Review: Hot on the heels of their self-titled debut LP, a riot of punk-funk, mutant synth-pop and post-punk dancefloor workouts, Amsterdam outfit Baby's Beserk have been given the remix treatment. It's an interesting and highly entertaining collection all told, with Nikolas Wandt's inspired 80s Italo-goes-acid house revision of 'Eat Your Dollar' being followed by an excitable 80s electrofunk style interpretation of 'Rum 'N' Kola' courtesy of label regular Sam Ruffillo and a throbbing dark synth-pop re-wire of 'Rum 'N' Kola' by Each Other. To round off the EP, Kris Baha goes all angular, analogue and new wave on a stylish version of 'Glassy Towers', while Nicolini provides a delightfully low-slung, dub disco-meets-punk funk tweak of 'Eat Your Dollar'.
Review: Toy Tonics' latest release is a captivating collection of tracks originally introduced to the world via the German Gomma Records label during the years 2001 to 2010. Back then, Gomma stood as a pivotal figure in the Y2K indie dance movement, alongside luminaries such as James Murphy's DFA and Trevor Jackson's OUTPUT Records. Toy Tonics has taken it upon themselves to revive these early 2000s gems, with tracks encapsulating the raw, indie disco and punk-funk vibes that were the lifeblood of the party scene during those vibrant days. Gomma's influence was profoundly felt in off-location clubs like SCALA and RIO in Berlin, London's TRASH and 333 parties, to iconic Parisian clubs like Kill The DJ and Paris Social Club.
Review: Toy Tonics may be renowned for delivering delicious deep house and kaleidoscopic nu-disco, but the label is not averse to mixing things up - as their championing of Baby's Beserk, a contemporary four-piece inspired by a mixture of 1980s new wave, 90s indie-dance and post-punk posturing, emphatically proves. The band's self-titled debut album does a great job in setting out their sonic vision, where stylised male and female vocals rise above a mixture of low-slung bass guitar, sharp analogue synth sounds, delay-laden drums, proto-house pianos, woozy drum machine rhythms and dark, clandestine electronic textures. It sounds like it could have been made at some point between 1979 and '83, which of course is entirely the point, but with enough freshness to dispel any thoughts of hollow nostalgia or 21st century revivalism.
Review: Italian house and disco producer Sam Ruffillo has three EPs for Toy Tonics under his belt, and now here come the remixes of 2022's 'Brooklyn Tapes'. The standout for yours truly is Art Of Tones' Extended Remix of 'Mind & Soul', which tops a jaunty, nagging keys riff with a Tyree Cooper-esque rap vocal, while Eli Escobar's take on 'Just Fine' vaguely recalls the more soulful end of UKG circa 1999. But in Ruffillo's own words, "these tracks are house and electronic funk but they're also rap, R&B and disco," so if any of that sounds like your bag, dive on in!
Review: There's plenty to get excited about on this selection of 'lost mixes' from the vast back catalogue of Toy Tonics' parent label, Gomma. Check first Pete Herbert and Tristan Dan Cunha's retro-futurist, proto-house-meets-Balearic nu-disco rework of The Glimmers' 'U Rocked My World', before moving on to In Flagranti's all-action, peak-time ready take on Golden Bug's 'LookLookLook'. The Ep continues via a now 22 year-old rework of Leroy Hanghofer's 'Pin' by Jacques Lu Cont and John Burillo - a brilliantly low-slung house workout featuring punk-funk bass and colourful boogie synth flourishes - before concluding with a killer dub disco take on the KDMS' 'Never Stop Believing' courtesy of NYC disco original Nicky Siano.
Review: Toy Tonics latest signing, Gome, is a Hamburg-based duo who make, in their own words, "good mood music inspired by the 1980 Italo and Munich disco vibe". In practice, that means cheery and colourful cuts that combine electronic instrumentation with jammed-out electric piano riffs, rubbery bass guitar and the odd dash of funk guitar. It's a winning formula all told, with highlights including the jazz-funk-goes-nu-disco warmth of opener 'Fever (of the Night)', the sub-heavy, beatbox electro flavours of 'Bier and Gold (Vocoder Jam)' (not to mention its accompanying extended take with added German rap) and the proto-house-meets-late-80s smoothness of 'Shrimp Cocktail Part 2'. Classy and colourful... what's not to like?
Review: There's much to enjoy about the ninth volume in Toy Tonics' ongoing Top Tracks series, which showcases much played, sought-after highlights from the label's rapidly growing catalogue. The standard of material on show is uniformly excellent, from the warming and organic broken dancefloor soul of Cody Currie's compilation opening 'Moves' and the sparkling piano house retro-futurism of COEO's 'I Can Never Be Yours', to the Amp Fildder-esque deep house soul of Rhode, Brown & Kosmo Kint's 'Through The Night', and the good-time, carnival-ready dancefloor sunshine of Sam Ruffilo's disco-tinged 'Es Buena'. Throw in a couple of killer cuts from jazz pianist-turned-deep house don Joel Holmes, and you have a seriously good compilation.
Review: Following a recent dalliance with Brooklyn-based Razor 'N' Tape Reserve, COEO returns to the loving arms of Toy Tonics with another solid four-track excursion. Happily, they hit the ground running with the rushing positivity of "Mydonna", a bumpin' chunk of peak-time house goodness built around some superb disco samples and a bustling groove. The accompanying, "alternate cut" smartly emphasizes some of the original instrumentation, whilst adding some subtle swing to the disco-house drums. On the flip, you'll find the deep, smooth and sensual "Torrow", and the breezy, atmospheric, piano-laden shuffle of "Coast To Coast".
Review: Berlin's Toy Tonics latest trick is Jockey Jams, the first in an 'irregular series of various artist EPs'. They've rustled up an interesting mix too, starting with the warm mid-paced throb of "Sex' by Black Loops, which features the voice of Scarlett Johansen (from the movie Her). Elsewhere "Waterfalls" by Moritz Butschek, which has that sleazy DJ Hell sound, Portugal's Pixel82 sees his diva house jam Going On given a choppy, hypnotic rework by Australian surfer dude Jad & The Ladyboy. Lastly New York's Doug Gomez wraps things up nicely with the clavinet-driven old school funk joint "Make Your Body Move".
Review: Having previously impressed with an EP of shuffling deep house disco on Gazeebo International, Australian musician/producer Jad Lee drops an EP of woozy, floor-friendly deepness on Toy Tonics. "Do It Get Up" is indicative of his trademark sound, delivering a strobelight-friendly fusion of chunky bottom-end, wiry synths and thickset chords. Kolombo remixes, offering up a delightfully wonky, stripped-back version that sounds like Sweet Exorcist making nu-disco, under the influence of helium. "Tipsy" throws some weighty electrofunk bass into the mix with impressive results, while the boogie sampling "Lovin" tickles and teases with its blend of jackin' beats and Tiger and Woods-ish cut-ups.
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