Review: Mella Dee has described this EP as his take on 'Tech-House'. While all four tracks do feature house beats that roll along at a house tempo, it's a far more fun, forthright and hook-driven affair - as you'd expect from the master of "heaters and panel beaters" - than 99.9% of purist tech-house EPs. In other words, it's a club focused Mella Dee record, and all four tracks are bangers. For proof, check the bassline house, organ bassline-driven sweatiness of 'Cutting Snakes (Keep On Moving)', the deliciously sleazy analogue bass and crunchy beats of 'Bumps (You Say)', the broken house dirtiness of 'Cutters (They Don't Get It)' (a track that recalls the similar SoYo filth of Ross Orton and Winston Hazel's SuPaFiX project), and the Mood II Swing-meets-UKG flex of 'Pay No Mind (Who Am I)'.
Review: Following a brief hiatus, Mella Dee's Warehouse Music unveils its first release of 2022 by Liverpool-based duo Matrefakt. They follow up riveting releases on Shall Not Fade, Sous Music and Of Unsound Mind with their four-tracker here called Action Reaction, which showcases some impressive takes on house and techno. From the hypnotic and bass-driven tech house of the title track in the proper UK tech house tradition, things take a more austere turn on the industrial dub techno of "Fix Penalty", then moving back into UK tech house in the vein of Silicone Soul or Schatrax on EP highlight "Orderly Fashion" and going out all guns blazing on the tribal techno funk of "Typer Thing".
Review: Here's something unexpected: a fresh spin on Basement Jaxx's nineties dance classic 'Red Alert' courtesy of bassline enthusiast turned techno-rave superstar Mella Dee. The Doncaster native offers up two distinctive interpretations. First, he adds snippets of the Jaxx track's iconic female vocals to heavyweight techno drums and insanely weighty sub-bass on the sweat-soaked 'Panel Beater Mix, before reaching for razor-sharp rave stabs, more densely programmed tribal techno drums, wonky synth-strings and radically pitched-down male vocal samples on the 'Holding On Mix'. Both are quite revolutionary revisions, but that's no bad thing; crucially, both mixes sound like guaranteed peak-time winners.
Review: Swerving somewhere between deep, pulsating Italian techno done Donato Dozzy style and up tempo percussive bass music something like early Livity Sound...Warehouse Music delivers a third EP for Mella Dee in 2020 not including his split release with Subradeon on Hardgroove from earlier this year. "Minimal Loopy Pumper" says it all in the title really, with some extra percussion thrown in alongside a cut-up vocal snippet and bleepy melody line that's expanded on in bell tones through the pressurized and booming basslines of "Mexicanas". Surfs up!
Review: Although Ryan Aitchison AKA Mella Dee initially founded Warehouse Music to showcase his rave-igniting wares, he's recently started using the label to showcase other artists' tracks. For this EP he's turned to Iile Records regular Leo Pol, a French producer whose reputation is undoubtedly rising fast. The Parisian producer is in fine form from the off, wrapping tactile deep house chords, undulating piano lines, and jaunty bass around a pumping, peak-time ready beat on "Privet". He goes in even harder on the insanely sub-heavy, electro-meets-techno bounce of standout "Xeniouski", before delivering a more robotic form of electro on "I Know What You Want". Closer "A Base De Kus", meanwhile, is a deliciously dark and mind-altering slab of acid-fired techno intensity.
Review: Long before he became one of British dance music's most admired techno party-starters, Mella Dee was educated on the dancefloors of South Yorkshire's bassline clubs, and in particular notorious Sheffield venue Niche. Here he pays tribute to the iconic club in fine fashion on "Sidney Street" (the title is a reference to the club's most famous location). The title track may use thumping techno drums, but the rest of the cut's musical elements - memorable female vocal samples, echoing piano riffs and, most importantly, serious sub-bass pressure - come straight from the bassline playbook. He continues to pay tribute to the sound that shaped him elsewhere on the EP, too, from the bustling beats and memorable riffs of "Dev Green", to the deeper vibes of the dark garage bass-propelled "Copley Road".
Review: Mella Dee bounces back on his Warehouse Music label with this club-primed release. The title track leads the listener on a journey through 90s minimal techno, with chattering percussion accompanying analogue yelps and a wiry rhythm. The tempo moves up a few gears on "Toast" and "Sidewalk Surfer", with Dee applying roughly the same hardware-driven approach, albeit set to more pace-y backing tracks. "Maplins" resounds to grainy kicks and raw percussive ticks, sounding like it was inspired by Neil Landstrumm's 90s work for Tresor, while on "Rockport Xcs", the singular techno producer delivers detuned chords against a skippy, rolling groove.
Review: Despite its name, Mella Dee's new release isn't a mindlessly banging, peak-time affair. The title track resounds to hypnotic chimes and bells, as he lays down a rolling, streamlined groove. Similarly, "Silver Street" revolves around a lithe, frenetic rhythm that features skipping percussion and a subtle aesthetic, even though it clocks in at close to 140bpm. On "Jack U Later (Floatation Device Mix)", the UK producer maintains a similar tempo but goes deeper, with hypnotic electronic hooks unravelling over solid drums. Dee's approach makes for a complex, masterfully crafted EP, as the sample-heavy, wiry minimalism of "Stack Select" further demonstrates.
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