Review: Thunder Jam hasn't said much about the artist behind this EP, Foley, but we can confirm that this is he/she/their debut outing. Opener "Just Friends" is a pleasingly colourful, vibrant and synth-heavy affair that sounds like a very lightly, tooled-up rework of a boogie-era collaboration between Michael Jackson and, quite possibly, Stevie Wonder. While the vocals catch the ear, it's the extended, rearranged instrumental sections that will make your dancefloor go wild. The mysterious re-editor next gets to work on an electrofunk classic on "Mama Jama", expertly teasing even more excitement and energy from Carl Carlton's most celebrated moment. Just like the track he's played around with, it's an instant party-starter.
Review: Thunder Jam's latest EP comes from a producer yet to make his (or her) mark in music, the capital letter loving REZ. The artist has another EP due out on Hatched soon; if this debut EP is anything to go by, that will be well worth a listen. We're particularly enjoying the chugging, slow-motion disco-rock head-nod that is opener "Too Cool To Be Careless", a revision of a well-known 1980s AM radio hit that will have your dancefloors singing along when the chorus eventually drops. Elsewhere, "Believe In Magicians" re-imagines a quirky and bluesy swing number into a locked-in chunk of hip-house, while "It Was All A Dream" successfully rearranges a slap-bass sporting chunk of "juicy", 80s-inspired 1990s hip-hop/R&B.
Review: Some classy contemporary disco fare here from Irish producer Jones, coming to you courtesy of Israeli label Thunder Jam. 'Fluty Loops' itself opens with an intricate, extended percussive intro, before funk geetar and stabby strings usher in the meandering flute line that gives the track its title - imagine Joey Negro remixing Roy Ayers and you're somewhere in the ballpark. 'Everybody' shows the same attention to detail in the percussion department but has a more Chic-ish vibe, while completing the EP is the more sultry 'Been So Hard', which comes on like Linda Clifford given a Balearic makeover...
Review: Greek producer Chris GS returns to Israel's Thunder Jam with four more slices of reworked vintage funk/disco goodness. He's dug nice and deep for this set, so the original source material remains a mystery in most cases, but in his hands 'Shake It' is a strings-drenched disco number that would've sounded right at home on the 'Saturday Night Fever' soundtrack, while 'Lady' rocks a slightly rawer funk vibe. The same goes for 'The Funk', which reworks Positive Force's 'We Got The Funk' from 1979, while finally 'About It' leans a little closer towards early 80s boogie territory.
Review: Bustling breakbeat badman turned re-edit hero Morlack has served up some scintillating stuff of late, including a brilliant four-tracker on Katakana Edits. Here he gets his re-edit groove on for Thunder Jam. It's a decent label debut which moves from vaguely Balearic '80s Afro-boogie (the synth and filter-sporting "Kalimba Tree") to chunky, hard-wired P-funk brilliance (the Bootsy Collins-esque bounciness of "Agony"), via smooth, slick and seductive '80s soul ("Control", whose slap-bass, screeching car tyre effects and sassy female vocals are particularly alluring) and horn-toting, big studio electrofunk ("Lovin' U"). In other words, it's another tidy collection of cuts.
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