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Terminal M
Browse the latest digital releases on Terminal M
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TERM 231
12 Apr 24
Techno
12 Apr 24
Techno
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TERM 228
22 Mar 24
Techno
22 Mar 24
Techno
Review: Imagination is Kaspar's third release on Terminal M, and it sees him deliver another fine, big-room selection. The title track kick starts the EP with the sound of ominous chords and a series of dramatic break downs and builds. Powered by tough kicks and featuring a mysterious vocal, it is sure to cause maximum impact. The emerging producer opts for a different approach on "Cycle of Life". Powered by a buzzsaw bass and a pulsating rhythm, it sees Kaspar take influence from electro sources. But as the track's rolling snares demonstrate, he seamlessly integrates them into a big room setting, making for a fresh new style.
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TERM 226
03 Nov 23
Techno
03 Nov 23
Techno
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TERM 222
02 Jun 23
Techno
02 Jun 23
Techno
Played by: Juno Recommends Techno
Review: The seventh instalment of the Bangers series features a collection of club-primed workouts. On the reshape of his own "Computer Technology", Luca Morris teams up with Mozzy Rekorder to deliver a throbbing, pulsating groove, populated by stuttering vocals and rickety percussion. In contrast, the
DJ Dextro take on "Unbalance" follows a tougher approach, with insistent chord stabs unfolding over dense, pummelling kicks. Kaspar's "Dreams" isn't as frenetic, but it doesn't lack in intensity, with razor sharp hi hats guiding the listener through churning filters and brooding bass. Audio State (RO) opts for a different approach on "This Is The Way", with rolling snares and break beats combined to underpin a grinding, tearing bass.
DJ Dextro take on "Unbalance" follows a tougher approach, with insistent chord stabs unfolding over dense, pummelling kicks. Kaspar's "Dreams" isn't as frenetic, but it doesn't lack in intensity, with razor sharp hi hats guiding the listener through churning filters and brooding bass. Audio State (RO) opts for a different approach on "This Is The Way", with rolling snares and break beats combined to underpin a grinding, tearing bass.
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TERM 215
14 Oct 22
Techno
14 Oct 22
Techno
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TERM 214
16 Sep 22
Techno
16 Sep 22
Techno
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TERM 205
17 Dec 21
Techno
17 Dec 21
Techno
Played by: Juno Recommends Techno
Review: Following on from 2020's Headrush, outing Alex Stein returns to Terminal M with another impactful two-track release. Like the mythical bird that it derives its name from, "The Phoenix" rises gradually and then soars, with Stein fusing sweeping synths with ghostly vocal samples together and letting these elements play out over a throbbing, pulsating bass and well-timed snare rolls. On "Rise", he opts for a similar approach: using a rolling, menacing bass as the backdrop, the Berlin-based producer conjures up crystalline synth lines that build into euphoria-inducing crescendos. Both tracks are brilliantly arranged and executed and are sure to create dance floor mayhem.
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TERM 200
30 Jul 21
Techno
30 Jul 21
Techno
Played by: Juno Recommends Techno
Review: Monika Kruse deserves kudos for signing up this four-tracker from emerging producers Vikthor & Oscar Aguilera. Drawing on elements as seemingly disparate as 90s trance, Oliver Huntemann-style grainy club tracks and techno's deeper side, this dynamic new duo wrap all of these elements into rolling tribal grooves that are sure to work with a variety of DJs. In particular, the dubbed out "Still Dreams", which progresses seamlessly into dreamy break beats, is impressive. Meanwhile, at the other end of the intensity spectrum, "Set Your Free" - a solo effort from Vikthor - and the title track provide the kind of bass-led club techno that's intrinsically linked to Terminal M.
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TERM 198
18 Jun 21
Techno
18 Jun 21
Techno
Played by: Juno Recommends Techno
Review: Fresh from the release of their Where We Start album on Tronic last year, Drunken Kong deliver four dramatic tracks for Terminal M. "Dark Moon" is a rolling, peak-time affair, featuring trippy synth lines and a grinding bass, while on "In All Of This", the Japanese pair go down a tribal route, with a bubbling bass and hissing percussion providing the backdrop for a dystopian, sawtooth riff to insinuate itself into the arrangement. "Trace" sees Drunken Kong invoke the spirt of late 90s tribal techno but with a twist, as vocal snippets and recycled rave melodies are integrated with cavernous kicks, while "Detached" is a house-focused track, served up with psychedelic melodies.
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TERM 197D
07 May 21
Techno
07 May 21
Techno
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TERM 196
09 Apr 21
Techno
09 Apr 21
Techno
Played by: Juno Recommends Techno
Review: It's been a while since Aniello Federico aka Hollen appeared on Terminal M, and Interspace is a reminder of his capabilities. The title track is a bubbling, pulsating track, led by grainy electronic riffs and featuring highly-impactful breakdowns and builds. On "Out Of The Tunnel", Federico opts for a slightly more measured approach, with cavernous riffs and a hypnotic bass prevailing , while "Off The World" sees Hollen draw on house music for inspiration to deliver a tracky, disco-infused workout that has shades of DJ Sneak. "Anonymous" offers a different perspective, with Federico deploying sublime synths to conjure up a more evocative, Ibizan summer-style mood.
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TERM 195
22 Mar 21
Techno
22 Mar 21
Techno
Review: Konstantin Skorobagatiy aka Skober returns to Terminal M for this mesmerising three-track EP. Quasar gets off to a frenetic start: the title track is built on a pulsating, pumping bass and features tranced out synths and filtered builds, making for an ominous but infectious peak-time track. On "Infinity", Skober changes the approach somewhat; the backing track is more linear and is powered by chugging drums, with the arrangement populated by searing acid lines and menacing electronic riffs. "Flumen" is stripped back, with Skorobagatiy dropping steely jackhammer percussion while a fuzzy, all-encompassing bass drives it onwards and upwards.
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TERM 194
26 Feb 21
Techno
26 Feb 21
Techno
Review: Alex Stein follows last year's Rebirth release on Terminal M with a four-tracker that has already won support from Umek and Oliver Huntemann. It's not hard to understand why the latter producer is a fan of "Headrush": the title track is built on a belching, ominous bass and rickety percussion, with these elements providing the backdrop for a crescendo of synth builds. "Line of Sight" is more musical, with Stein weaving tranced-out melodic builds and tonal bleeps into his nocturnal, bass-led sound. Meanwhile, on "Had Matter", Stein veers into a more full-on sound, deploying a hoover-style bass and a moody vocal sample that spiral to a heady climax.
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TERM 192
08 Jan 21
Techno
08 Jan 21
Techno
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TERM 190
30 Nov 20
Techno
30 Nov 20
Techno
Played by: Juno Recommends Techno
Review: Berg follows last year's Bright EP with another distinctive dance floor release. The title track revolves around the type of tribal techno that is Terminal M's stock in trade. However, it stands out thanks to the warbling acid and woozy bass that support a ponderous vocal sample that's woven through the arrangement. Factor in the track's epic breakdown and there is no doubt that it will achieve its desired effect. On "Hope", Berg delivers another unusual take on big room techno: populated by tranced out slivers and underpinned by a gnarly bass, it makes for another unusual club track. Label boss Monika Kruse delivers a more linear take on the title track without sacrificing the interplay between its most effective elements.
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TERM 187
25 Sep 20
Techno
25 Sep 20
Techno
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TERM 182D
25 May 20
Techno
25 May 20
Techno
