Sub-liminal Recordings is a drum & bass label founded by Ben Carvin aka DJ Agro in 2015. Prior to this (2011 onwards), Sub-liminal built up its fan base by throwing regular club nights at Volks in Brighton. DJ Agro, Warhead, Kumo, Too Greezey, Damage Report, DJ Hybrid, Guzi, A N F M and Leaf are all artists that have helped shape the label’s dark, rolling and moody 175bpm sound, with their turbo-charged productions. Sub-liminal Recordings is the parent label to Sub-Division Recordings.
Review: One of the regular labels we feature are Sub-Liminal, a wicked little imprint that puts out a diverse sound ranging from techy rollers to jump-up steppers and even liquidy numbers. This week they've arrived with an EP from A N F M, who, across five tracks, spans various tones and styles, all of them rooted in a sense of dancefloor aggressiveness and all of them top-notch. 'Hitman' is a highlight, its rolling percussive line isn't the paciest but is loping and satisfying, whilst a gargling bass and sweeping reeces sit just above and inject all the force. Top stuff.
Review: Sub-liminal bossman Agro commences a series of remixes of his work and it starts with a biggie; 'Let's Get Frisky' from 2015, now rebooted by rising star Xav who spaces out the elements, whips up a warm, harmonic bassline grunt and weaves in a stunning ravey breakbown. Complete with an instrumental if you find Mr Traumatik & Devilman's pervy bars a little risqu?.
Review: Back by Tik Tok demand! One of Agro's earliest releases 'Noise Complaint' keeps the viral vibe alive as it returns in remastered form plus a whole new chapter. Still calling the council seven years after its first outing, 'Noise Complaint Part 2' keeps the same cheeky vibe and samples of the original but with a much juicier, rolling bassline. Still not giving any Fs, still not turning the levels down after 10pm, still bubbling with Agro's classic aggro signature, if you don't like it you can call the council yourself!
Review: Sub-liminal bossman Agro's remix project continues with this monstrous take on 'Tweeter Box' by Sub-Division artist Sinexia. The original (released last year) is a pretty stripped-back affair with a high voltage bassline and generous levels of sub. In true Agro form, the bigger the rig, the better it sounds. Meanwhile the remix from young Belgian Sinexia throws in a whole new layer of steamroller bass textures and pummelling drums for more of a straight up dancefloor dnb style. Box fresh.
Review: Sub-liminal sergeant major Agro continues his remix series with this very naughty twist from Mentah. Taking those big one-note drones and harmonic flutters of the 2020 original - which is also provided on this release - Mentah takes the track apart and rebuilds it with a supersized turbine blast basslines and a new drum kit that switches between crisp neck-snap two-step and bone rattling breaks. Comparable to a track like 'Dirty Chopper' in its relentlessness and bullnosed drive, once again both the remix and the original are 10/10 scenarios for any discerning dnb DJ right now.
Review: One of the regular labels we feature are Sub-Liminal, a wicked little imprint that puts out a diverse sound ranging from techy rollers to jump-up steppers and even liquidy numbers. This week they've arrived with an EP from Agro, who, across six tracks, spans various tones and styles, all of them rooted in a sense of dancefloor aggressiveness and all of them top-notch. 'Claap Up' is a highlight, its rolling percussive line isn't the paciest but is loping and satisfying, whilst a gargling bass and sweeping reeces sit just above and inject all the force. 'Data Entry' is also a wicked track, with a lovely, stripped back drum line that's full of moody sonics. Top stuff.
Review: Fresh from his super bad excursion with Too Greezey, Agro returns to Sub-Liminal with five more originals. "Ambush" compounds the dust of the wild west for a gun-toting shoot-out style banger, "That Time" is a stretched-bass jump-up affair where Too Greezey plays a cool cameo while "Deep Plot" does the stampy tripletty thing with the kicks over a 40-a-day chest-rattled bassline. Rounding up we have serious heads-down rolls on "Not Fools" and madcap Hazard-style riffage on "Watch Closely". Heavy.
Review: Agro is back on Sub-Liminal for a six-track EP that is Sofa Sound-esque in its emphasis on rough, vibrant percussion and rolling, dastardly basses. Every track on here is perfectly crafted for the dancefloor and it's all rooted in that wicked UK D&B sound that we know and love. The title track features Killa P on vocals, his tones wafting above a wobbly and pummelling back end which switches up into jungle for extra damage. 'The Cut' is similar but even heavier, with the obligatory Wu-Tang Clan sample that grounds it in a sense of history and nostalgia. Banging stuff.
