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Played by: Yoshi Horino(UNKNOWN season)
Review: Ben Sun's latest work delivers a varied exploration of house music, blending warmth, rhythm and introspection. 'Bootstand (Strange Oil)' sets a tranquil mood, weaving soft, atmospheric textures with delicate piano touches. Its serene energy makes it perfect for reflective moments. 'Ten Thousand Shells' brings a brighter tone, with uplifting house grooves that radiate positivity, creating a sense of introspective joy. Meanwhile, 'The Khan's Reverie' shifts the energy, infusing tribal rhythms and a more vibrant pace, giving the track a dynamic edge. For a more laid-back vibe, 'Living Things' shines with a sunny disposition, offering smooth, deep house tones ideal for relaxed settings. Wrapping up the highlights, 'Autumn Phase' channels a Balearic spirit reminiscent of early 90s house, providing a chilled and nostalgic feel. Each track flows with personality, offering a versatile collection that moves effortlessly between reflective and upbeat moods. Fans of relaxing, atmospheric house will find something to savour in this finely crafted selection.
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RNTD 118
17 Jan 25
17 Jan 25
5
Various
Played by: Juno Recommends Techno
Review: Celebrating another great year, Clone Records 2024 showcases the highlights from its many labels. Representing the deep house end of the operation, there's Frits Wentink's staccato drum-led NY groover "Spiritual Basslines" and John Daly's wonderfully woozy "I Get So High". Clone regular Legowelt also features: "Ethics, Synths & Morality" offers an electro take on his signature West Coast sound, the reissued "Dx Days" sees him deliver hypnotic Chicago house, while he teases out old school acid techno on "I Framed Joey B's Mullet" under his Hermit In A Rave Cave guise. But 2024 also saw Clone welcome new names, like Tom Carruthers, who contributes the deep Detroit techno groove of "Analysis" and The Exaltics, whose stomping "Parallel Reality" transports the listener into a (b)rave new world.
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CLONE 2024
20 Dec 24
20 Dec 24
8
Various
Giorgio Tuma & Laetitia Sadier - "Through Your Hands Love Can Shine" (Turbotito remix) - (5:48) 92 BPM
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TITO 005
18 Aug 17
18 Aug 17
13
Review: Just when you thought the remixes on 'The Resonance 1' couldn't get any bigger, along comes the second part of this Noisia-flipping series with even more staggering remix combinations. Mat Zo giving 'Cleansing' a twisted 23rd century G-funk polish, Skeppy bringing the dinosaurs back to life with his almighty percussive flip of the the famous 'Diplodocus', pioneering Virus architect Matrix turning 'Sinkhole' into a grizzled and bruised late 90s roller, Audio hammering the heck out of 'Sunhammer'... The list of this headliner remix b2b goes on and on. For an act who haven't been remixed many times, Noisia are definitely making up for lost time.
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VSN 090
18 Feb 22
18 Feb 22
16
Various
Played by: Juno Recommends Deep House, Juno Recommends Techno, Juno Recommends Experimental, Local Suicide
Review: A quarter of a century after the first compilation hit record stores, the 24th instalment of Kompakt's popular 'Total' series appears. As its predecessors did, the set rounds up dancefloor-focused label highlights from the last 12 months. While the Cologne-based label does not enjoy the same amount of coverage it once did, its' releases are just as strong as ever - as 'Total 24' emphatically proves. For proof, check the glassy-eyed deep electro-pop of Tee Mango's 'So In Love', the deep space electro of 'Laika' by Rex The Dog, the pulsating techno maximalism of Michael Mayer's 'Urian', the deep, dubby and dreaming dancefloor psychedelia of Ada's rework of 'Talking Man' by Heido Voss, the Moroder-goes-techno throb of Gui Boratto and Darren Emerson's 'The Shell', and the twisted tech-house-funk of 'Your Fault' by Raxon.
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KOMPAKTCD 182D
06 Sep 24
06 Sep 24
19
Played by: Juno Recommends Downtempo
Review: Much has changed for Maribou State since they delivered their breakthrough album, 'Portraits', in 2015. The runaway success of that album led to live performances at festivals across the globe, and in turn an opportunity to make their own field recordings of sounds - musical and otherwise - in a variety of far-flung locations. As a result, 'Kingdoms in Colour', their third album, is a much more wide-ranging and worldly-wise affair. It exudes warmth and humanity, with glistening tropical guitars and kaleidoscopic electronics rubbing shoulders with shuffling machine beats, jazzy live percussion, warped samples and hazy vocals (Holly Walker and Balearic outfit Khruangbin make notable guest appearances). As a result, Kingdoms of Colour more than lives up to its name, offering a memorable collection of songs and instrumentals bristling with brilliant ideas.
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COUNTDNL 156
07 Sep 18
07 Sep 18
20
Review: NOTON reveal HYBR III, the third chapter in Alva Noto's HYBR series, continuing the meditative and resonant soundscapes inspired by traditional Japanese Noh drama. Reflecting nuanced rhythmic movements and emotional subtleties, the album is designed to be experienced sequentially, revealing its full dimension through sculptural compositions in true Alva Style. Carsten Nicolai's HYBR series merges geometric and dystopian elements with scientific references, creating oscillating rhythms and dreamy atmospheres - like no other.
