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The Resonance VIVision Recordings
And they just keep on coming... This is the sixth instalment of Noisia remixes from some of the brightest and most twisted minds across the electronic board. From newcomer to veteran, the remix doors are open and rules are out of the window. Highlights on this particular collection include the return of the mighty Sleepnet who effectively remixes himself to dramatic effect, the almighty breaks lashing from Glitch Mob, the unholy 4x4 neuro twist up from Black Sun Empire and Nikki Nair's amazing twist on Split The Atom that includes Foreign Beggars bars never before released! RIP Ebo! An honorary mentions goes to Koarse, too, for his gabba shake-up finale. The first remix of 'Dead Limit' so far, this sets the benchmark high. Long may the Resonance series continue.
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MariaCrosstown Rebels
Electronic duo Pale Blue releases their highly anticipated second album 'Maria' on Crosstown Rebels. With eight captivating tracks, the long-player takes listeners on an immersive electronic journey. Mike Simonetti (Italians Do It Better) and Elizabeth Wight (Silver Hands) formed the outfit in 2015, gaining acclaim with their debut album. It showcases Wight's personal experiences and thoughts through her lyrics, accompanied by techno-infused melodies that lean towards rock influences. From dreamlike melodies to haunting productions, the album seamlessly blends electronica with pop touches.
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Good LiesXL
Overmono unleashes their debut album here on XL Recordings. This album represents a remarkable culmination of their musical journey so far with 12 compelling tracks, with brothers Tom & Ed Russell taking listeners on a captivating sonic odyssey that seamlessly blends a diverse range of electronic genres. 'Good Lies' showcases their impeccable sound design and experimental approach: from the evocative vocal-led breaks of the title track, or the glassy-eyed IDM of "Walk Thru Water" feat. St. Panther, to the infectious 2-step attitude of "Is U" and the future UK sonics of "Calling Out" - this is the sound of one of the most original contemporary live electronic acts.
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Gudu & Friends Vol 1Gudu
Peggy Gou's label delivers a compilation that features regular contributors to her label. Mogwaa's "11khz" resounds to a fusion of rolling, shaking drums and lush synths. Exploring this theme further, Salamanda's "Mockingbird" is more contemplative thanks to its combination of swirling melodies and downtempo drums. In contrast, the wonderful Hiver duo drop a crystalline electro track in the shape of "Lunar". The compilation also serves up some fine dance floor tracks: DMX Krew weighs in with the clubby, angular rhythms of "One Take", Brain de Palma's "Road to Tatooine" is a fine, wonky acid track - and Closet Yi's "Sonder" is a shimmering break beat track
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Three DrumsText
British electronic musician Kieren Hebden aka Four Tet's latest offering "Three Drums" is a captivating track that showcases his versatility and creativity as an electronic musician. The song starts with a gentle synth melody that gradually builds up to a crescendo of drums and bass. The drums are layered and complex, creating a rhythmic and hypnotic effect, with an overall pastoral and epic feel, as if it was inspired by nature and adventure. While the song is a contrast to Hebden's recent collaborations with Skrillex and Fred Again, it still proves that he can master any style.
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YetTresor
Celebrating its 350th release, Tresor delivers a compilation with a difference. Instead of the steely techno that has defined the club and label, Yet is all about left of centre sounds. There's the ethnic chants of Nandele & A-Tweed's "Deserto", while on "Lovesong" Nadia Struiwigh combines woozy sub-bass with mid-tempo drums. Ryan James Ford's "Totes (Bath mix)" does steer the compilation back towards the dance floor, but it's with a twist, as clattering break beats provide the backdrop for introspective synths. It's only a temporary divergence though - "No Longer Human" is a moody stepper, while DJ Sotofett and Kavadi's "Kandhan Karunai" sees the pair drop a frenetic, fragmented rhythm that defies categorisation.
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