Review: Cocktail Party Effect aka Charlie Baldwin returns to Tectonic after 2020's acclaimed self-titled album. As befits both the label and the artist's catalogues, the title track is dominated by punishing bass. The low-end kicks like a mule through the arrangement's hazy textures, erupting sporadically and menacingly. On "Sun Down", Cocktail Party Effect opts for a more dubbed out approach. The drums swing lazily, hazy vocals reverberate in an irresistible manner and the whole thing is tied together with rolling, layered percussion. It makes for a blissed out counter point to the title track's system levelling bass power - and a powerful testament to Baldwin's diverse sonic palette.
Review: Following on from her remix of "Get Out Of Here" as part of Pinch's Croydon House reissue, Adiel delivers a superb collection of original material for Tectonic. "From A To Z" revolves around a dense, humming bass and skipping percussion. She weaves in frazzled melodies into the arrangement, and the result is an impressive fusion of the organic and the synthetic. "No More Bla Bla" starts off in stripped back mode, but the bass builds to frazzled, analogue climax. "Hands Off You" sees Adiel focus on a straight techno rhythm and dreamy chords, with this approach sounding equally soulful and forceful. "Less Distraction" follows in a similar vein, with searing acid and dark synths underpinned by a throbbing bass and doubled-up claps.
Review: Pinch welcomes Berlin duo Fjaak to his Tectonic label with a deathly assault of wayfaring basslines, annihilistic drums and future-retro acid. Leading with the title-track WH?T, Fjaak's approach to a Tectonic EP leaves no holes unbarred and at a swift three and half minutes long it's a no-nonsense ride to the top. Pinch's version adds a second wave of brutal hybrid form techno and dubstep to the EP with his remix - the kick drums are seriously massive - with acid techno tunneling through a textural abyss of atmospheres in "XoXp0rt" that's given a breakbeat makeover in the Cocktail Party Effect remix. Seriously heavy; approach with caution.
Review: Rare is it that we see a German producer successfully mimic sounds of the UK so well...but in Shed's case there's no questions asked as to the producer's ability to illicit knowledgeable and schooled approval from the likes of Pinch and other breakbeat, dub and bass heavyweights. Having flirted with the idea of breaks and dubstep in tracks and remixes under his WK7 and Head High alias, Shed dons his original cap here to dive head first into sovereign UK territory with the affirmably titled Tectonic EP. Calling on the ghosts of rave's past in a minimal and stripped back "Try", heavier industrialisms that hark the sounds of '80s EBM give way momentarily to fluorescent strands of dubby synths in "Box", with higher tempo grooves and bleeps the tonic in "Sweep". Shed. Tectonic EP. Should say it all really; three tracks, 5-stars.
Review: At this point, whenever we see Pinch's name appear on a forthcoming list we buckle in for a long, explorative ride into the science of sound, with this latest album on Tectonic entitled 'Reality Tunnels' being exactly what the doctor ordered. Over the course of 10 stunning originals, we see Pinch flex his veteran production muscles with some of the most interesting and original creations we have heard this year, from the post-jungle designs of 'Entangled Particles' alongside Emika, to the space-age soundscaping of 'Back To Beyond' and post-dubstep marches of 'Returnity'. For us there are a pair of clear highlights, with the haunting vocals of 'Inezi' on 'Change Is A Must' sending shivers down our spines, alongside Killa P's war-ready vocal additions on 'Party'. Amazing work.
Review: Now there are few things we look forward to here at Juno Download more than a Tectonic drop. When we then see that Walton is involved, the rest of the day goes out the window as we leap with excitement. This four track selection is more than we could ever ask for, kicking off with the rampant LFO marches and stuttered drum structures of 'Scooped'. Next up, the dungeon ready percussive inputs of 'SBWYS' switches up the vibe, before the clap heavy rhythms and gnarly sub-moogs of 'Smashed Crabs' roll into play. Finally, another load potent LFO's move into formation as 'Abyss' unleashes one final array of bass-mastery.
Review: Following his inclusion on Tectonic's landmark 100th release - Riko Dan's 'Hard Food' EP, Sam Walton presents a full length for them. Of all the dubplates in label boss Pinch's record bag over the last few years, the ones that he has selected the most often have Walton's name scribbled on the sleeve apparently. A unique creative statement by the young Mancunian producer, Pinch is very proud to release Black Lotus: which is evident of the 26 year old's 'true talent.
Review: Across multiple genres of UK underground music, Riko Dan is already solidified as one of the vocal legends. He is also known to step outside the 140 box and work alongside unusual production to create some truly phenomenal work. His brand new EP has been released through Tectonic and is a homage to his vocal versatility, be it the rapid fire patois voicings upon 'Vibration', the slower more dancehall inspired lyrics on 'Slap It Up' or even the uber grimey flows on the title track 'Hard Food'. Along with these we are also blessed with the techy arrangement of 'Hungry', the 8bit melodies of 'Alright Then' and a fantastic remix of 'Big Slug' from the ever creative production fingers of Walton.
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