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Giving Up On (Alan Dixon Remix)

EKKAH - Giving Up On (Alan Dixon Remix)
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EKKAH - Giving Up On (Alan Dixon Remix)

Ekkah

Giving Up On (Alan Dixon Remix)

Future Disco

Cat: FUDIS 020R
Released: 
Genre: Disco/Nu-Disco
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
03:47
114
07:32
118
Entire Release:

Review

Future Disco has recruited man of the moment Alan Dixon to rework their latest single, a warm and woozy slice of deep disco-pop/synth-pop fusion from female duo Ekkah. The sometime Lumberjacks In Hell, Midnight Riot and Running Back artist has predictably done a bang-up job, too, successfully re-imagining the cut as an arpeggio-propelled slab of Italo-influenced 1980s synth-pop that reminded us a little of some of the Pet Shop Boys best work during that period (think unfussy drum machine beats, emotive chord sequences and a bassline straight out of the Bobby Orlando school of high-NRG). We're particularly enjoying the full vocal version, though Dixon's accompanying instrumental mix is also suitably strong.

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