Dave Lee aka Joey Negro (up until 2020 and a long list of other aliases) founded London-based label Z Records in 1990. Z Records followed on from his 1988-established label Republic Records, ‘which remains for many, the foundation stone of the UK house scene’. From disco to house, funk and soul, anything that Z Records touches sparkles like diamonds under any disco ball. Stand-out releases from the label include Joey Negro’s ‘Make A Move On Me’, his extended disco mix of Christopher Cross’ ‘Run Like The Wind’ and Moodena’s remix of ‘Big Blow’.
Review: Dave Lee has described this epic album, his first under the lesser-known AC Soul Symphony alias, as not only a 'labour of love', but also a tribute to the soaring string sounds and musically expansive arrangements that marked out work by original 1970s disco acts such as the Salsoul Orchestra, MFSB and Love Unlimited. Predictably, Lee has delivered and then some, serving up a string of epic disco workouts that flit between sax-laden mid-tempo beauty ('Windy City Theme'), soaring Philly Soul revivalism ('The Philly Avengers', with its jammed-out, Billy Preston style electric piano licks), seductive slow-jams ('Music For Your Pleasure'), elongated invitations to hit the dancefloors ('I Want To See You Dance'), sparkling disco-funk ('AC Express'), Salsoul-esque outings ('Seneca Village') and tributes to disco greats ('The Talented Mr Adams', which doffs a cap to the great Patrick Adams).
Review: Top-level disco/house fusionists and Groove Culture Records chiefs Micky More and Andy Tee have been let loose in the Z Records archive. The result is a fine compilation that combines some of their favourites from the long-serving label's catalogue with a sextet of remixes the duo has prepared specially for the collection. If you've been following their work, you'll know exactly what to expect, namely peak-time ready, soul-fired cuts that combine authentic disco instrumentation (horns, strings, guitars, bass etc) with rolling house beats and plenty of life-affirming vocals. Highlights are naturally plentiful, with their trio of Sunburst Band remixes, Masters At Work's classic, Nuyorican Soul style remix of The Blackbyrds' 'Mysterious Vibes' and Frankie Knuckles (RIP) and Eric Kupper's 'Directors Cut' mix of Sunburst Band's 'The Secret Life of Us' all standing out.
Review: One of the soul scene's most influential DJs, it's little surprise that Colin Curtis' Jazz Dance Fusion compilations on Z Records have been so impressive. He's dived even deeper into his vast record collection on this third volume, serving up a fine array of both classic cuts and sought-after obscurities. There's naturally plenty of Latin jazz on show - the backbone of the jazz-dance scene since the 1970s - but also forays into spiritual jazz, Hammond-heavy dancefloor workouts (see the sweaty 'Yatra Ta' by Martin Johnson), soul-jazz (JuJu), energy-packed percussion jams (GeeW) and Afro-Latin fusion (The Drive).
Review: The release of Dave Lee's annual Essentials collection on Z Records - a kind of "best of the year" from his now 30-year-old imprint - is fast becoming as much of a Christmas tradition as family arguments, disappointing presents and undercooked turkey. Predictably the 2020 edition is once again up to scratch, with the much-loved Essex producer showcasing some seriously good disco, deep house, soulful house and revivalist dancefloor jazz-funk. Our picks of a very strong bunch include the rushing, sunshine soulfulness of Crackazat's 'Waterfalls', the Vision's 2020 re-rub of Jakatta and Seal classic 'My Vision', Michael Gray's extra-percussive disco-house take on Hi Voltage's 'Let's Get Horny', the celebratory brilliance of Art of Tones and Anduze's 'Flower Child', and the Shur-I-Kan's previously unreleased instrumental rework of Mistura's 'Smikle For Me'.