Review: Agro a-go-go.. The Sub-liminal bossman breaks down the doors of 2017 with four absolute flatteners. The story starts with "The Music" where a crisp, warm skank and vocal are soon shoved into a murky pool of low-end riffage, jump-up with added funk in the groove, this will spark up any dance in any corner. "Vengeance" follows on a meaner tip as stern bass and sudden amen flurries lick upside your senses and "Cold Roads" has one of the coldest drops Agro's ever created - sinister, moody and tubular, it is 1997 all over again. "Crush" concludes this fearful tale with the help of equally rising Leaf. Slapping and buzzing with a mild nod towards the Bristol sound and Clipz in his early prime - there's mischief in the moodiness. We'll let the music do the talking from here on.
Review: Agro returns to Sub-Liminal with his fattest EP stack since last summer's "Settle The Score" and the word murderation springs to mind. The stench of deadliness is high the moment the stripped back kicks leave room for blessed sub wobbles on "Step Back" and the stank remains thick throughout; the slimy bass melts on "Silver Lining", the pungent jungle rolls on "It Came From Under Me" and the neck-snap steps and harmonic grunts on "Tank" are just some of the many highlights. Stinking.
Review: Sub-liminal Recordings are a regular presence on these pages, their music is precise and damaging and they're back this week with a single from Agro. Timbuk 4 is a two-tracker that relies on its wavey concoctions of low-frequency movement to impress, with hard percussive knocks resting nicely underneath. 'Fair Trade' is the B-side and probably our favourite, with Chats MC doing some serious work over a very creative back end. Lovely stuff.
Review: Following up a great release by Yatuza a few weeks ago, label staple DJ Agro returns to Sub-liminal Recordings to follow up last year's ripper "Thuggish", taken from his Bad From Morning LP which receives a couple of nice reworks here. Kent's Teej (Nuusic/Co-Lab Recordings/OCC) gets onboard to take the jump-up vibe of the original into emotive, intelligent drum 'n' bass territory, until Agro takes things back - this time into snarling and ominous techstep realms - with his new VIP mix.
Review: Sub-liminal Recordings chief Ben Carvin aka Agro is responsible for one of the best drum n' bass long-players this year in the form of Bad From Morning. In the last few months, there's been a steady stream of remixes being released and here's the latest installment of reinforced rollers. Kent's Teej does his best impression of a classic DJ Krust style minimal steppa on his rendition of "Thuggish", Xav remixes "Let's Get Frisky" (feat Mr Traumatik/Devilman) into a jump-up themed jam that's sure to get the lighters in the air, and Yatuza who surfaced on the label last week with an awesome EP returns here for a remix of "Eagle Clan".
Review: Agro is on Sub-Liminal with an EP that's full of, well, agro. He's roped in some of his friends for the release, including NV & Mentah, Leaf, Charlie Rotten and Toxinate in what is a full-throttle release from start to finish. This is clear from the off, as 'Don't Play' dives down deep into murky sonics and minimalist force for session that'll appeal to the real heads. 'Godfather' feat Lead has a unique percussive line that lends it an almost halftime quality; 'Gorgon Sound' is a naughty roller with a disturbingly scary sub bass & reece bass combination and 'Thinking Bout U' ties up the release with more dark atmospherics - quality stuff.
Review: First there was dark... Then Agro came along with some disgusting gully riddims and the light was so strong man invented shades. Seriously; this man has yet to release a duff tune and here are two more examples of his scorching illuminations. The title track is understated, low slung and weighted in rich treacle bass while "Crazy Game" (with young upstart Guzi) sheds more light on the darkest, dankest of corners with a vicious fog horn Q&A and a breakdown that opens the gates to Hades itself. Time to get lit.
Settle The Score (Too Greezey remix) - (3:42) 175 BPM
Silver Lining (Guzi remix) - (4:30) 174 BPM
Step Back (Warhead remix) - (4:26) 178 BPM
Review: Agro goes under the knife from four heavyweight bass fiddlers and it's a not a pretty sight... Tyke gives "Tank" a whole new harmonic body of armour, Too Greezey pumps the dickens out of "Settle The Score", Guzi gets his sharpest sheet metal out and adds some shred aesthetics to "Silver Lining" while Warhead soups up "Step Back" with added variations on the bass riff and proper barbed wire drummage. Blood everywhere.
