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Come To Me

DEMUJA - Come To Me
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DEMUJA - Come To Me

Demuja

Come To Me

Madhouse

Cat: KCTDL 1172
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
06:21
122
3. 
05:12
124
05:22
120
Entire Release:

Review

Fresh from the recent release of his killer Vinum EP on Let's Play House, Salzburg sort Bernard Weiss brings his Demuja project to Madhouse for the very first time. The EP is headed up by "Come To Me", a rubbery chunk of classic deep house rich in saucer-eyed vocal samples, lilting Rhodes chords, bustling stabs and crunchy machine drums. Folamour's accompanying remix naturally pushes the track further towards warm and woozy deep house territory - via the box marked "glassy-eyed late night positivity" - before Demuja unfurls two fantastic bonus cuts. Of the pair, it's "Take", a tribute to early New Jersey deep house rich in buzzing synth-sax and memorable chord progressions, that arguably hits home hardest.

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