Review: Sao Paulo's finest export Bungle has a long history of hitting the decks hard and "Alone" is his latest tribute to the old school. Mixing vintage sounds with fresh drums and bass, the title track "Alone" is a perfect set starter to get things moving in the dance. "Looking Back" is the ticket tune if industrial, heavyweight bangers that morph into beautiful, flowing rollers are your bag. "Arcadia" channels old school Dillinja down to the dark slamming bass and percussion that keeps pushing back against swirling synths. Final track "Fast Forward" offers a more minimal sound, stepping up with tribal drums before building into a whirlwind roller, tapping into an addictive old school sound. It's pretty much perfection and you need it.
Review: Previously spotted on labels such as Diffrent and Sweetbox, and championed by the likes of Om Unit, and Dub Phizix, UK dubsmith Crypticz makes his 31 debut with four expertly crafted sub joints that sparkle and rumble with all the right dub elements. "Echo Sound" is all about the big nodding groove and crafty delay wizardry, "MTD" adds more jungle into the mix with a pacier kick dynamic and strange alien effects leading the groove. "20" takes us right down into the slimy-walled dungeon for a slo-mo stomp in the stankiest of sub sludge while "Rhymes" brings us to an almighty show-stopping finale as it ignites with a slow burning kick that builds into a transcendental whoosh of sonics and dynamics. Crypticz is going places, there's no doubt about it.
Review: Doc Scott continues to invite new friends to the fold with another surprise appearance from an artist you might not immediately associate with 31. Following the likes of Serum and J:Kenzo comes German production giant/neuro don Current Value with four supreme workouts; "Bigger Picture" opens with big breezes before dropping into an itchy, scratchy sandpaper funk bass riff, "Major Fracture" has a hook so sharp it could rip holes in the time space continuum, "Reconsider" is all about the latent groove in the rattling percussion while the title track arrests all attention with its unabashed ode to sci-fi. Crucial.
Review: Now this is how you make your debut in the drum & bass game: "Ratatata" is 100 percent twisted mentalism with furious loopy vocal sample and drums so tonked they could bulldoze an entire street in a morning. Tapping into the early Dom & Roland, Trace or Optical spirit, ThirtyOne have found something really special right here. For the all-important balance factor, "Chasm" is the total contrast. Spacious, slippery and music (thanks to its sporadic flurries of pianos), it shows that this brand new act have the strength to go the whole nine - or indeed ThirtyOne - yards in this game.
Review: The man, the myth, the sofa-loving animal; DLR dives deep into 2020 with two corkers on Doc Scott's 31. "Banana Bread" is every bit as tasty as its name suggests. There's an old school house vibe to the rising chords and string line as it builds slowly towards to the ruffneck scrappy bassline on the drop. "Busy" is an equally addictive affair. Once again the intro fools you ahead of the twist; dreamy, deep and skippy, no one expects the dark, techno-like groove when it finally kicks in. Go bananas.
Review: Haunted minimalism on Doc Scott?s 31 courtesy of Hungarian heavyweight Ghost Warrior. Tapping into the same highly designed spirit as Clarity, ASC or Sam KDC, each cut is tailored specifically for the darkest hours of the night when even the shadows get paranoid. Highlights include the raw rolling tribalism of ?Intruders? and the echo chamber creepiness of ?Videodrome?, the Burialesque two-step clinks and clanks of ?Fracture? and the obscene bass texture of ?The Fall?. Don?t have nightmares.
Review: Refreshingly futuristic drum & bass documents right here: Hidden Turn returns to Doc Scott's 31 imprint with four more deliciously deep and unpredictable slabs of jungle danger. "Everything" buries amens under a bed of beehive basses, "Anything" is all about the oceanic space between the drums and the eerie eastern prayer calls, "Nothing" shows Hidden Turn's deeper side with water drop 80s synth sounds and a sub so elastic is could stretch around the globe and still have more to give. Finally we hit "Something", a monstrous halftime finale that's all moody and grimey, it's a fantastic way of wrapping up a genuinely exciting and unique EP.
Review: Usually found on the 140 side of the spectrum dub demonstrator Kenzo steps over to Doc Scott's ThirtyOne for some serious stripped back jungle business. "Rum Punch" is a straight up roller with a wasps nest bassline and barbed wire two-step. "Airwalk" nods towards the Ruffhouse or Clarity style of minimalism with an almost dancehall dynamic to its sparse drums. Finally "Durge" drops the tempo a tenner for a really wonked-out halftime bass jam that rips into some incredible amen splashes midway. Applying everything you love about his dub science to D&B, Kenzo's just opened up a whole new book... And we can't put it down.
Review: What an exciting few years it's been for the Artikal bossman Kenzo. Playfully switching between 140, 160 and 170, dub, jungle and D&B, he's in his element right now and packing some seriously darked out heat. Back on ThirtyOne he's hurling more heaviness our way. "Sykura" is a crisp steppy track not dissimilar to early Subtitles and TeeBee material while "Assemble" kicks with more of a bouncy two-step spring. Think Jonny L and you're on the right track. That's the level we're talking here.
