| Play All | TITLE | LENGTH | BPM | |
|---|---|---|---|---|
| 1. Quasi (intro) | 02:19 | |||
| 2. Argon | 03:04 | |||
| 3. Screen | 06:28 | 130 | ||
| 4. Motive | 05:58 | 127 | ||
| 5. Drawing | 06:30 | 128 | ||
| 6. Reticle | 06:09 | 125 | ||
| 7. Irritant | 05:22 | 127 | ||
| 8. Captivate | 06:01 | 128 | ||
| 9. Silex | 05:50 | 129 | ||
| 10. Home | 05:10 | 129 | ||
| 11. Viscous | 05:32 | 127 | ||
| 12. Taris (outro) | 02:10 | |||
| Entire Release: | ||||
Review:
Marcel Dettmann drops one of the most anticipated albums of 2010, with his eponymous debut on Ostgut Ton. And it's everything you'd hope for (and expect) from a Berghain resident: dark, cavernous, atmospheric - utterly brilliant. The highlights are numerous, from the thunderous, atmospheric electrical storm that is "Argon" to the Basic Channel-esque hiss and crackle of "Drawing" and the looped percussion on "Reticie" that sounds like Dettmann has been dragging a bag of marbles around one of the unused rooms at Berghain. Techno, welcome to 2010.
Marcel Dettmann drops one of the most anticipated albums of 2010, with his eponymous debut on Ostgut Ton. And it's everything you'd hope for (and expect) from a Berghain resident: dark, cavernous, atmospheric - utterly brilliant. The highlights are numerous, from the thunderous, atmospheric electrical storm that is "Argon" to the Basic Channel-esque hiss and crackle of "Drawing" and the looped percussion on "Reticie" that sounds like Dettmann has been dragging a bag of marbles around one of the unused rooms at Berghain. Techno, welcome to 2010.
DJ-friendly full length tracks
DRM Free
Secure Shopping
