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Token Belgium
Browse the latest digital releases on Token Belgium
Review: Following on from the release last year of his Strata album, Inigo Kennedy opens his 2019 account for Token. Remaining true to his sound, the title track fuses raw break beats with ghostly melodies that soar and swirl in a majestic fashion. Like the best techno, it strikes a balance between depth and force. "Tone Poem" sees the UK producer venture down a similar path, although in this instance the broken beats are heavier and more pronounced, while the melodic elements flit past in the background. Kennedy ends the release with "Turmoil", which is again a near-perfect fusion of rumbling break beats and epic, melancholic expression.
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TOKEN 89D
08 Feb 19
Techno
08 Feb 19
Techno
Review: Nearly four years after he put out his last album, Vaudeville, Inigo Kennedy delivers Strata, also on Token. While the UK producer is best known for his skewed, wiry techno, his latest album marks a change of sorts. "Clarion Call (Return To Nothing)" is a serene ambient affair, and could have come from a film sound track, while on "Mood Shift" he allies dreamy textures to a linear club groove. There are also more typical Inigo Kennedy tracks, including the tranced out melodies and broken beats of "Trapezoid" and the pumping, epic groove of "Shudder", but as the melancholic spacey textures of "Stillness Expanded" demonstrate, Inigo Kennedy has revealed a new layer to his musical creativity on this release.
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TOKEN 82D
18 May 18
Techno
18 May 18
Techno
Review: Inigo Kennedy is one of Token's core artists and has done more than most artists to define its sound. Following on from his collaborative work on the label's Momentum compilation, he now delivers two straight club tracks. "Magma" features melodies that weave and warble their way over a linear groove and tough, full-on kicks. It's the sound of the UK producer at his most direct and is sure to appeal to fans of the Belgian label's more heads-down releases. On "Mantle", he delves even farther into this approach. The same melodic flourishes also bubble to the surface, but the drums and percussion are even more furious, propelling Kennedy into the peak time.
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TOKEN79D
09 Feb 18
Techno
09 Feb 18
Techno
Review: Kennedy has put out some corkers before on Token - 2013's Cathedral springs to mind - but the tile track on his latest offering for the label really ups the ante. Less upfront than usual, it revolves around a steely, stepping rhythm, while the spellbinding tapestry of hooks and melodies ensure it stands apart. There are elements of trance, 'Artificial Intelligence' and IDM all audible here, but the manner in which the UK producer blends them so seamlessly together will leave audiences reeling. "Glacier" is a mid-tempo affair, led by a stepping rhythm and gentle electronic pulses, while "Voyager" sees Kennedy at his most cosmic as he reaches for the stars over a pulsing groove, but it's on "Tornado" that he really causes a storm.
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TOKEN 74D
16 Jun 17
Techno
16 Jun 17
Techno
Review: "Surrender", the latest Inigo Kennedy release on Token, follows the unmistakable sound that the UK producer has developed almost exclusively for the Belgian label over the past decade. A busy, glitchy rhythm drives away while floaty, atmospheric synths soar and glide over the arrangement. It's hypnotic and spellbinding, but also manages to kick hard - and is not entirely dissimilar to his 2013 "Cathedral" release on the label. "Castles In The Air" is even heavier and harder; tough, distorted kicks and a mangled rhythm hammer away, providing the basis for Kennedy's airy, trancey melodies. It's another prime example of Kennedy's distinctive sound.
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TOKEN 67D
04 Nov 16
Techno
04 Nov 16
Techno
Review: One of the biggest releases to date on Token gets remixed by an all-star cast. However, in keeping with the Belgian label's approach, there is nothing predictable about this release. Kangding Ray's 'Dies Irae' version is slow and solemn, with heavy drums drawn out at 50bpm. Token has scored a major coup by securing a remix from Regis. The 'Human Host' version raises the tempo, but sees the Downwards boss remain in pensive mode, the layered chords giving way to menacing bass pulses. Dasha Rush's ''Requiem For Humanity" take isn't quite as bleak as its name suggests, although the dramatic piano swirls, crashing drums and muffled vocal samples conjure up a supernatural atmosphere. Finally, Efdemin pushes "Requiem" towards the dance floor with his bleep and clap-laden take.
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TOKEN 54D
06 Jul 15
Techno
06 Jul 15
Techno
Review: This fourth album from British techno veteran Inigo Kennedy - his first since 2010's decidedly ambient September Pieces - has something of a "catch-all" feel. You see, Vaudeville refuses to stick to one sound, style or groove, instead referencing the many styles of techno and experimental electronic music that have inspired the popular producer over the course of his 18-year career. So, there are murky, IDM-inspired techno floor fillers (the melodious but faintly foreboding "Requiem"), early British psychedelic techno ("Plaintive"), dense, darkroom grooves ("Vallecula"), classic Yorkshire bleep and bass ("Petrichor"), Kompakt-ish organic techno ("Winter"), and spooky, droning ambience ("Narrative").
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TOKEN43D
02 Jun 14
Techno
02 Jun 14
Techno
Review: Belgian techno titans Token Records initiate the tease campaign for Inigo Kennedy's upcoming album Vaudeville with this two-track sampler. Kennedy's decade-spanning career has seen him produce under a number of aliases and for some respected labels, but he's seemingly found a perfect home in Token, having inaugurated the label back in 2007. Those familiar with Kennedy's production style will no doubt be salivating at the prospect of his forthcoming fifth studio album after spending some quality time with the two tracks here. Both show Kennedy's deft balance of heaving club-focused rhythms and experimental blend of melody and texture, creating something that doesn't sound unlike a contemporary Berghain-inspired update of the early '90s material of Warp and R&S.
