Review: Bedbunk bossman Jackal steps over to Up Tempo for a trio of sub-surged house bubblers. Fusing the sexier aspects of UKG with the darker vibes of bass music, those feeling the work of Low Steppa and his Simma Black imprint will be all over these. "Feel" rolls with a prominent vocal and sharp slapping beats, "Senses" takes the vocal aspect into a darker, down-pitched territory while "Drop Out" is all about the grimey bassline and stark, naked drum dynamic. Looking for even more hype? Jump on the "Drop Out VIP". Badness.
Review: With plenty of heat and hype building from the underground and streets, the talented singer/rapper Zee Musiq gets the full club remix treatment for her latest single 'High'. With support across Radio 1xtra and Rinse she looks set for big things and these cool and classy remixes from the likes of DJ SKT make for a really nice soulful house moment, bringing plenty of summer vibes. Her songwriting and smooth vocals flow effortlessly with the housey flavours, and there's also a very of-the-moment UKG mix from Crezza, as well as a big room cut from Tucka. All bases covered on this solid release, and we are tipping Zee Musiq for big things this year. Lock in and get to know!!
Review: The original version of "Turn Around" - a rare outing for the oddly-titled D3adl1ne and vocalist Luke Owen - is impressively soulful, a bleep-and-click heavy chunk of dewy-eyed UK funky that benefits greatly from Lowen's casual but emotion-laden vocal delivery. There's a quartet of remixes to explore, with DJ SKT leading the way with a aprase two-step version that makes great use of the original's 8-bit bleeps. Tremorfire Dubz inject some energy via a heavyweight 4/4 groove and tropical riffery, while Solution go all Todd Edwards on their Dub remix. The final version, from Shea D Stedford, mixes skittish jungle rhythms with extended breakdowns.
Review: With the lead track on this EP, "Turn Around", sporting crooning tones from Luke Lowen, it seems like D3adl1ne has a clear sight on breaking through to mass appeal. In the delicate UK Funky framework and drive-time vocals of the track there is a lot of potential for crossover, but the EP doesn't stop there. "Eee" for example plies a definite trade in dub techno dynamics amidst shuffling 2-step beats, while "Everybody" comes from the Joy Orbison school of melancholia in contemporary electronic music. Light, melodic and instantly accessible; D3adl1ne should win over many a fan with his crisp, clean beats.
Review: Mixed live by DJ Beenie, Garage Kiss: Sounds of the Underground Vol. 1 is a compilation that features 25 of the garage underground's biggest tracks, showcasing the best of the new wave of UK garage talent. Highlights include The Next Room's "Turning Point", whose horn samples recall Roy Davis Jr's classic "Gabriel", Fuzzy Logik's "Playground", which weaves a tightly rolling UK Funky beat and fat bassline around Myshy's catchy vocal action and jazzy, bright synth melody, and Danny B-Line's refix of Redlight's "Source 16", wrapping a bass squelch around rave whistles and hollow snares. As skillful as DJ Beenie's mixing is, the superb selections also come as unmixed original tracks.
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