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In Excess

ELLUM EDITS - In Excess
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ELLUM EDITS - In Excess

Ellum Edits

In ExcessEXCLUSIVE

Ellum Edits

Cat: ELED 01
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
07:18
118
07:13
122
06:53
122
Entire Release:

Review

This release is the first from Ellum Audio's sneaky, under the counter offshoot dedicated to in-demand house reworks and re-edits of lesser-known gems. There's little other information - not least on who did them, though a smart guess would be Maceo Plex and Alta (it's their label, after all). "In Excess", which bits an old favourite, offers a swinging, classic electro-influenced chunk of touchy-feely Balearic house. As the title suggests, "Mode One" offers a fuzzy, psychedelic and wholeheartedly intoxicating take on an old Depeche Mode cut. "Mode Two" does the same, offering a Carl Finlow-ish swing to the drums and more space in the mix.

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