their new album Shaman! with a tribute to jazz pianist Cecil Taylor! Originally formed in the '70s as part of Cecil Taylor's Black Music Ensemble, the group has disbanded and reformed over the last decades, with 2020's Shaman! incarnating a fresh Pyramids ensemble; find Ackamoor on sax, original member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums, and Jack Yglesias on percussion! A most accomplished long player, Shaman! completes a triptych of albums for Strut that dates back to 2016's We All Be Africans, with Idris Ackamoor and The Pyramids transitioning from the political and social commentaries of 2018's acclaimed 'An Angel Fell' into more introspective themes. With some striking artwork from Japanese artist Tokio Aoyama, Shaman! has been described by the group itself as personal statement on love and loss, mortality, the afterlife, family and salvation - our tips include anything over 10 minutes.
The End Of The Butterfly King (Poem: Things Comin' Along) - (6:11) 118 BPM
Review: A reissue of a deep spiritual jazz masterpiece, Strut Records brings back into the frame a timeless relic from the not-so distant past. JuJu, a six piece space age, soul-jazz and freeform fusion group outta 1970s San Francisco was spearheaded by the longstanding leadership of Plunky J. Branch and the ensemble's deep African spirit. Chapter Two: Nia, originally released in '74, sees Strut descend on what aficionados would consider the band's most definitive album (alongside A Message From Mozambique) with New Yorkian minimalism colliding with ragtime in "The End Of The Butterfly King (Poem: Things Comin' Along)". Filled with powerful poetry and spoken word in the title track (and aforementioned) to explosive, wandering numbers like "Black Unity", timeless music never sounded so fresh.
Review: Formed in 1970 and fronted by J Plunky Branch, Oneness Of Juju have gone through numerous personnel and name changes over the decades but are still peddling their Afrocentric take on funk and jazz to this day (currently as Plunky & The Oneness). This collection from Strut, though, focuses on their golden years in the 70s - and it's heavy stuff! While one or two tracks would fit nicely into straight-up funk sets, adding a little world flava, others explore model jazz, spoken word, Nyabhingi drumming and other more esoteric musical pastures. Imagine yourself surrounded by righteous dashiki-wearing dudes at a Panthers meeting in 70s Harlem and you'll get the general vibe...
Review: Still reeling from the Linkwood & Foat self-titled collaborative LP released on Athens Of The North earlier this year, Greg Foat, a versatile mainstay in the UK jazz scene, brings in bandmates Moses Boyd, Art Themen, Clark Tracey and Phil Achille to create Symphonie Pacifique. Ebbing and flowing between ambient soul and liquid jazz in the live and improvised "After The Storm", there's lounge time flamenco in "Pointe Venus" to pastoral acid in "Man Vs Machine". Amid cinematic scores and library music you'll find heavy piano chords in the album's hit "Yonaguni" alongside dedications to the late Duncan Lamont ("Lament For Lamont") and 20th century French painters (Henry Valensi) in the cover art. Magnifique!
Review: These days you'll find her topping the bill at the world's leading jazz festivals, but back in the late 70s and early 80s Patrice Rushen was just another aspiring young disco/boogie chanteuse. It was 1982 album 'Straight From The Heart' that spawned 'Forget Me Nots' and propelled her to international stardom, but it's the album before that, 1980's 'Posh', that Strut is reissuing here. Stylistically very similar to its more illustrious successor, it's the perfect chance to get better acquainted with a supremely talented female artist who, despite some considerable successes, never quite attained the household name status that she surely deserved.
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