Review: Remarkably, three decades have now passed since Dave Lee AKA Joey Nergo inaugurated his label, Z Records. To mark the occasion, Lee has compiled this suitably epic, 44-track retrospective. There are plenty of big tunes and underground anthems present- see Jakatta's "American Dream", Raven Maize's "The Real Life", The Sunburst Band's "Everyday" and Doug Willis's "Spread Love" - as well as some of the veteran DJ/producer's favourite catalogue cuts and some slept-on gems. Throw in a string of memorable remixes - think Ame's remix of Akabu's "Phuture Bound", Grant Nelson's vintage rub of Z Factor's "Gotta Keep Pushin" and Joey Negro's revision of Patrice Rushen disco classic "Haven't You Heard" - and you've got a brilliant retrospective of one of house and disco's most consistent labels. Don't sleep!
Review: While most of us have never heard of Winston, fellow dusty-fingered record collectors hold him in high esteem. On his contribution to Z Records' essential "Under The Influence" series it's easy to see why. His selections are uniformly superb and, bar a handful of cuts, almost unknown to anyone outside the serious collecting community. For proof, check the celebratory, slap-bass propelled disco-funk of Doug Payne and Polygon's "Holiday", the heady, high-octane disco thrills of Expose's "I Just Wanna Dance With You", the low-slung early funk-rap headiness of Jungle Band's "Jungleland (Part 2)" and the wickedly percussive salsa-disco heaviness of Suave's "Salsa Gon Gitcha". In other words, it's a killer collection of top-notch cuts that you'll never have heard before. What's not to like?
Review: By now, we should all know what to expect from each new album in Joey Negro's "Remixed With Love" series, namely fantastic new revisions of classic disco, boogie, soul, electro and jazz-funk classics created using the original multi-track tapes. This third volume naturally contains a few inspired revisions of well-known cuts - a riotous take on The Fatback Band's "Do The Bus Stop", an astonishing, dubbed-out version of the Temptations' "Law of the Land" and a soaring, life-affirming rearrangement of Patrice Rushen's "Never Give You Up" included - but also some suitably smart tweaks of lesser-known gems. These include a sublime revision of the APX's '80s gem "Loose Yourself To The Groove" and an insatiable take on Mass Production's "Shante" full of jammed-out electric piano solos and rubbery electric bass.
Review: As the title suggests, this tasty EP sees Z Records boss Dave Lee AKA Joey Negro get his hands on two popular cuts by contemporary American electrofunk outfit The APX. Lee does a particularly impressive job on "Sweet Surrender", first laying down a club-ready '80s soul style vocal revision full of elastic synth-bass, Jam and Lewis chords and Midnight Starr guitar hooks, before delivering a sparse, groove-driven and delay-laden Dub that's so authentic to the duo's 1980s inspirations that it could have been released by Solar Records in 1984. The same could arguably be said about the slower and even more loved-up flex of Lee's "Future Boogie" mix of "Lose Yourself To The Groove", which is available in both vocal and instrumental flavours.
Review: It may have taken eight years, but Joey Negro has finally got round to putting together a follow-up to his superb Backstreet Brit Funk compilation. Like its predecessor, this sequel shines a light on Britain's under-appreciated musical response to the U.S soul, jazz-funk, disco and electro scenes of the late 70s and early 80s. On the whole, the showcased tracks are altogether deeper selections than those found on volume one, meaning obscure highlights come thick and fast. These include - but definitely aren't limited to - the low-slung disco-funk of Rick Clarke's "Potion", the glassy-eyed breeziness of Paradise's "Stop and Think", the footworker-friendly jazz-funk riot of Touchdown's "Ease Your Mind" and the samba-soaked carnival flavours of "Brazeila" by Brazeila. Oh, and a killer dub of Janet Kay's overlooked Brit-boogie classic "Eternally Grateful" that has never before been released.
Review: For the sixth instalment in Z Records impeccable "Under The Infliuence" series of crate-digging compilations, boss man Dave Lee (AKA Joey Negro) has turned to fellow London scene veterans Simon and Robin Lee, AKA Faze Action. Their selections are, as expected, superb, mixing their own edits of familiar favourites (Midway's ace "Set It Off" and Mikki's "Dance Lover" for starters) with material that's as obscure and over-looked as you'd expect. Standouts in the latter category include the smooth '80s boogie of Leston Paul's "All Nite Tonight", the sublime Afro-disco of Bebe Manga, the thrillingly up-tempo hustle of Oscar Perry's "Body Movements", some superb South American disco from Don Lurio and Michele Claire's lesser-known version of disco favourite "In The Bush".
