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from $1.89
SBKT 061
08 Nov 23
Bass
08 Nov 23
Bass
from $1.89
SBKT 060
28 Sep 23
Bass
28 Sep 23
Bass
from $1.89
SBKT 049
08 Jun 22
Bass
08 Jun 22
Bass
Played by: Juno Recommends Bass
Review: We have grown used to expecting the unexpected with every SVBKVLT release and it's safe to say this brand new selection of remixes from Prettybwoy's 'Tayutau' project has pushed the bar for creativity even higher than before. We begin our look at this one with Mr. Mitch getting to work on remix duty for 'SLT', taking the original and reworking both it and Miles' unique vocal textures into a hypnotic, drone-like sonic experience, with Cooly G's rework of 'Island' following closely with more post-funky energy. From here, DJ Q then jump into action with a vibrant UKG-inspired bassline flip of 'Destination', again reworking LIlI's vocals into dancefloor-ready groove, before Pinch gives 'Mikoshi' a war-like refurb, focussing on industrial style drum punches and grizzly subs below. This is how to do a remix project RIGHT!
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SBKT 044
01 Oct 21
Bass
01 Oct 21
Bass
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SBKT 038
04 Dec 20
Bass
04 Dec 20
Bass
from $1.89
SBKT 030
06 Sep 19
Bass
06 Sep 19
Bass
Review: Based out of Shanghai, China, the SVBKVLT movement have been making serious waves in pushing the 140 hybrid sound into pastures previously thought unreachable. They have done this through the assistance of futuristic grime / wave producers such as Swimful and Downstate. This time around they join forces with Tokyo's own Prettybwoy for a fantastic 6 tracker entitled 'Genetics', encompassing everything the SVBKVLT movement is looking to push. The EP is a fantastic long play listen, from the unpredictable rolling drums of 'Shadow Riddim' and 'Genetic Dance' through to the beautiful melodic imagery designed within 'Footstep Flying' and 'Outro Hello' finishing with the magnificent soundscaping of 'Hyggs'. It's safe to say that the EP is a masterpiece in futuristic half time music.
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SBKT 018
22 Dec 17
Bass
22 Dec 17
Bass
from $1.89
SBKT 017
10 Nov 17
Bass
10 Nov 17
Bass
Played by: Juno Recommends Bass
Review: There aren't many Osheyacks on the planet: men who whole defenestrate every possible conception and assumption mankind has of bass and techno frameworks and reconstruct things on their terms. This whole EP is unlike anything you've ever heard; smelting down aspects of hardstyle, tech house, ghetto tech and industrial into a distorted and bewitching, concrete-stomping brew, each cut on this generous EP rumbles like late nigh raves in a work steel factory somewhere off Omicron Persei 8.
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SBKT 011
02 Sep 16
Bass
02 Sep 16
Bass
Played by: Juno Recommends Bass
Review: PM2.5 by Swimful was a hit when it came out earlier this year, and it lit up our charts like a Christmas tree. The Shanghai-based producer is back but only as the lead producer, and what we have here is a whole album of remixes; remixes of his whole LP by a number of well-known contemporaries. The great thing about the original was its versatility and diversity of music - from wobbly dubstep to mindful, beat-driven bass - and this hasn't been lost in this LP. In fact, the likes of Damacha, Desto, Kai Lauen, Naaah and AIRMAX'97 make this a truly jaw-splitting release, and have transformed an already great bunch of tracks into an artillery of new ones.
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SBKT 008D
10 Jun 16
Bass
10 Jun 16
Bass
Review: The inimitable SVBKVLT is one of the only labels out there that is making grime music as it should be heard; none of this pseudo bass and quasi house, just the real gear aimed at getting your head nodding up and down in the car - shotgun, preferably. Kai Luen is a newcomer to the scene, but we're sure that we'll be hearing him soon and often given how masterful his skills on the mixing desk seem to be with these ten stone-cold killers. "The Hollow Ghost" itself contains all the elements of classic grime joints by the likes of Plastician, while others like "LA 92" or strive down headier paths, sometimes landing on hints of hip-hop or Burial-like percussion excursions. The real shit.
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SBKT 007
22 Apr 16
Bass
22 Apr 16
Bass
