Established in 1999 by Quinton Scott in London, Strut Records is dedicated to unearthing the lost gems of dance music’s past. Strut spans the musical spectrum of hard funk, underground disco, original breaks, Nigerian afrobeat, old skool hip hop and forgotten classics. The label has been home to vintage dancefloor anthems including a remastered version of Patrice Rushen’s ‘Forget Me Nots’, Henrik Schwarz’s version of Pat Thomas and Ebo Taylor’s ‘Ene Nyame Nam 'A' Mensuro’ and Detroit Swindle’s remix of Pat Thomas & Kwashibu Area Band’s ‘Yamona’. In 2008 Strut was acquired by the !K7 Label Group. Afro Strut is Strut Records’ sub-label that focuses on afrobeat and afro-funk releases.
Review: Strut's series of Oneness Of Juju reissues continues apace. Last week they re-released the veteran US Afro/Latin/soul/jazz fusionists' 1980 'Make A Change' long-player; this week they delve back a little further in time to bring you 'Space Jungle Luv', an album that first came out on the Black Luv label in 1976, and that Strut themselves reissued in 2002. As with last week's outing, there's an almost bewildering array of styles on show - and it'll all be a bit "Welcome to Jazz Club!" for some - but if you want to hear the band at their best, check out the dark psychedelic funk of the title track and, in particular, 'The Connection'.
Review: Keeping with their run of reissuing lost or overlooked classics from legendary DC label Black Fire, Strut presents the first full international release of Southern Energy; the only album ever recorded by the R&B, jazz, funk and soul collective, Southern Energy Ensemble. Recorded in 1977 and featuring the likes of trumpeter Marvin Daniels, disco drummer and percussionist William Johnson - to a host of other names worth looking up like Nat Lee, Adolphus Maples and vocalist Judith Spears - Southern Energy Ensemble presents a funky, freeform and a peak time lounge expression of jazz funk energy. Check out "Open Your Mind", "See Funk" and album highlight "Third House".
Review: Plunky J Branch and his band Oneness Of Juju have been plying their unique blend of jazz, funk and soul with Afro and Cuban rhythms since time, starting out in San Francisco in 1970 but based since the mid-70s in Plunky's hometown of Richmond, Virginia. Here, Strut reissue their 1980 album 'Make A Change' (also later released as 'Every Way But Loose'), now adding extended versions of five of the original album's six tracks, as well as bonus cuts 'Time' and 'Plastic'. Spanning reggae, jazz-funk, soul and more, there's much to enjoy here - the raw funk of the aforesaid 'Every Way But Loose' in particular.
Review: Founded out of Washington DC in the 1970s and running through until the early-'90s, Black Fire was a go-to label for all things spiritual in jazz, funk and soul; grounded in African rhythms, dialogue, funk and go-go. Inspiring a generation alongside like Strata-East and Tribe, Black Fire Records is responsible for delivering us the highest order of Oneness Of Juju material, while working with and introducing the likes of saxophonist Byard Lancaster, Ghanaian percussionist Okyerema Asante, Southern Energy Ensemble, and music drama troupe Theatre West. Also included in Strut's retrospective is the Experience Unlimited's soul and gospel number "People", the frenetic, hot summer jazz of Lon Moshe & Southern Freedom Arkestra and some alternative disco rhythms of "Look At The People!" by Wayne Davis. Our Pick: "African Rhythms (live In Washington DC, 1975)".
Review: Idris Ackamoor and The Pyramids unveil their new album Shaman! with a tribute to jazz pianist Cecil Taylor! Originally formed in the '70s as part of Cecil Taylor's Black Music Ensemble, the group has disbanded and reformed over the last decades, with 2020's Shaman! incarnating a fresh Pyramids ensemble; find Ackamoor on sax, original member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums, and Jack Yglesias on percussion! A most accomplished long player, Shaman! completes a triptych of albums for Strut that dates back to 2016's We All Be Africans, with Idris Ackamoor and The Pyramids transitioning from the political and social commentaries of 2018's acclaimed 'An Angel Fell' into more introspective themes. With some striking artwork from Japanese artist Tokio Aoyama, Shaman! has been described by the group itself as personal statement on love and loss, mortality, the afterlife, family and salvation - our tips include anything over 10 minutes.
Review: Formed in 1970 and fronted by J Plunky Branch, Oneness Of Juju have gone through numerous personnel and name changes over the decades but are still peddling their Afrocentric take on funk and jazz to this day (currently as Plunky & The Oneness). This collection from Strut, though, focuses on their golden years in the 70s - and it's heavy stuff! While one or two tracks would fit nicely into straight-up funk sets, adding a little world flava, others explore model jazz, spoken word, Nyabhingi drumming and other more esoteric musical pastures. Imagine yourself surrounded by righteous dashiki-wearing dudes at a Panthers meeting in 70s Harlem and you'll get the general vibe...
Review: A reissue of a deep spiritual jazz masterpiece, Strut Records brings back into the frame a timeless relic from the not-so distant past. JuJu, a six piece space age, soul-jazz and freeform fusion group outta 1970s San Francisco was spearheaded by the longstanding leadership of Plunky J. Branch and the ensemble's deep African spirit. Chapter Two: Nia, originally released in '74, sees Strut descend on what aficionados would consider the band's most definitive album (alongside A Message From Mozambique) with New Yorkian minimalism colliding with ragtime in "The End Of The Butterfly King (Poem: Things Comin' Along)". Filled with powerful poetry and spoken word in the title track (and aforementioned) to explosive, wandering numbers like "Black Unity", timeless music never sounded so fresh.
