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DJ-friendly full length tracks
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Formats:
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player).
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware.
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320KB/S MP3
Entire Release:
Review
Luke Standing's Blue Hour project has consistently taken influence from 90s techno - so it comes as no surprise that this remix package also makes reference to that period. The key difference however, is that those tasked with reworking his music have taken inspiration from the tougher end of 90s techno. Mark Broom's version of "Common Ground" is a case in point; its surging chords and acid lines resound to the loopy urgency that you would normally associate with Jeff Mills. Similarly, the Pangaea take on "Falling Lines" is a dense, drum-heavy affair and even Substance's take on "Untitled" doesn't stray too far from the scuffled dub sound of Basic Channel and Chain Reaction. Only VC-118A's version of "Introspective 2' diverges from this approach, with its deep synths and tight electro rhythm.Get new release alerts
Blue HourBlue Hour
What is Album Only?
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
