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Out There

D KNOX - Out There
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D KNOX - Out There

D Knox

Out There

ePM Music

Cat: EPM 39
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
05:45
126
05:35
129
07:16
127
Entire Release:

Review

Despite having released music for two decades, Donnell Knox is one of Detroit's unsung techno heroes. True to the form that has featured on his releases for Sect and Black Nation, Out There is an uncompromising affair. The title track sees Knox skillfully fuse deep tones with a stripped back minimal techno rhythm, while "Speak So They Listen" achieves a similar balancing act. Fusing spacey textures with acidic blips and a skipping rhythm, it succeeds in the rare feat of appealing to the head as well as the feet. The label has also chosen the remixer wisely and the ever-dependable Dan Curtin turns the title track into a metal-plated rhythm that is reminiscent of Stacey Pullen's "Psychotic Funk".

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