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Getula

BE SVENDSEN - Getula
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BE SVENDSEN - Getula

Be Svendsen

Getula

Sol Selectas US

Cat: SOL 054
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
10:00
108
08:34
115
Entire Release:

Review

Fresh from fine recent outings on Music For Dreams, Beat & Path and Earthly Delights, Be Svendson pitches up on Sol Selectas with a chunk of notably percussive and gently tribal deep house. Svendson's original version of "Getula" is particularly impressive, with the Danish producer peppering a dusty, drum rich 108 BPM house groove with exotic instrumentation, humid melodies, dubbed-out electronics and richly atmospheric chords. It's Balearic in feel, but a little more deep and dusty in tone. KMLN provides an even deeper interpretation, where Svendsen's Turkish style instrumentation slowly rises above the kind of dusty, locked-in groove that was once the preserve of Nicolas Jaar.

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