Review: Back in the day, D.C LaRue was one of the undoubted stars of the underground disco scene, so it makes perfect sense that Z Records boss Dave Lee has bagged a swathe of new remixes. Lee dons the familiar Joey Negro alias to kick things off with a brilliant extended interpretation of all-time LaRue fave "Cathedrals", before Ron Basejam wraps spacey synth solos and fluttering flutes around a killer slow disco groove on his fantastic rub of "Do You Want The Real Thing". Elsewhere, Glitterbox regular Dr Packer provides a rolling, delay-laden take on "Indiscreet" rich in killer disco interpretation that could well be the EP's highlight, while the Idjut Boys serve up a typically trippy, dub disco powered "Beats" version of "Let Them Dance".
Review: Half the fun of each new Ibiza season is the accompanying DJ mix albums that ensue. Here it's the turn of Z Records' legend, Joey Negro, who compiles and selects Z Records Presents Ibiza 2017. With Joey Negro you know you will always get an expert blend of house and disco, new and old. Here we see exclusives rub shoulders with first time digital virgins. Highlights include Dr Packer's thumping edit of "Change Position (88)" by Brooklyn Express, the hazy bass twangs of "Phantom" by A Band Called Flash and the warm electro of "It's More Fun To Compute" by Negro himself.
Review: Over the years, Joey Negro has delivered compilations focusing on a wide range of styles and sub-genres, including soulful disco, Italo-house, early U.S disco-rap, and Washington D.C go-go. Now he's turned his attention to electro, the style that did more than any other to inspire Britain's first wave of DJs and dance music producers. This "personal collection" contains a mixture of stone-cold scene classics - Aleem's Leroy Burgess-fronted "Release Yourself", Hashim's scene anthem "Al Naayafiysh (The Soul)" and Dwayne Omar's P-funk influenced "This Party's Jam Packed" - alongside deeper selections such as Kosmic Light Force's brilliant - and hard to find - L.A electrofunk classic "Mysterious Waves", and The Russell Brothers thrillingly intergalactic "The Party Scene".
Review: It's always a joy when a new Under The Influence compilation arrives from Z Records HQ. Even better when it's curated by none other than Sean P, the veteran disco/boogie producer pal of Joey Negro. Sean's diggin' skills are so legendary he even had his own section in the Music & Video Exchange and here he puts these skills to use, rustling up 27 dance obscurities. Highlights include the lo-fi UK funk jam "Bye Bye Baby" by Joanne Ellis, the dubbed-out punky bass mantra "Trinidad Rock" by King David and the percussion frenzy of Jimmy Spencer's mad cover of "Summertime".
Review: With Christmas party season in full swing, Joey Negro has decided to reissue a couple of classic jams from his disco/boogie/jazz-funk revival project, The Sunburst Band. Both "Here Comes The Sunburst Band" and "U Make Me Hot" were featured on the expansive live outfit's 1998 debut album, and one of the contained remixes of the latter track - by long-serving smooth groover Yam Who - first saw the light of day on vinyl in 2004. The other remixes, though, are brand new. Fouk turns "Here Comes The Sunburst Band" into a spiraling, toughened-up disco-house smasher, before jazz-leaning producer Daniel Producer delivers vocal and instrumental versions of "U Make Me Hot" that sit somewhere between smooth hip-hop soul and vintage Herbie Hancock.
Review: Hit makers Rodgers and Edwards' mammothly influential Chic songs enjoy one of the finest curatorial salutes from UK disco's most discerning torch-bearer/creator Dave Lee. Digging deep into his vaults and unearthing some of the best homages, references and blatant covers, Negro join the dots and delivers some rarities you may have never heard before. Get lost in the music of She's shiny guitar strumming "Easy Money", freak out to Charanga 76's "Good Times" and get lucky with Van Jones's "Not About That"... Everyone knows about the hits and influence, most of us know how important a role Chic played in sample culture but Negro has gone the extra mile to celebrate some of the lesser known references Chic have had over the years. Freaking great.
