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Abuse Of Distortion EP

D CARBONE - Abuse Of Distortion EP
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D CARBONE - Abuse Of Distortion EP

D Carbone

Abuse Of Distortion EP

Dynamic Reflection

Cat: DREF 012
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
1. 
06:24
124
06:47
124
10:53
124
Entire Release:

Review

This upcoming producer has made a name for his innovative approach and the Abuse of Distortion EP is no exception. The title track starts with shuffling, lead-weight drums and gradually builds, through the use of abrasive filters and heavy beats into a distorted monster of a climax. The Go Hiyama version is based on a fractured rhythm, with some of original track's distortion and a haunting vocal thrown in. However, this release is really all about Carbone's ability to test the techno framework and on "Abnormal Distortion" he reaches the form's outer limits, with waves of droning white noise and a stepping, malevolent rhythm.

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