About Minimal Tech House: Minimal has sure come along away since its beginnings in Detroit, where Daniel Bell commenced his pioneering experiments as DBX, former sidekick Richie Hawtin created some of his most profound works (in exile) as Concept 1, and of course over in Germany - where the sound further evolved ie: Thomas Brinkmann's further reductions into the avant-garde. Similarly, Berlin's Basic Channel incorporated dub elements with their greyscale explorations into the void, while over in Frankfurt an underground movement was gaining traction - with influential imprints such as Force Inc., Perlon, and Playhouse redefining the space between the beats. Its distinct aesthetic was characterised by it's clipped rhythms, glitched/muted elements plus gradual changes in texture and dynamics.
Despite its underground credibility, this niche sub-genre gradually became less experimental and emerged as one of the most popular forms of dance music in the mid '00s, spearheaded by the aforementioned Hawtin's change in DJing style (Italian veteran Marco Carola also adopting Final Scratch technology), alongside fellow tastemakers Ricardo Villalobos, Luciano, Jay Haze, Magda and Loco Dice to name but a few. While not as glitchy or fidgety as its previous sonic incarnation, the status quo of minimal at this time revolved around a new frontier of digital production techniques (Ableton/Max MSP, Reaktor) to create stripped down and hypnotic grooves at a steady 125 BPM - a reaction to the peak of early 2000's techno which were reaching near breakneck speeds. Meanwhile in Bucharest, the [a:rpia:r] collective were honing their own variant on the sound and creating a style which would soon be recognised, fittingly, as 'Rominimal' - a sound very much in vogue right now.
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