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Come To The Jam

DJ SPRANGA/MASSIMO VANONI - Come To The Jam
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DJ SPRANGA/MASSIMO VANONI - Come To The Jam

DJ Spranga / Massimo Vanoni

Come To The Jam

Editorial

Cat: ED 74
Released: 
Genre: Disco/Nu-Disco
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
08:40
90
08:04
100
07:43
100
07:07
110
Entire Release:

Review

Leading re-edit imprint Editorial continues to deliver the goods, almost eight years to the day since the release of its debut release. Come To The Jam marks the first collaborative endeavour from Italian producers DJ Spranga and Massimo Vanoni. Opting for a warm, jazzy and groovy sound throughout - think jazz-funk brought up to date, with natural nods towards disco, soul and funk - the duo barely puts a foot wrong throughout. Highlights wise, we're really enjoying the clipped guitars, mazy electric piano solos and lolloping grooves of "What You What" and the revised disco-jazz of "Come to the Jam", though the break-driven disco-funk shuffle of "Jungle Beat" and Afro-cosmic throb of "Love Groove" are equally as impressive.

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