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Hotel Oasiz

DJ 3000 - Hotel Oasiz
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DJ 3000 - Hotel Oasiz

DJ 3000

Hotel Oasiz

Motech US

Cat: MT-029
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
10:18
122
Entire Release:

Review

Detroit producer DJ 3000 shows his musical side on Hotel Oasiz. Instead of his typical pummelling percussive drums, he treats listeners to spacey synths and a pulsating electronic groove supporting the sensuous female vocal on the '12" mix'. The instrumental version offers pretty much the same arrangement, minus the vocals, while the beatless take focuses on the synthy melodies and angelic vocals. Alexis Tyrel's reshape is geared towards the dance floor with dense, housey beats and surging chords underpinning the sweet vocals, but Robert Hood's remix is the highlight. Layering the vocals until they turn into a hypnotic chant, the arrangement is subsumed by an evil acid bassline that's every bit as visceral as his minimal work.

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