Review: With the years Strut has spent cataloging modern times music with the countless amount of compilations and reissues, curated or otherwise, the label now dips into something from the current day, and nevermore have we needed the positivity of sun-drenched polyrhythms! Add bright and vibrant future electronic percussion intertwined with traditional afro-folk, chant and spoken word, ONIPA's debut LP breathes new life and brings a carnival atmosphere to the revival we're all looking forward to this spring.
Review: Disques Debs is the longest-running and most prolific label to have come out of the Francophone Caribbean. Based in Guadeloupe and helmed by producer and musician Henri Debs, the label ran from the late 1950s to the early 2000s and released over 200 LPs and 300 45s, playing a pivotal role in bringing the creole music of Guadeloupe and Martinique to a wider international audience. Formidable compilers Strut, with the help of Hugo Mendez (Sofrito) and Emile Omar (Roseaux) bring together a second Disques Debs compilation this time chronicling the label's '70s era during a time when the likes of Super Combo, Typical Combo and Les Vikings commanded the label's then-catalogue by breaking through the Caribbean diaspora into Europe and in doing so bringing a new vision of Caribbean music to the world.
Review: Only the greatest labels do we have to thank for releasing the music of Tribe, a four piece outta Detroit made up of Doug Hammond, Marcus Belgrave, Phil Ranelin and Wendell Harrison. Their music over the years has found its way to Carl Craig's Planet E, Soul Jazz's Universal Sound label, and now, no one more fitting in compilation curation other than Strut. The UK label have, from a 15 year period, lifted 10 tracks from the acclaimed independent jazz collective and the original session recordings a full remaster (courtesy of Technology Works). With three numbers clocking in at over 10 minutes of live free jazz, it's "Freddie's Groove" that'll have you going back for more. Hometown heroes back to the big smoke.
Review: Known in world music circles as "the Golden Voice of Africa", Pat Thomas is a Ghanaian highlife veteran who released his first long-player way back in 1974. Now based in Canada, he recently celebrated his 73rd birthday but shows no sign of slowing down, as this new album for Strut demonstrates. It's a bit late in the day to be expecting any radical new tricks, but fans of highlife and African music generally will find plenty to enjoy, with occasional hints of reggae, funk and jazz to help maintain the listener's interest and some truly splendid horn-playing.
Review: Though located just off the African coast, the population of Madagascar are descended from African and southeast Asian (and more specifically Malaysian) roots in equal measure. Being an island with such an ethnically distinct population naturally led to the emergence of distinct local musical styles such as salegy and soukous, and this compilation explores what happened when those styles collided with western funk, soul and pop in the 70s and 80s. Hammond organs, 6/8 rhythms, vocal chants and high, cascading guitar lines ? la West African highlife are the dominant themes - world music lovers, dive in to find out more!
Review: Most active from the mid-70s to the mid-80s, Patrice Rushen's discography has spanned jazz, R&B, jazz-funk, soul and pop, but it's the jazz-funk/disco fusions she delivered for Elektra Recordings in the late 70s/early 80s that remain her best-loved work. Here, 15 tracks from that period are gathered together, with favourites like the evergreen 'Forget Me Nots' and 'Haven't You Heard' (reworked in the late 90s by Daddy's Favourite) snuggling up alongside less over-played but equally high-quality cuts like the jazz-funk piano groove that is 'Number One' and the ultra-smooth boogie of 'Feels So Real'. Smoochers like 'Where There Is Love' perhaps sound a little less relevant in 2019, but this is still a very classy collection indeed.
Review: The Strut disco detectives have been hard at work again to bring you another collection of unearthed musical gems from the African continent. Released as part of the label's 20th anniversary celebrations, this is the fourth album in the 'Nigeria 70' series and the first in eight years, meaning that fans of the sound will a) have a good idea of what to expect by now, and b) be eagerly anticipating a re-up of fresh tunes. Highlights include Felixson Ngasia & The Survivals' reggae- and jazz-influenced 'Black Precious Colour' and Etubom Rex Williams's suitably wigged-out 'Psychedelic Shoes'.
Review: Finally... The long-awaited sophomore from freeform 10 piece collective Nubiyan Twist has landed and y'all better have your seatbelts serviced because this is going to take you places. The bruk-meets-jazz-meets-techno-meets-soul title track is a perfect example of the energy and fluidity at play once again as we're exposed to high levels of fusion throughout the journey; the dreamy hip hop sass of "Brother", the psychedelic feels of "Addis To London", the middle eastern twangs and mysticism and cosmic grime of "They Talk"... Every track a different destination but all within the same trip, this will keep you twisting for a long time to come.
Review: Strut and Art Yard's access to the very best music seems to be a bottomless pit of wonder, and there is no much better way to assert your dominance as a label than releasing killer material from the legendary Sun Ra. Like the last previously unreleased record, Of Abstract Dreams is a session most likely recorded at WXPN FM studios in Philadelphia, back in 1975. The opening "Island In The Sun" carries a majestic paino over triumphant percussion bumps, and "New Dawn" offers a steady, constant groove with that inimitable piano style stretching and twisting wildly around the hi-hats. "Unmask The Batman" is more of a classic bop piece, complete with a tough bottom end, and "I'll Wait For You" is the most experimental of the three, where Ra's singing comes out for the Sun Gods above. Highly recommended!
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.