Review: Having let off some serious stinkers on Hybrid's Audio Addict earlier this year Agro returns to his own imprint with five more blunt-nosed scudders. Once again, it's an understated affair which hits best with its low-swung technique - more rolling than jumpy, more grumbling that shouty, it's the type of tunes you'd expect to hear Randall play at 3am. Highlights come in the form of every track but don't sleep on the elastic bass stretches and sultry vocal on "All The Time" (with Raz), the ludicrously flabby bass on the brilliantly titled "Big Food Mover" and the epic, not to mention sandpapery, collabo between Aggers, Greezey and Kumarachi "AZR". Score settled.
Review: Man like Agro adds more fuel to his album fire with a whole collection of instrumentals for your creative pleasure. Already out as a largely vocal-led album, and received warmly as something of a celebration of MC culture, here come the flips as Agro lifts the bonnet for all to see. 'I Get Gully' is a brand new original while 'Bad From Morning' originally featured Flowdan but is now completely stripped back for the world to see. Elsewhere other highlights include the sexy bassline wriggles of 'Everybody Down', the tension and tearing fury of 'War' (with Dreadnaught) and the off-the-wall bassine bubbles of 'Hit You Like A Creeper'. Vibes from morning.
Review: Agro is Ben Carvin, a drum & bass DJ/producer from Brighton and founder of Sub-Liminal Recordings. After nine years in the game, he has decided it's high time to release a full length - culminating in Bad From Morning. It features 14 killer tracks, many of them in collaboration with some hot names in the UK underground. From the title track; a moody sci-fi roller featuring Flowdan's wicked vocal delivery, to the dark side jump-up throwdown of 'War' (Ft. Dreadnaught & MC Foxy), mad steppa "Head Top" featuring Devilman is reminiscent of that classic Full Cycle sound, while "Everybody Down" with Flirta D is sure to give your subwoofers a good shakedown, as will "The Prophecy" featuring Velocity.
Review: Sub-liminal badman Agro gets naughty this month with the massive 'Digital Armshouse' EP. His biggest release since his Bad From Morning album last year, once again we're treated to a whole range of spicy delights and low end lashings. Highlights include the sizzling rudeboy-calling title track, Taxman's epic twist of 'Bad From Morning' and the humungous rumbling subs and rattling fills on 'I Blacked Out' and the wonky wily funk of 'Reach'. Raise your arms!
Review: Hey Mario! You know that new evil sound you wanted for your spooky underground levels? Well listen to this! Yes yes, Agro is rolling out some true side-scrolling carnage here as 'Attack The Block' pops like 100000 1UP mushrooms. It's in good company: 'Cut The Mid Range' gets all choppy with the sick samples, 'Wendy On Wax' is woozy and wonderful and 'Contact' is just a straight up Bowser flattener. If this is the dark side we don't ever want to see the light again.
Review: If you're worried about producers spending too long in their studios and not getting enough fresh air, or producers inappropriately dressing for an occasion, then save those thoughts for another artist as Agro is most definitely okay: he's currently out on the piste and he's most definitely wearing the correct gear as 'Ski Mask' will get those cheeks nice and warm with every slope-bound slap. Elsewhere 'Murk Nothing' wriggles and rants with the energy and mischief of a young Tyke, 'Porridge' will heat you up with its sludge, warm oaty vibes while 'Scum' closes on an ice cold vibe. Wrap up warm from face to foot.
Too Greezey - "Fled The Scene" (feat Thunda Banton) - (4:26) 58 BPM
Agro - "Shot To Bits" - (4:16) 180 BPM
Too Greezey - "Time Traveller" - (4:28) 175 BPM
Agro - "Dumpers" - (4:38) 179 BPM
Too Greezey - "The Chant" - (4:28) 58 BPM
Agro - "Simple" - (3:39) 175 BPM
Review: Representing the vibes and history of reggae culture except with a uniquely British urban twist, Agro & Too Greezey drop a five-track testament to his ability as producer here. We've featured his music in the past and every time we do it's a devilish concoction of force and finesse, an amalgamation of ability and acumen. 'Fled The Scene' is as big as it gets, both in terms of its steppy percussion and driving bassline; 'Shot To Bits' reminds of Kings of the Rollers with a bassline that roars out the stops; title tune 'Time Traveller' combines reggae atmospherics with a rolling finesse. Sick EP.
