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From The Other Side

DOWNUNDER DISCO - From The Other Side
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DOWNUNDER DISCO - From The Other Side

Downunder Disco

From The Other Side

Masterworks Music

Cat: MMD 094
Released: 
Genre: Disco/Nu-Disco
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
08:04
121
06:44
121
07:48
120
Entire Release:

Review

Here's something a little different from Downunder Disco (real name Steve Cooper) and Masterworks Music: an EP whose lead track, "Drivin' Me", sidesteps disco altogether in favour of a throbbing, riff-heavy late night house sound rich in hands-aloft stabs, reverb-laden vocal samples and a booming bassline so thick it might be made out of treacle. The Aussie producer explores similar sonic territory on the similarly stab-tastic - if a little more musically expansive and percussive - "Disco-Tech", while "That's It" sees him craft a rubbery chunk of hybrid house/nu-disco fusion out of elastic bass, bumpin' beats and the kind of jazzy, swing-style riffs that were once a favourite feature of James Curd's Greenskeepers productions for Classic.

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