Review: Six years on from launching the It's A Summer Groove series, Joey Negro returns with a fifth selection of sunshine-friendly tracks from the Z Records vaults. While much of the label's output - soulful, accessible, funky and heavily influenced by disco, funk and boogie - could be described as "summery", there's something particularly bright and breezy about the 21 tracks gathered together here. Highlights are naturally plentiful, from the smooth disco-soul goodness of the Reflex's recent remix of the Sunburst Band's "The Secret Life of Us", and the terrace-friendly piano house of Shur-I-Kan's rework of Zo & Erro & Phonte, to the vibraphone-laden boogie-house goodness of Rainbow Connection and Taka Boom's "Surrender".
Review: It's been eight long years since Joey Negro and Sean P compiled Supafunkanova, a killer collection of scorching funk jams from the disco and boogie era. This follow-up is, then, is well overdue. Happily, the track list is packed with even more obscure gems than the first - and that was hardly full of well-known fare. Naturally, there's much to admire amongst the 20 tracks, from the low-slung synths, P-funk attitude and sleazy vocals of Magnum Force's "Cool Out" and super-smooth jazz-funk of Samm Culley Band's "Walk", to the 12-minute sweaty grunt-a-thon that is Brenda Harris's brilliant "Making Love Will Make You Fit". In truth, we could have picked out another six or seven tracks as highlights; suffice to say, Supafunkanova Volume 2 is another quality collection.
Review: Here we have two vintage funk giants, Joey Negro and Sean P, join forces to present a collection of 'badass funk classics from the disco boogie era'. Individually these guys are authorities on the genre, but combined they're positively the definitive voice. We've a whopping 24 choice cuts to wade through, highlights including the breaks-packed percussive gem "Clap Song", the saucy cosmic funk of "Come On And Rock" and the suggestive aerobic bass workout "Gigolette". An essential vintage compilation if ever we saw one!
Review: Joey Negro's Z Records have a remarkable knack for knocking out vintage compilation after vintage compilation. Here though, they've really discovered a rare niche of unmined gold courtesy of Nuphonic's David Hill who acts as selector. As Hill explains "gospel music has often followed trends in secular music" and this album captures 24 attempts of gospel getting on the disco and boogie trains. Highlights include the hiNRG longing of "I Need You", the electro-soul of "Love Is The Message" and the piano & strings frenzy of "Awake O Zion".
Review: The series is the result of house legend Joey Negro's admiration for all the semi anonymous vinyl junkies that he has encountered on his own vinyl quests. Following the success of the Red Greg-compiled first instalment, we now have veteran radio broadcaster and soul aficionado Paul Phillips delivering his selection of long-lost classics. It's a veritable feast of rare disco releases (25 in all!), highlights of which include the glossy Philly sounds of State Department's "Slow Love", the Chic-isms of Pike's "Good Feelings", the digital electro-funk of Midnight Energy's "Saving Of My Love" and the sublime synth-soul of Ron Richardson's "Ooh Wee Babe".
Review: Although famous for straight-up house productions, Joey Negro's Z Records has spent the last few years cosying up to the nu-disco crowd. Here, many of the label's most disco-centric releases get a new lease of life, on a collection that gleefully joins the dots between nu-disco, disco-flecked house, boogie and electrofunk revivalism. There's another chance to check the Revenge's excellent edit of Chapter 3's "Smurf Trek", remixes from Faze Action, Tornado Wallace and The Idjut Boys, a smattering of classic re-edits from Onur Engin and Red Greg, and plenty of original material from Dave 'Joey Negro' Lee under a multitude of aliases. Oh, and a sparkling 60-minute bonus DJ mix from Faze Action.