Review: Just when you thought things couldn't get any spicier, Agro and DJ Hybrid's Riko Dan fronted 'Hot Pepper' gets some extra sauce from man-of-the-moment Objectiv. Stripping things back to a warm rubbery bass shot and swaggering beats that leave plenty of space for Riko's bars. The rap too hot for your sensitive soul? Then jump on the dub where that big emotional breakdown takes the full focus. Fans of The Sauce and Alibi will be all over this.
Review: Time for something spicy as this dream team collabo comes together for some out-and-out jungle fire. Agro, DJ Hybrid and Riko Dan on bar duties... this can only bring flames! Rapid bassline funk, even harder bars and beats that singe every whisker north of your neck, this has been a huge bubbler for all concerned all summer, now it's yours. Complete with an instrumental if you can't handle the heat! What a banger.
Review: Smashing down the doors of 2018 with a cheeky multi-artist EP: Sub-Liminal start business for the year with two deadly amazement sessions. Firstly Subzero takes Agro's 2016 smasher "Dub Fi Dub" and tears it a new one with a whole new layer of diesel powered bass while Version runs point with "Plissken", a scuffed-knuckle sandpaper funk roller that's loaded with electrified sizzled bassline and rattled drums. Pure power jams.
Review: Sub-liminal are one of those very prolific, very underground labels that tends to go unnoticed yet releases some absolute bangers. So, a tasty two-track VA single is only going to go one way - hard. The first tune - Mentah's remix of 'Eskiboy' - is an instant stand out, a wobbling riff of force and hurting energy, all tied up in a jump-up sized package. Guzi's remix of 'Mailout Moron' by Too Greezey is another top-level cut, a skippy drum line and menacing vocal samples sit above a fiercely minimal roller that clicks and clanks with satisfying precision. It's got a futuristic vibe and we're here for it, so you should be too.
Review: More fire from the south coast crew: two originals each and two collaborations, Agro and Too Greezey lay down the Sub-Liminal sermon. Highlights include the froggish wobbles on Agro's "The Genius", Greezey's Formation-style jungle roll-out "Lose Focus", the sun-kissed skank-packer "Don't Mek Me Get Dark" and the walloping classic early Playaz bass vibes on "It's Only Right". Bad to the bone.
Review: Selecta! Sub-liminal bossman Agro rolls his sleeves up and gets stuck into his label vaults, drawing out persys and reminding us just how on it his label has been since morning. Ranging from the twisted bass bubbles and trippy warped sounds of Warhead's 'Tread Carefully' to the interplanetary bleep drama and sweet bubbling subs of Kumo's 'Trick Shot', Agro is explicitly telling us how versatile and timeless his label has always been. With some of these cuts going back to the 2016/17, he's proved it. Get stuck in!
Charlie Rotten - "The Myriad Part 3" (continuous DJ mix) - (16:49) 181 BPM
Review: Sub-liminal are one of those very prolific, very underground labels that tends to go unnoticed yet releases some absolute bangers. So, getting a whole compilation full of them from a variety of up and coming producers is only going to go one way - hard. The first tune - 'Iggy' - from Garry K & RV is an instant stand out, a wobbling riff of force and hurting energy, all tied up in a jump-up sized package. 'Vultures' by Zapya and MC Karter is another top-level cut, a skippy drum-line and menacing vocals sit above a fiercely minimal roller that clicks and clanks with satisfying precision. There are a bunch more excellent tunes on this release, so go check them out.
Review: Following recent releases on Good 4 Nothing and Serial Killaz, the ever-versatile Complex joins Agro and co on Sub-liminal for this hefty banger six pack 'Boarderlack'. As always with Complex (especially last year's album On The Outskirts) the beats are fat, focused and wholly uncompromised as he ploughs us all down with a spectacle of fearsome acts. Highlights include the wonderfully wobbly wonk on 'Over The Hill', the pure drama of the EP title track 'Boaderlack' and purring textures and endless twists of 'Could Have'. Pure filth.
Review: "If You Can't Beat Em" demands you raise your lighters. Bad news for non-smokers. Good news for skankers thanks to the swaggering, well-measured dub hook that really digs in on the breakdown. Incredible news for the mandem who love a gully riff. "Jazz Hands" puckers up with more of a classical smooch thanks its majestic swooning piano intro before going all-out sloppy snog with its butt-grunting bass tones on the drop. Two killer tracks loaded with contrast... These are hard to beat.