Review: ThirtyOne recruit Bristolian dubsmith Jaydrop for their latest EP, and it's every bit as dark and demonstrative as you'd like it to be. "True Sound" rolls on that measured, slo-mo stomp that Cosmic Bridge and Amit have made their own of late. "Insight" switches back to the sound of classic late 90s darktime rollers while "Shortwave" flicks off the lights for a pitch black steppy slab of minimalism that's similar to Clarity's work in its dynamics and execution. Signing off the EP with the cowbell hammering broken beat tribal dance "The Constant" and another late 90s lean stepper "Underlay", Jaydrop has covered some serious ground on his 31 debut. High recommended.
Review: The dust still settling from his remarkable debut album Des Fleurs earlier this year, Mexican in Paris Joakuim continues his stunning vein of form with a debut on Doc Scott's 31. The titles hide no surprises; "Funk As You" does indeed carry a strong groove, but does so with a much more outer planetary, sci-fi context. Deliciously deep and long, there's a touch of Klute to the spacious introspection here. "Cosmos Dub" flips for a rocksteady halftime vibe. Cased in dubspace and a palpitating heartbeat kick, this is a straight up one-way ticket to Infinity. Bon voyage.
Review: Kiril burst onto the scene a couple of years back and has been doing serious business ever since across a variety of labels, including Guidance, Critical and others. This single marks his debut on the seminal 31 Recordings and Doc Scott's supreme A&R ability is on full display across both tracks. Kiril tends to release precise, techy music but this time around he's coming at you with something altogether rougher and more ravey, as 'Hoover's Don't Judge, People Do' attests to, a classic sounding roller with goosebump-inducing synths and a lovely rave piano that splices up the industrial vibes with melodic intent. 'Untitled Dub' is the flip, a crunchy tune with fantastic drums that smack of Total Science, a similarity that continues as its bassline slowly builds into a ferociously stripped back offering. Top draw.
Review: Krust going back to his epic jams on a label as consistently on point and influential as ThirtyOne? We seriously don't deserve this! Fully immersive, cinematic adventures that don't hurry to fly out with big drop histrionics, these are class-A "Genetic Manipulation" era narratives to truly lose yourself inside. "The Portal" hurls us into deep space with it space with its relentless two-step, warp-speed bass sweeps and subtle developments while "Concealing Treachery" oozes out with an eerie intro, skippy beats and a springy robot funk to the bass. Classic Krust, no one does D&B like this man.
Review: Seldom does a tune have a more fitting title then "Check It"... Everything about Myth's latest rump-shaker demands your attention. The baggy trousered rolling breaks, that grizzly little waspy bassline and those spooky tones. Once again Ill Truth's Myth delivers some authentic goods. "Sabotage" does the classic b-side thing and take us even deeper. More stripped back and dubwise but still rolling and creeped out, it's another precision minimal roller mission accomplished.
Review: Not many tracks are as widely renowned as Nasty Habits' (AKA Doc Scott) 'Shadow Boxing', a seminal number from the 1990s which you'll still hear out in clubs to this day (well, not right now). It's therefore about time it was given more remix treatment, as Benny L, Traumatize, J:Kenzo and Scott himself step up to bring us four new versions. Benny L's is hotly anticipated and the talented producer has stretched things out and toughened them up, leaving you on your seat with the suspense of his two-minute-plus introduction that gives way to a refined, growly take on that signature bassline. J:Kenzo contributes some percussive steppiness, whilst Traumatize injects some grit and Scotty rolls things out even more. Outstanding.
Review: It's been a while since Bournemouth-based, world-renowned Overlook was spotted on Doc Scott's 31, but he's back... And he's flinging out some seriously refreshing sounds on two very different tips. First up, "Empire"; this one's built around a persistent hand drum element that hammers with a near-mischievous sense of insistency. Dig deeper for "Distant Blue". Reminiscent of the formative Metalheadz foundations, it's driven relentlessly by granite drums and dense layers of pads, atmospheres and spooky overlaid sound designs. Monstrous.
Review: Cor blimey, Ray Keith on 31. This is a release of biblical proportions. Both tapping into the Keith's signature Dread vibe but with all the modern tactics of the day (big drones, trippy basses, ominous clouds of pranged out funk), both cuts are schoolings from a genuine jungle OG. "Jungle Fi Dread" is all about the breaks and sirens, taking you right back to A.W.O.L 1993 while "What Time Dread" raises the pressure with some seriously danked out twists on the vocals and more woozy tones and textures than your local haberdashery. What an immense release.
Redeyes And Signs - "Only For A Moment" - (4:25) 170 BPM
Redeyes - "Stand Tall" - (3:47) 170 BPM
Redeyes - "For The Leaves" - (3:46) 172 BPM
Redeyes - "Only You" - (3:51) 170 BPM
Redeyes And Signs - "Only For A Moment" (dub) - (4:39) 170 BPM
Review: Following his crucial North Quarter opus "Blueprints", Toulouse OG Redeyes joins Doc Scott for this beautiful 31 outing. Instant tingles are triggered the second the humanised harmonies on "Only For A Moment" breeze in. A true emotional whirlwind, there's a touch of Intalex's influence coded deep into the spaciousness. Elsewhere "Stand Tall" is another subtle riser with strings that morph so gradually you won't even notice you're playing air violin, "For The Leaves" adds a touch of dusty jazz piano to the finger-clicking party while "Only You" brings us back down from the clouds with a sublime slice of molten soul. Layers.