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Alien Rain 4

ALIEN RAIN - Alien Rain 4
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ALIEN RAIN - Alien Rain 4

Alien Rain

Alien Rain 4

Alien Rain Germany

Cat: AR 4
Released: 
Genre: Techno
Due to copyright restrictions you cannot buy this product in your country
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
TITLE
LENGTH
BPM
07:37
128
$1.89
05:29
128
$1.89
05:47
128
$1.89
Entire Release:
$4.99

Review

Following a recent (and rare) outing away from his Do Not Resist The Beat!, K209 and Alien Rain labels for the new Deep Sound imprint, Milton Bradley lands his extra-terrestrial alias back on home soil. This fourth Alien Rain release is arguably the best of the series so far, with "Alienated 4A" tumbling through a wormhole of fluctuating acid pulses and a sturdy 4/4 kicks, while "Alienated 4B" shares a similar make up, the acid coarser and the drums harder. "Alienated 4C" then sees Bradley in deeper techno mode, as ambient textures float around two voices of acid - one high the other low - making for a moody workout similar to his 303-driven productions on Prologue.

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