Andrew Red Hand has been described as eastern Europe's version of Underground Resistance, and based on this release it's hard not to see some similarities. That said, Revolution '89 starts with the decidedly European-focused moody electro of "In The Cemetery", while on "Slaying the Dictator", he ventures into a more brooding, 4/4 techno approach which is informed as much by ebm and horror disco as techno. On "There is Hope", the Romanian producer's love of Detroit techno comes back again thanks to the use of a predatory bass and sublime synths, while "Bombing for Peace" sees him deliver a Chicago-influenced banger that centres on frenetic snares and mad acid lines.
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