Review: Go-go has always been one of American dance music's most overlooked genres. Given its roots lie in Washington DC, rather than music metropolises such as New York, Detroit or Chicago, that's perhaps unsurprising. This collection from Joey Negro offers a good starting point for those unfamiliar with the style, showcasing the work of scene stalwarts like Chuck Brown and a string of lesser-known names. It also impressively tracks the development of the sound, from a regional variant of funk to a an electro and hip-hop inspired crossover style in the early 1980s. Even if you've got a passing interest in go-go, it's worth a gander; as usual, Lee has unearthed some brilliant unheralded gems.
Review: The most noteworthy thing about this third sampler for Graeme Clark's first official album of Revenge reworks is the presence of a previously unreleased, frankly excellent dub. Alongside his ace, disco/house rub of Vance & Suzanne's "I Can't Get Along Without You" is a brand new Dub, which takes the cut further towards loopy, hypnotic house territory. Also worthy of note are the Johnny Adams and Electric Smoke edits. The latter offers a super-deep version of original boogie cut "Freak It Out" - tweaked, teased and EQ'd for contemporary dancefloors - whilst the former is a fairly faithful disco-funk rework that bristles with heavyweight horns and slick guitars.
Review: Having first appeared on CD earlier in the year, Graeme Clark's first official album of Revenge reworks comes to digital download. If you missed out first time around, it's well worth a listen - not least because there are some killer re-edits and reconstructions present. Interestingly, Reekin'structions by The Revenge partly shies away from Clark's celebrated tracky and hypnotic house sound. While his deft house touch is still present - see the delightful slow-build version of Velvet Hammer's "Party Down", or the low-slung retro-house remix of "Smurf Trek" by original electro-funkers Chapter 3 - some of the best cuts here are little more than traditional re-edits, with Clark offering killer new arrangements of little-known disco, soul and boogie originals.
Review: Graeme Clark is best known for his edits - his reworks of Stevie Wonder and Marvin Gaye (in The Revenge and 6th Borough Project mode respectively) linger long in the memory - and here he serves up the second round of tweaks that featured on his recent Reekin'structions long player for the Z imprint. Those seeking the trademark deft house touch will delight in Clark's slow build take on of Velvet Hammer's "Party Down" whilst there is added incentive in the shape of a previously unreleased dub version of the same track which is just as good, if not even better! Up next, the Glaswegian showcases his cutting skills with a bumping refix of Sargeant & Malone's "Love Message" and a take on The Joneses "Summer Groove" that works its way from the depths of the machine into a frenzy of drums and funked out guitar riffs with expertise.
Review: Graeme Clark is best known for his edits - his reworks of Stevie Wonder and Marvin Gaye (in The Revenge and 6th Borough Project mode respectively) linger long in the memory - and here serves up four tweaks here that will feature on his debut album due out soonish on Joey Negro's Z Records imprint. As expected, the reworks of Mid Air, Chapter Three, Letta Mbulu and Nel Oliver are all done with the immaculate poise of a man who knows his studio inside out. There's a nice sprinkling of styles here, from driving discoid pumpers ("Ease Out") to Al Kent style frenetic vocal-led workouts ("Kilikamjaro"), but it's the slo-mo acid crunch of "Smurf Trek" that takes that Juno cake.
Review: Joey Negro's Soul Of Disco series has always been a great source of forgotten disco gems for those who like their dance music rich, stringy and soulful. This third two-disc selection from the Z Records boss is no different. For disco diggers, there's plenty to enjoy, be it the rich, horn-drenched instrumental grooves of Board Of Directors' "Hanging Tough", the raw, clavinet groove of Loi's "Body Contact" or the wobbly synth bass and perfect percussion of Phenomenal's "One Two Three". With a smattering of bonus re-edits from Joey Negro himself for those who like their grooves a bit more DJ-friendly, The Soul Of Disco 3 is nigh on essential.
Review: Joey Negro focuses entirely on the Brit Funk movement of the 1970s and 80s on his latest mix compilation. The twenty-three tracks provide an extensive history on the genre and contain a number of extremely rare and very sought after crate digging collectables. Avoiding the huge hits of the scene which appear on retrospectives the world over, Negro unleashes a host of the genre's underground club hits that remained only on the local scene, many of which were re-edited by Negro exclusively for this compilation. Do not miss this.
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