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3663729 319180
05 Jul 24
05 Jul 24
25
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BLACK TRUFFLE 127 D
17 Jan 25
17 Jan 25
29
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ZENDNL 279R
07 Oct 21
07 Oct 21
31
James Grant / Jody Wisternoff / Various
Luttrell - "Something Right" (feat Molly Moonwater - Jody Wisternoff & James Grant edit - Mixed) - (2:55) 123 BPM
Jody Wisternoff, James Grant, PROFF & Takeshi Furukawa - "Mui" (feat Siobhan Wilson - Mixed) - (5:00) 123 BPM
Darren Tate & Solarstone - "A Long Way From Home" (feat Julie Scott - Jody Wisternoff & James Grant remix) - (3:23) 131 BPM
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ANJCD 145D
31 May 24
31 May 24
34
Review: Beats & Lines" by Joyce Muniz and Sara Bluma is an uplifting electro-disco affair, perfect for a dose of pure fun. This Kompakt debut brings together the energy of both producers, resulting in a track brimming with infectious pop appeal. Muniz lays down a foundation of driving beats and pulsating synths, while Bluma's playful vocals add a layer of lighthearted charm. The playful interplay between the elements keeps the energy high throughout, making "Beats & Lines" a guaranteed dancefloor mood-booster.
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KOMPAKT 486. 1
10 May 24
10 May 24
36
Review: With Berlin's clubbing HQ currently off limits it's pleasing to know Berghain's in-house label is still pumping. Nolove adds to the label's formidable run of EPs from Shed, Substance and Tobias, to albums from Efedemin, Barker and Planetary Assault Systems. Joining this hot streak is long associated DJ and artist with Ostgut, Etapp Kyle, and he realises his second release for the label following previous releases for underton, and Klockworks before that. For this four-track the artist goes spacey and percussive, with skittering white noise flickers and effects chosen over classic techno hi-hats and snares etc. "Polar" and "Unseen" present two cooler, cosmic freezes of subby, percussive drums and mellow overtones while "No Love" and "Eden" venture into more sparse, melodic and experimental territory. Hold on to love.
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OTON 126D
20 Mar 20
20 Mar 20
37
Contemporary Outdoors EPEXCLUSIVE
Igor Jadranin & A Vision Of Panorama - "Contemporary Outdoors" (A Vision Of Panorama remix) - (4:34) 120 BPM
Review: 'The Contemporary Outdoors EP' is a vibrant fusion of retro influences and modern production with a diverse collection of grooves. The title track, 'Contemporary Outdoors', sets the tone with its smoothed-out tech-house vibe. The jam unfolds with 80s-inspired production, delivering a soft yet serious groove that strikes a perfect balance between laid-back and engaging. 'Massive' follows with a catchy rhythm and melodic 80s keyboards, embracing a slick vintage sound. 'Anemoia' picks up the pace with an uptempo electro beat, crisp production and a dynamic energy. 'Heavy In Stereo' shifts gears with a sleek early 80s electro-funk vibe, blending R&B instrumental styling, slick rhythms and shimmering keyboards. The remixes expand the EP's palette. A Vision Of Panorama's take on 'Contemporary Outdoors' transforms it into a soft house gem with balearic vibes and summery warmth, evoking breezy island sunsets. Byron The Aquarius delivers a Midnight Remix Instrumental that leans into techy grooves, an irresistible bassline, snappy rhythms and deep house sophistication, adding depth to the package. With its mix of melodic, groovy and nostalgic elements, this EP captures a timeless appeal, perfect for fans of house, electro and funk-infused sounds.
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SC 1249E
17 Jan 25
17 Jan 25
46
Played by: Kraak & Smaak, Teniente Castillo (Play Pal Music), Rob Lee, Juno Recommends Disco, Juno Recommends Experimental, Local Suicide, Shubostar
Review: A dash of Trans-Atlantic collaboration here, as Miami-based Mexican (and Tour de Infinite founder) Rigopolar joins forces with Discoteca Seduction founder Disto Disco for the first time. Lead cut 'Untitled' joins the dots between driving, punk-funk-influenced dub disco, dark disco and trance-infused nu-disco, while 'Spaced Out' is a harder-edged and more rave-igniting slab of arpeggio-driven electronic disco that comes complete with robotic vocals. The latter is impressively remixed by Phunkadelica, whose revision is a strobe-lit peak-time treat, while 'Untitled' is reworked twice. First Colossio & Cabizbajo recall the halcyon days of "new rave" on a growling guitar-flecked revision, before Childs delivers a deliciously chugging, shoegaze-influenced wall-of-sound take that may be the EP's most inspired moment.
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TDI 004
26 Feb 24
26 Feb 24
48
Review: It's been a long wait but like an epic trilogy we thought we were never going to get, Andy Stott delivers a third record related to the ground breaking Passed Me By and We Stay Together EPs. Nothing stops the rolling onward lurch of "Versi" with "Take" a sort of houseir counterpart in rhythm that's given huge bassline pulse of Intelecto reminiscence. Epic Modern Love Sounds. Jus like in 2011, all reference points of genres heard here are contorted, abstracted and blown up to a full scale of subsonic fidelity. Tracks like "0L9" transmute house to a whole new degree of sunken deepness, while amid light footwork numbers and the harmonics in "Promises" and throughout "It Should Be Us", the record is a huge hello for dub music, club culture, tempos and convention.
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LOVE 114
15 Nov 19
15 Nov 19
