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Once Upon A Time In Napoli

DAVIDE SQUILLACE - Once Upon A Time In Napoli
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DAVIDE SQUILLACE - Once Upon A Time In Napoli

Davide Squillace

Once Upon A Time In Napoli

Crosstown Rebels

Cat: CRMCD 036
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
07:36
123
07:28
124
5. 
10:03
123
06:42
124
7. 
06:39
131
04:08
120
06:16
123
05:38
122
Entire Release:

Review

While Davide Squillace has been churning out underground hits for the best part of 20 years, his only previous full-length excursion was a compilation of remixes back in 2011. Once Upon a Time in Napoli, then, is a landmark release for the storied Italian producer. For the most part, the material sits somewhere between deep house and tech-house, with a range of intriguing influences - Balearica, synth disco, dub house, Afro-house and, most surprisingly, punk-funk - stirred in to add extra spice to Squillace's percussive and peak-time-friendly productions. Highlights come thick and fast, from the woozy brilliance of vocal opener "The Boogie Man" and deliciously wild and sweaty "Vostok", to the breezy deep house positivity of "Holy Motors" and low-slung "Napoli Texas', which is arguably the album's moodiest cut

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