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TOKEN 41D
14 Apr 14
Techno
14 Apr 14
Techno
Review: Kennedy has beaten a singular path over the past few years, fusing the gentle, wide-eyed melodies of early 90s 'intelligent techno' with his own particularly brittle and complex rhythms. Confusingly, there is only a brief glimpse of this approach on his latest release. "VHSK 1" features the UK producer's trademark broken beats and those sweeping synths, filtered to infinity against a hail of dessicated percussion. Elsewhere, Kennedy shows a different side to his musical personality; "Pithead" is a relentless dance floor cut, its bass booming and skipping hats propelling it forward. There's a similar vibe on "VHSK 2", but on this occasion, dank acid provides the main focus for Kennedy's relentless rhythms.
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TOKEN 36D
25 Nov 13
Techno
25 Nov 13
Techno
Review: As his recent Cathedral single showed, UK producer Inigo Kennedy is an expert in creating epic yet grainy techno grooves. While that release gave listeners the sense that they were reaching for unspecified heights, it also kept them tethered to the ground via concrete-strength beats. There's a similar aesthetic at play on "Collector". The rhythms are militaristic and dense, but again they support an eerie, building synth line that hangs like smog over the arrangement. The same approach applies on the title track; Kennedy's rhythms are slamming and filtered, but it's those synth lines, detuned and out there but also strangely catchy, that leave a lasting impression.
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TOKEN 32D
08 Jul 13
Techno
08 Jul 13
Techno
Review: Inigo Kennedy's Spectre release for Token was a definite record of two halves, with one track providing severe, Berghain ready techno, and the other providing ghostly melodies with echoes of Aphex Twin. It's a similarly engaging story on Cathedral, with the title track providing a fierce breakbeat together with a cavernous harpsichord melody, and though it may not seem like the most obvious of combinations, its pulsing bass undercurrent ensures Kennedy's usual power is not diminished. "Chamber" plays things slightly straighter, providing a more forceful dancefloor cut imbued with gentle hints of dub techno that bristle with the producer's usual freshness, while "Accordion" completes things with another subtly melodic cut filled with unpredictability, as stuttering drums are surrounded by synths that seem to fade in and out of view. Kennedy has gone from strength to strength with each release and this record is no different.
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TOKEN 27D
28 Jan 13
Techno
28 Jan 13
Techno
Played by: Systemic
Review: Inigo Kennedy is one of Token's key artists and has played a central role in shaping the Belgian label's sound. On the evidence of this release however, both the prolific UK producer and Kr!z imprint appear to be turning a corner. The first signs are audible on "Wonderhorse". Following in the wake of the inspired, advanced rhythms of Go Hiyama's release for Token, it sounds relatively understated, its squelchy bassline and crackling percussion grooving in that off-beat, unpredictable manner that marks each release on the label. However, its segue later on in the track reveals Kennedy's intent, with ghostly, evocative melodies introduced. It sets the scene for "Spectre", which despite departing radically from the Token script, makes for one of the label's finest moments. On this occasion, the bass is warm and fuzzy, but it is still powerful and its weight provides the basis for a liquid, glassy rhythm, not dissimilar to the kind of arrangement that Alex Cortex might serve up. Like "Wonderhorse", it's all about the second half of the track, and Kennedy delivers a ghostly melody that has echoes of early Aphex Twin, especially "Xtal", as an eerie vocal lingers in the background. It's a far cry from Token's advanced club techno, but the lingering melodic spectre proves most satisfying.
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TOKEN 24D
17 Sep 12
Techno
17 Sep 12
Techno
Played by: Paul Mac, Pagalve, Mirko S., Systemic, Kereni, Giovanni Pasquariello, Jesse Somfay, CARL TAYLOR
Review: Inigo Kennedy discards with the deepness shown on recent EPs for some thoroughly dirty techno on his latest EP for Token. Heavily road tested on his worldwide DJ travels, "Revenge" and "Scatter" operate on different levels, with the former building layers of dubby rhythms over the foundation worrying drums. It's peak time business which contrasts with "Revenge", a dystopian trawl through skittering percussion, IDM soundscapes and bass that sounds fit to burst. Remix duties are undertaken by perma busy Blawan, commissioned to tweak "Revenge" after Kennedy realized the two had a mutual appreciation. As with the recent productions from the SoYo hero, this is brutal techno dominated by those unique drum sounds.
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TOKEN 19D
31 Oct 11
Techno
31 Oct 11
Techno
Played by: Ø [Phase]
Review: Having played an integral part in the early UK techno scene, Inigo Kennedy returns to Belgium's Token imprint to deliver an old school sounding piece of experimental techno. Twisted melodies, wonky rhythms, subtle FX and a light industrial atmosphere give the track an early Warp feel but it maintains a modern day sentiment through some slick production. Marcel Dettmann gets hold of the remix, readying "The Shard" to take on a long, dark and smokey night at Berlin's Berghain.
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TOKEN 14D
17 May 10
Techno
17 May 10
Techno
