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Clark

CLARK - Clark
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CLARK - Clark

Clark

Clark

Warp

Cat: WARPCDD 251
Released: 
Genre: Experimental/Electronic
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
01:08
80
03:08
90
05:26
63
02:18
63
03:39
63
6. 
02:40
63
04:05
62
04:47
63
9. 
02:57
68
01:37
65
03:31
66
07:06
76
04:48
78
Entire Release:

Review

It is some 13 years since Chris Clark delivered his debut album on Warp, the rather quite brilliant Clarence Park. By his prolific standards, he's been relatively quiet in recent times; this seventh full-length is his first for two years. While there are occasional experimental interludes, for the most part Clark is a playful affair, with the St Albans-born producer delivering a set of tracks that layer fuzzy chords, distorted melodies, spiraling electronics and exotic instrumentation atop scratchy techno grooves. There are, of course, plenty of twists and turns along the way, with the dystopian electro of "Banjo", eccentric ambience of "Snowbird" and the surging, almost symphonic electronica of "Beacon" standing out.

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