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A Murder Of Crows

BARKER & BAUMECKER - A Murder Of Crows
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BARKER & BAUMECKER - A Murder Of Crows

Barker & Baumecker

A Murder Of Crows

Ostgut Ton Germany

Cat: O-TON 054
Released: 
Genre: Techno
Formats: 
320KB/S MP3
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WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
06:25
126
07:50
126
Entire Release:

Review

One of the many oddities in the English language is the array of collective nouns to describe the word "group". Sam Barker and Andreas Baumecker's second missive for German techno juggernaut Ostgut Ton "A Murder Of Crows" is one such example. "Part 1" opens with a cavernous four-four groove similar to Tommy Four Seven's 2009 Man Like Me remake. White hot snares and rattling percussion fizz to a heady climax enveloped by a throbbing slug of a bass line. Piercing 909 hats, Marcel Fengler thwacks and demonic synths add to the furore. The dank and techy basement beats of "Part 2" align itself with something you would expect from Untold or Hessle Audio, not German techno. Barker & Baumecker's booming kicks, nerdy percussion and ravey synth wobbles distance Ostgut Ton from the concrete and Berghain-centric sound synonymous with the label.

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