Review: Volume 010 from We're Going Deep continues the label's streak of exceptional releases, delivering a mix of electro, acid and dub-infused house tracks that hit all the right notes. Versalife's 'Skirmish_101' starts with his style of futuristic, otherworldly electro. Boris Bunnik's precision and creativity shine through, always becoming instantly recognizable. Acid Pimp's 'Acid Baby' dives into chunky basslines and classic acid textures. The well-crafted production captures the timeless allure of the genre while keeping things fresh. Jamie Anderson & Owain K team up for 'Basement Dub', blending dub techno elements with smooth house vibes. Deep, hypnotic and atmospheric, this track is perfect for late-night grooves. Konerytmi's 'Aamunkoitto' closes things with celestial electro, showcasing Kirill Junolainen's flair for intricate, spacey soundscapes. Konerytmi continues to grow his legacy as one of the best electro producers out there. A stellar collection that highlights the label's dedication to quality underground sounds.
Review: Mark Thibideau brings his latest release to the esteemed We're Going Deep label. Hailing from Wallaceburg, Ontario, Thibideau, with previous releases on the label Berg Audio with his brother Matt or labels such as Substatic, continues to impress with a fusion of House and Techno that resonates with both depth and finesse. The EP opens with "Overcome Gravity," a track that invites listeners on a refreshing journey through the upper atmosphere. Its breezy, mid-summer evening vibe is achieved through a blend of tight percussion and shimmering synths. This is followed by "The Fading Future," where introspective minor chords and metronomic beats guide a twisting and turning bassline while "Circulate" ramps up the energy, presenting a hypnotic, bass-rumbling workout designed for high-volume impact. The EP closes with "Rotation," which continues the upward trajectory with open frequencies and propulsive grooves, leaving listeners eager for more.
Review: Placid the highly anticipated volume eight of its compilation-style Eps on his label We're Going Deep label. With each release, Placid consistently surprises and delights listeners with timeless-sounding, exquisitely produced tracks that seamlessly blend deep house, electro, acid, and sci-fi techno elements. It starts with the mesmerizing dancefloor wooziness of "Dublovr" by Affie and Leila Yusuf, featuring melodious and acid-flecked vibes. Zobol's "Sense The Consensus" followed by offering a warmth electro bliss while we dive into the depths of the musical abyss with Acidulant's "The View of Her Shade" delivering ultra-deep and eyes-closed acid electro. The EP closes with Type-303's exceptional "Knowhere", blending intergalactic soundscapes with dramatically pitched-down proto-jungle beats.
Review: If you're looking for deep, emotive and melodious electronic music, Placid's We're Going Deep label has you covered. The Bristol-based imprint's latest multi-artist extravaganza is naturally another doozy, with four killer cuts to enjoy. Acid Test regular Tin Man kicks things off with 'I Said Acid', a TB-303 powered chunk of muscular, analogue acid house with a notably moody bassline, before Rai Scott delivers the ultra-deep, woozy, slow house classic-in-waiting that is 'I'll Meet You On The Dancefloor'. Spacey pads, psychedelic acid lines, immersive ambient chords and punchy electro beats are the order of the day on Sound Synthesis's 'Necessary Order', while Roger Van Lunteren's 'Le Dee Trois Trio Prends Trois' is am impressively druggy, squelchy and mind-mangling trip into deep acid house.
Review: Following on from a series of acclaimed split releases from underground producers, We're Going Deep invites Luke Vibert to the fold for his debut on the label. With a more direct approach than previous releases in the catalogue, "Worward" kick-starts the EP in blistering acid mode, and sees the UK storied producer tease frequency shifting tones and bleeps over driving drums. On "Dancehole", Vibert adds atmospheric synths to his approach, but once again powerful acid lines dominate. Last but by no means least is the charmingly titled "Arsehall"; where he fuses woozy, detuned waves with a blistering 303 line. It's a fitting finale to this standout EP.
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