Review: DJ Hybrid just won't let up. Consistently smashing 2016 to pieces with crusher after crusher, his sense of classic rudiments and contemporary dynamics is nothing short of precision. As proved once again on Sub-Liminal: "Murder Soundboy" rolls with the understated grit of a mid 90s 31 cut. "Kung Fu Masters" retains this foundation feel with a mid 90s grizzler vibe that Serum executes on the regular while "Know Your Enemy" is all reese bass and sirens with moody ominous results. Remix-wise Benny L plays the consummate edge lord with steroid drum twists. Murderation.
Review: The latest bit over on the voracious Sub-liminal Recordings is from Dreadnaught, and it manages to be both driven in its focus and diverse; led by minimal sounds but with splashes of jump up. 'Risk Taker' is absolute genius, with a snapping percussive line that grounds a flowing, funky, bassline that's unlike anything we've heard in a very long time. You have to hear it, really, and it's followed up by the gully roller that is 'Reach Out', an Alix Perez-esque concoction that has us wishing clubs were open. There is the stomping sounds of 'All That', and the clinical minimalism of 'Skyz'. Bigups.
Review: Following the slabs of drum and bass Dreadnaught has released in "Rig Killer" and tracks that made their way to compilations for labels like BYTHEPRODUCER, Virtuous and Within The Woods - Nasty Piece Of Work marks the producer's full debut. Issued by Sub-liminal Recordings out of the UK, Dreadnaught weighs in on the bass, inflicting numbers like "Villian" with murderous dubs vibes that hit the spot alongside subtle tips of UKG buried within the dub of "No Love" and bass of ""Syndicate". Crackly ambient and textural atmospheres float like a dream underneath the jungle rhythms of "Drugs" with stepping rhythms and razor distortion tearing at the tweeters in "Overtime". Straight up street poetry in Dreadnaught's "Blazing The Fire" remix too.
Review: Chefs kiss! Dreadnaught is back in the kitchen and he's serving up a storm. 'Cook Dem' sees him linking with the bossman Agro who plays consummate sous-chef as they chop and dice their way through the frequencies baking up slamming, swaggering drums along the way. Side dishes include the nutty, twisted ruffage of 'Thinking Cap', the sweet and spicy system slammer 'Soundgirl Killa' (with RV and Miss Melody) and the deliciously gooey bassline pudding 'Blood'. Yum.
Review: Previously spotted on the likes of Pick The Lot, Pick N Mix and Invicta, Drowzee makes his debut on Agro's Sub-liminal imprint with this epic six track collection of tear-ups. Featuring collaborations with the likes of Magenta, Warhead and a remix of Guzi, it's a full flavoured set that hits hard with leftfield, oddball funk. Every cut is a highlight but real stand out moments include the weirdo groove and strange slaps of 'Computers' (with Warhead), the big bellowing bass and trippy samples of the final cut 'Duplicate' and the almighty title track 'Mumbo Jumbo' (with Magenta). All this and so much more. It's time to stop chatting rubbish.
Review: One of the regular labels we feature are Sub-Liminal, a wicked little imprint that puts out a diverse sound ranging from techy rollers to jump-up steppers and even liquidy numbers. This week they've arrived with an EP from Dunk, who, across six tracks, spans various tones and styles, all of them rooted in a sense of dancefloor aggressiveness and all of them top-notch. 'Bingo' is a highlight, its rolling percussive line isn't the paciest but is loping and satisfying, whilst a stabby bass and sweeping reeces sit just above and inject all the force. 'Silence'' is also a wicked track, with a lovely, stripped back drum line that's full of moody sonics. Top stuff.
Review: Barrelling around the corner and into deep town is Ghxsty, whose newest EP on Sub-liminal Recordings excels in a gnarly, minimal and over the top fashion. The first cut - Isolate - smacks of the recent scene takeover by the likes of Serum and Benny L, it's rambunctious bassline swirling round in huge, naughty sub-bass pulses that'll leave you delighted by their length and scope. 'Simmer' is even more in your face and arguably the better of the two, a delicate balance being struck between percussive weight and the sensitive delineation of its elements. A proper smasher that will give you a naughty bass face and will definitely get your head nodding, a pattern carried across to the other four tunes here.
Review: Glitch City gets slimy with his latest dispatch on Sub-liminal - Swamp Monsters. Diverse and dangerous, the whole EP hits a lot of different spots with its energy and unkempt aesthetic. 'Swamp Monsters' takes the lead and hits hard with that kinda neuro/techy fusion. 'Rockers International' is where things get even more interesting as GC goes halftime with very dramatic results before 'Wind Loops' and 'That Lock Up' both whip up a storm on a full D&B tip for the finale. Monstrously sick!
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