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Warp
Played by: Juno Recommends Bass
Review: Kai Campos and Dom Maker's Mount Kimbie project has been a staple of influential UK electronic imprint Warp Records for several years now, having released two long players and close to two dozen EPS. Their latest release MK 3.5: In Your Eyes & A Deities Encore | Q & Quartz features their 2020 collaboration with the one-and-only James Blake and British rapper Slowthai "Feel Away" plus more.
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WARPDD 319C
02 Sep 22
Bass
02 Sep 22
Bass
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WARPDD 347A
29 Jun 22
Experimental/Electronic
29 Jun 22
Experimental/Electronic
Review: "Here's two tracks we've been sitting on from a few years ago that didn't feel quite right for the 'Love What Survives' album," write Dom and Kai from Mount Kimbie. With an overt analogue signal mixed with acoustic recordings and colourful blend of infectious influences like shoegaze, minimal, indie, post-punk and electronica - both tracks offer some kind of Ryuichi Sakamoto vibe ("Bamboo Houses" let's say) with a touch of Madchester-influences and 4th World music. "Black Stone" delves into a sound that inspires memories of acts like Forest Swords through its gritty melancholic element - with "Blue Liquid" adding a touch of surfer rock that's enough to have you look up bands like King Krule ("Dumb Surfer"), Corners ("Caught In Frustration") or Allah-Las ("Catamaran") - happy days.
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WAP 462D
21 Oct 21
Experimental/Electronic
21 Oct 21
Experimental/Electronic
Review: Four years since their last album British duo Darkstar return to Warp with a new single, Wolf, backed by two strokes of subliminal genius from John Talabot. The single itself presents a resonating nebula of sub-pop, R&B and electro, with metachronous tones evoking feelings of our current day with memories from post dubstep's collapse. With melancholia and shuttering drum machines at play too, Talabot's remixes shape the original's vocals, textures and breaths to fit deep tunneling minimalism for the Euro-heads, with the 'Materia' remix blending harder edged body music with rave and warehouse techno.
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WAP 444DA
23 Apr 20
Techno
23 Apr 20
Techno
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WARPDD 303A
19 Apr 19
Techno
19 Apr 19
Techno
Played by: Juno Recommends Techno
Review: This is Plaid's first new material in two years, and their re-appearance sees the storied duo delivering a slightly heavier interpretation of electronic music compared to their past material. "Maru" is led by a stuttering, glitchy rhythm and ringing bells, but then the pair's penchant for seductive melodies hovers back into view, as sensuous electronic hooks are gradually introduced. "Recall" is more extreme as Handley and Turner tease out a doubled up groove that has echoes of label mates Autechre in its grainy drums and abstract, glitchy segues. Whether or not they will continue in this direction is not known, but it still makes for a fascinating side chapter in the Plaid story.
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WARPDD 303A
19 Apr 19
Techno
19 Apr 19
Techno
Review: The second set of remixes from Mount Kimbie's album pick up where the first volume left off. Like Nina Kraviz' remixes, Marfcel Dettmann's take on "Four Years & One Day" is a dense, filtered techno workout, which revolves around a relentless, stepping rhythm. The mood changes with Gerd Janson's take on the same track; the Running Back boss opts for a slower house tempo, with crisp drums underpinning a murky, new wave style bass that is covered in tantalising acid lines. It's the most imaginative remix to feature across both releases and is in contrast to the Ellen Allien reshapes: on the U.F.O. remix of "T.A.M.E.D", the Bpitch boss drops a pulsating, menacing techno groove, while her 'Berlin' take on the same track is an even more malevolent, electro-techno workout.
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WAP 405YD
11 May 18
Techno
11 May 18
Techno
Review: Hot on the heels of their recent acclaimed recent album, Love What Survives, Mount Kimbie get the remix treatment from some of underground electronic music's most respected producers. On this first instalment, Trip boss Nina Kraviz gets to grips with "Blue Train Lines". On the main mix, she loops a snippet of King Krule's original vocal over a heads-down rhythm track. Kraviz sounds like she was inspired by the modern purism of labels like Frozen Border and Horizontal Ground, and while the Russian producer's two dense looped remixes on the flip side, it's this stern but funky interoperation that really stands out.
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WAP 405XD
11 May 18
Techno
11 May 18
Techno
Review: "Blue Train..." is a taster for Mount Kimbie's third album, Love What Survives, and sees the production pair make the move into angst ridden electronic pop. Teaming up with singer King Krule, Mount Kimbie put down layer upon layer on white noise and drones as a back drop for the UK singer's howling, haunting vocals. Followed by rolling break beats and humming guitars, it's exactly the kind of track that will win them a while new fan base in the live music scene. Despite King Krule's claim that "I mighta seen it all", rest assured that thanks to Blue Train Lines, most of Mount Kimbie's highlights lay ahead of them.
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WAP 405XDA
23 Mar 18
Techno
23 Mar 18
Techno
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WAP 410D
01 Dec 17
Techno
01 Dec 17
Techno
Played by: Joachim Spieth, Shadow Dancer, Ben Sims, Mike Absolom, Baldino, Carl Cox, Click Box, Juno Classics, Juno Classics, Realmz, Peder Mannerfelt
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WARPCDD3
17 Dec 14
Techno
17 Dec 14
Techno
Review: Warp has really spoiled us with this excellent remix EP from label favourite Clark, featuring two of his mightiest tracks licked and remixed by two of techno's biggest stars. The former, Marcel Dettmann, is responsible for the growth and expansion of the Berlin sound, and as you'd expect, his remix of "Sodium Trimmers" is a high-powered, stripped 4/4 affair built exclusively for the floor. The latter, Pariah, is part of Karenn with Blawan, and his remix of "Banjo" is a broken, stuttering analogue workout with plenty of tripping and cut-throat snares.
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WAP 373D
08 Dec 14
Techno
08 Dec 14
Techno
Played by: Enclave
Review: Battles have always operated at the fringes, in a place where rock and electronic music meet to get it on. On this occasion, it sounds like the chosen remixers have tipped the balance in favour of Battles's techno leanings. The Qluster version of "Dominican Fade" is closest in sound to the act's own approach, with dreamy synths spiralling to a climax against a glitchy backdrop, but it's all about the straight four/four material here. Kangding Ray's take on "Toddler" is a sumptuous dub techno groove, while Silent Servant's version of "Inchworm" is all about the humming, pulsing bass and rattling percussion.
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WAP 329D
19 Mar 12
Techno
19 Mar 12
Techno
Played by: Chrissy, Alkalino, Christian Malloni, Cos BV (Car Crash Set), Sierra Sam, K-LONE, Alex Wilcox
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WARPCD90
10 Sep 01
Techno
10 Sep 01
Techno
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WAP 102CDD
23 Mar 98
Techno
23 Mar 98
Techno
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WAP48CDD
06 Jun 94
Techno
06 Jun 94
Techno
