Review: Gee Labe won plenty of plaudits for his Toy Tonics label debut, 'Metamorphosis', when the EP dropped back in October 2023. Hopes are naturally high then for the Barcelona-based Venezuelan's speedy sequel. She hits the ground running with Mabreezee hook-up 'Monkeys', where squelchy synth-bass, dreamy chords and even more soulful vocals wrap around an extra-percussive mid-tempo house groove. New York combo Musclecars join forces with Kamaal to deliver vocal and instrumental takes that successfully re-cast the track as a slab of broken beat/Italian dream house fusion. Completing a fine package is bonus cut 'The Fourth', where Lane rushes off on a 1989 style piano-sporting, breakbeat-driven house tip.
Review: Last time we heard from Toy Tonics boss Kapote (real name Matthias Modica), he was offering up a updated and reworked version of his 2019 debut album, What It Is. 'Electric Slide', his latest EP, showcases his first all-new original solo music for almost five years. Our pick of the bunch is energetic opener 'The Party', a percussion rich romp rich in heady party atmos, densely layered drums, addictive electric piano hooks and a propulsive bassline. Naturally, there's plenty to set the pulse racing elsewhere across the EP, from the subtly proto house-influenced, hands-in-the-air joy of 'The See Me' and the thickset deep disco house flex of 'The Come On', to the kaleidoscopic nu-disco elasticity of 'The Slide'.
Review: After a run of rather impressive releases late last decade - including a fine album on Dekmantel - Stump Valley ceased releasing music around the time of the Pandemic. Here the Italian-Ukrainian duo return to action via a Toy Tonics label debut. They begin in confident fashion via Ready In LED hook-up 'Everytime', a suitably sunny, piano-and-organ rich slab of early '90s Italo-house revivalism topped up with lusciously loved-up vocals, before joining forces with vocalist L Renee on the mid-90s MIK-influenced garage-house excellence of 'A Bun Dance'. To complete the package, we're treated to some kaleidoscopic and melodious deep house joy ('Lunatica') and instrumental mixes of 'Everytime' and 'A Bun Dance'.
Review: It's easy to forget, nearly 30 years on, just how big an impact DJ Sneak's raw, jacking, cut-up style had on the house scene when he first emerged back in the mid-90s. But it did - and to his credit he's stuck to his guns ever since, building a multi-decade career based almost entirely on what is known to house connoisseurs as "that tracky shit". It's fair to say there are no great surprises here, then: you either dig Sneak's style or you don't, and I seriously doubt he gives a damn either way. In this writer's book, the man's a stone-cold don, and this six-tracker is going straight in the (virtual) box.
Review: Hot on the heels of their self-titled debut LP, a riot of punk-funk, mutant synth-pop and post-punk dancefloor workouts, Amsterdam outfit Baby's Beserk have been given the remix treatment. It's an interesting and highly entertaining collection all told, with Nikolas Wandt's inspired 80s Italo-goes-acid house revision of 'Eat Your Dollar' being followed by an excitable 80s electrofunk style interpretation of 'Rum 'N' Kola' courtesy of label regular Sam Ruffillo and a throbbing dark synth-pop re-wire of 'Rum 'N' Kola' by Each Other. To round off the EP, Kris Baha goes all angular, analogue and new wave on a stylish version of 'Glassy Towers', while Nicolini provides a delightfully low-slung, dub disco-meets-punk funk tweak of 'Eat Your Dollar'.
Review: South Londoners Athlete Whippet find their way back to Toy Tonics following a collaborative drop with Amy Dabbs on Aus Music earlier this year. Turning in something polished and produced with soaring synth lines, massive walking basslines and 909 kick drums with weight, "Release Me" features beautiful, multilayered vocals by Allysha Joy, known for her solo work on labels like Gondwana and First Word but also for being the voice of Australian cult outfit 30/70. Cut from a similar cloth is "U Look At Me" with its vocal hook, live synthstrumentation and starry arpeggios. Known for exploring the more playful side of house music and those genres around it - Athlete Whippet's serve the tonic.
Review: Toy Tonics' latest release is a captivating collection of tracks originally introduced to the world via the German Gomma Records label during the years 2001 to 2010. Back then, Gomma stood as a pivotal figure in the Y2K indie dance movement, alongside luminaries such as James Murphy's DFA and Trevor Jackson's OUTPUT Records. Toy Tonics has taken it upon themselves to revive these early 2000s gems, with tracks encapsulating the raw, indie disco and punk-funk vibes that were the lifeblood of the party scene during those vibrant days. Gomma's influence was profoundly felt in off-location clubs like SCALA and RIO in Berlin, London's TRASH and 333 parties, to iconic Parisian clubs like Kill The DJ and Paris Social Club.
Review: Toy Tonics may be renowned for delivering delicious deep house and kaleidoscopic nu-disco, but the label is not averse to mixing things up - as their championing of Baby's Beserk, a contemporary four-piece inspired by a mixture of 1980s new wave, 90s indie-dance and post-punk posturing, emphatically proves. The band's self-titled debut album does a great job in setting out their sonic vision, where stylised male and female vocals rise above a mixture of low-slung bass guitar, sharp analogue synth sounds, delay-laden drums, proto-house pianos, woozy drum machine rhythms and dark, clandestine electronic textures. It sounds like it could have been made at some point between 1979 and '83, which of course is entirely the point, but with enough freshness to dispel any thoughts of hollow nostalgia or 21st century revivalism.
