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Trapez Germany
Browse the latest digital releases on Trapez Germany
Similar labels:
Kompakt Germany, Get Physical, Poker Flat Germany, Cocoon Recordings, BPitch Control
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TRAPEZ 201
25 May 18
Techno
25 May 18
Techno
Review: Transmute is Engi's debut release on Trapez, but he makes techno like a veteran. The title track is a ferocious affair, underpinned by a driving rhythm and featuring noisy analogue riffs that gush like storm-powered waves. "Damascus" is more in line with the typical Trapez sound, with a stripped back rhythm providing the basis for acid-heavy licks and spacey synths. On "Medial Lateral Balance", he opts for a middle ground of sorts - the groove is linear and hypnotic, but still driving, while the focus remains on spaced out filters and dramatic, surging chords. For the most part though, this is a heavy release, and the monstrous kicks and acrid rave riffs of "Brick City" represent the apex of its intensity.
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TRAPEZ 192
25 Aug 17
Techno
25 Aug 17
Techno
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TRAPEZ 182
23 Sep 16
Techno
23 Sep 16
Techno
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TRAPEZ 166
18 Jun 15
Techno
18 Jun 15
Techno
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TRAPEZ 153
07 Apr 14
Techno
07 Apr 14
Techno
Review: Veteran UK producer Justin Berkovi was always one of the scene's most diverse producers and Mondrian sees him give full vent to his creativity. It starts in sombre mood with the warm synths of "Godspeed" before veering into the grinding, bass-heavy title track. "Nadir" follows in more chilled form again with textured ambience floating over hissing percussive rivulets. "Oceans" marks a sea change with a housey groove bolstered by a bouncy electronic bass, while the heavy bassline and sensuous strings of "Days Go By" show Berkovi's return to harder sounds. However, when he focuses on a more esoteric techno sound, as is the case on the steely drums of "The Observer" and "City Lights", that Mondrian yields its greatest results.
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TRAPEZCD 11
24 Sep 12
Minimal/Tech House
24 Sep 12
Minimal/Tech House
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TRAPEZ 132
14 May 12
Techno
14 May 12
Techno
Review: German label Trapez focuses on a tougher sound than usual here. The title track is supported by a dense, heavy rhythm and the enveloping, textured chords that swirl in from above lend it a quasi-industrial feeling. The mood remains the same on Nicole Moudaber's version: forsaking toolish house for something darker and harder, the gritty drums are propelled towards the dance floor via some shaking percussion. "Turbine Hall" sees the trio opt for a more intense approach: upping the tempo significantly, the pounding bass supports razor sharp percussion and a spacey but austere filtered chord sequence. Finally, and probably as an antidote to the preceding intensity, "Crimson River" provides a deeper approach, with a rolling rhythm and trancey pads. Recommended.
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TRAPEZ 128
09 Jan 12
Minimal/Tech House
09 Jan 12
Minimal/Tech House
Played by: Someone Else, Juno Recommends Techno, Juno Recommends Minimal Tech, Roland M. Dill, Van Bonn, Digitalworkx, Moonbeam
Review: It may have little to do with spaghetti westerns, but Dill's latest release brings with it an intuitive understanding of how to represent the darker side of house and techno. "The Evil" is propelled by shuffling rhythms and heavy acidic lines, while "The Good" sees Dill opt for a harder, more techno oriented sound, as dense drums provide a springboard for spiralling trancey riffs. "The Bad" goes a few steps further again, its stomping groove guided by a grinding bass. The remixes are less intense, but there is no doubt that the same spirit prevails on the grimy acid of Van Bonn's take on "The Evil".
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TRAPEZ 122
04 Jul 11
Minimal/Tech House
04 Jul 11
Minimal/Tech House
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TRAPEZ 111
16 Aug 10
Minimal/Tech House
16 Aug 10
Minimal/Tech House
Review: Deepchild tracks "Fire" and "Backroom" had such an effect on fellow Trapez artists that the label issued a remix package of the two songs from the imprint's supporting cast. Autodeep turn "Fire" into an ice cool piece of deep house whilst Leeks, Salz, Dopamine and Kink bring their own interpretations of "Backroom".
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TRAPEZ 1075
21 Apr 10
Minimal/Tech House
21 Apr 10
Minimal/Tech House