Review: It's hard to find a more original mid-west American sound than that of the don Kai Alce. Responsible for the NDATL Muzik label, and with records on FXHE and Mahogani Music across his career - he now lands in mainland Europe for a fully fledged release on Munich originating label Toy Tonics! Getting wavey with Rhodes and synthy sax in "Slide It In", Alce keeps it spacey, jazzy and sketchy in "Space Skat N Dat". Dryer keys make it to the front of some shuffling percussion in "New Life Livin", with heavier deep house vibes landing in "Rough Sands". And for that bonus rhythm section, check out the instrumental that is "Strollin Thru Barcelona".
Review: Toy Tonics' self-explanatory 'Top Tracks' compilations are not only a great way of keeping track of what the label has been up to over the previous 12 months, but also a superb source of guaranteed floor-fillers and underground anthems. Volume 11 in the series is naturally packed to the rafters with high-grade treats, with our picks of a super-strong bunch including the sun-soaked disco-not-disco brilliance of Art of Tones' remix of Sam Ruffillo's rap-sporting Italian house gem 'Mind & Soul', the bumpin', mid-90s NYC house style excellence of 'Work 2 It' by Sound Support, the low-slung, jazz-funk tinged brilliance of Kapote's 'The Body Move', a thrillingly bouncy Dan Shake rub of his Cody Currie collaboration, 'Cash', and Esa's melodious, early '90s South African house-inspired 'Club Dub' of his own 'Brigada', featuring Barbara Boeing.
Review: Julian Marks and Robin Townshend, the duo behind the Gome project, are back on Toy Tonics with a new EP. The EP features the title track, "Elevator Man", which is a wonderfully warming and infectious chunk of samba-tinged deep house/Balearic nu-disco fusion. The track is piled high with attractive synth sounds, loose-limbed Latin house drums, and evocative spoken word vocals. Mike Dunn and Telephones take their turn to revisit "Elevator Man" with some big remixes. Mike Dunn's remix is a rolling, piano-sporting Chicago deep house tweak, while Telephones' remix is a kaleidoscopic take that joins the dots between vintage Italian dream house and tactile Balearic house. The Gome EP is a must-have for fans of deep house, Balearic nu-disco, and anything in between.
Review: Guiseppe Fimiani may be best known for his excellent re-edits as BPlan, but he's also released original material under that alias too. Here, though, he's decided to release music under his given surname for the first time, pitching up on Toy Tonics with an EP that joins the dots between American, Latin and Italian house sounds of the 1990s. This hybrid sound is exemplified by the piano-powered, Spanish vocal-sporting peak-time deep house release of opener 'Believe In Yourself' and the salsa-soaked joy of 'Amore Latino', where fluid piano solos ride a chunky house groove. Elsewhere, 'Melana' is a more percussion-laden excursion with live bass and a breathy, 'Sueno Latino' style spoken word vocal, 'Jungle Trouble' is a fine fusion of booming bass, bustling beats and sparkling piano riffs, and 'Vita Lenta' is a pitched-down, jazz-funk influenced disco jam.
Review: Following a string of collaborative EPs, Kosmo Kint goes solo to deliver a debut album piled high with effortlessly soulful vocals and colourful, synth-powered musicality. Of course, joint productions still feature - Sam Ruffilo makes his presence felt on two tracks (including the sparkling deep house synth-soul of 'Invincible', which also features Kapote), while Zac Tenebaum stamps his authority on 'Magic' and 'The Formula' - but there are far more solo works amongst our bulging list of album highlights. These include the deep, drowsy and soulful two-step garage brilliance of 'Only Gets Better', the seductive R&B/neo-soul wonder of 'Happy Ever After' and the subtly disco-influenced vocal house of 'Fake Love'.
Review: Don't be misled by the title here... this EP from Curitiba-based Barbara Boeing proudly displays her Brazilian musical heritage for sure, but wishy-washy sambas and lounge-y bossa novas are conspicuous by their absence, with all of the EP's three tracks and five mixes rooted firmly in house music. Opener 'Brigada', for instance, pairs shakers and maracas to a hefty dark garage organ line, then gets sprinkled liberally with piano. 'Brasiliana' itself is a dreamier affair with something of an 'E2-E4'/'Sueno Latino' kinda feel, before 'Bailo De Silencio' marries exuberant sax to pounding drum machine beats that nod to favela funk.
Review: Cody Currie has established himself in the music scene with notable labels such as Razor N Tape, Classic, Shall Not Fade, and Toy Tonics. His Lucas LP from last year showcased his talent, and now the label has released a feel-good remix package featuring renowned artists. Dan Shake's remix of "Cash" delivers a tough-bumpin' version, while Sam Ruffillo and Kapote amp up the funky elements of the track. Following is the British multi-instrumentalist Kaidi Thatham delivering a soul-charged rendition of "Money," while Jamie 3:26 takes the track deeper with a sweet Moog bassline that is sure to get the crowd grooving.
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